Noise for Heroes Complete 1980-83 Vol 1
Noise for Heroes Complete 1988-91 Vol 2
Noise for Heroes Complete 1991-2004 Vol 3
Edited by Steve H. Gardner
Imagine a decade like the 1980s without zines. For the uninitiated (because they weren’t born then) zines were self-produced magazines, often photocopied and sometimes hand-drawn, focused on subjects that the authors were passionate about. More often than not, the topic was music.
It’s hard to overstate the importance of zines in a pre-Internet world. Along with college radio, they powered the American underground music circuit. In Australia, they connected underground bands, and fans across a country of disparate cities and gave insights into scenes overseas in a way mainstream music papers could never reflect. In Europe, they were oxygen for a culture considered low brow that fought to find an audience.
Zines were lapped up by people into punk, high-energy and left-of-centre music that didn’t manage to gain exposure elsewhere. They were the epitome of DIY culture, making the passion of others tangible. You’re “consuming” the digital equivalent of one right now.
One of the best was “Noise for Heroes” from San Diego, USA. The very lanky Steve Gardner kicked it off with some like-minded friends in 1980. It initially had a focus on punk rock. In its second life, it moved onto the Aussie and Scandinavian underground scenes with Gardner its writer rather than editor. Steve drummed in bands, ran his own record label, NKVD, and had a mail order music business.
Detroit Renaissance 79 - Matt Gimmick (HoZac Records)
The penny dropped somewhere on the Road to Damascus exit, just off I-94, but there was no need for a conversion. The revelation that this band Matt Gimmick was a by-product of The Punks, a Detroit outfit active in the mid-‘70s whose overlooked recordings have been posthumously released a coupla times over, sparked a run to the shelves to dig out their release. If you don't own a copy of The Punks' "The Most Powerful Music On Earth" CD, or subsequent re-releases on vinyl, your life is diminished.
The Punks were unashamedly in the thrall of the Stooges. If solo Iggy had sounded like The Punks we would have been spared “Party” and the Pop would have ended up a rich man much earlier in life for delivering what fans of his old band expected all along. Or so the fantasy goes, because for most of the '70s, nobody actually cared.
"I love rocknroll-all the people with nothing to show..." - Jesus And The Mary Chain
"I ain't lookin' for nothin' in someone else's eyes..." - Bob Dylan
"There's nothing I wanna see, nowhere I wanna go..." - Manic Street Preachers
"Don't take More Than You Need" - Paul K.
"I raise my glass to the ugly truth that you can't reveal to the ears of youth except to say it isn't worth a dime." - Leonard Cohen
"I don't want to go out, I want to stay in, get things done..." - David Bowie
"We drink the water and it tastes like medicine... wake up, wake up..." - Richard Butler
DRESSED IN YOUR SHINY CLOTHES
Some people believe I'm excluding them from some par-tay, but there really is no par-tay. Sometimes, I wonder if there was ever a par-tay. Mostly 'been a lot of changing urinal cakes, washing dishes, merchandising endcaps, ruining the knees with constant bending, and always being stressed from the constant threat of Ford truck hick ass ultra-violence. There might have been some nights of frivolous abandon and dressing up and boozy singing, but that was a long time ago .