Intrigued by their frequently-played, Paul (Rocket Science) Maybury-produced, new LP, "Sideways Changeling", and given that they're playing Adelaide this week (The Metro on Friday and the Crown and Anchor on Saturday), I thought it might be a good idea to ask Melbourne's psychedelic space rockers The Electric Guitrars a few questions.
After all, they're on a national your to launch this, their second album, and are, or have been, playing shows with luminaries like The Scientists and Tumbleweed.
In typical high-energy "you can go your own way" style, they ignored every question put to them and, instead, wrote a track-by-track dissection of the record. Here's the result:
Jasmine Hirst photo.
Lydia Lunch doesn’t particularly care whether people are offended by her art.
From her beginnings in New York no wave outfit, Teenage Jesus and the Jerks, to her spoken-word performances, to her collaborations with Rowland S Howard in Shotgun Wedding, Swans’ Michael Gira, Sonic Youth’s Kim Gordon and Thurston Moore, Bob Quine (Richard and the Hell and the Voidoids), right through to her more recent profane expositions on the United States under Donald Trump, Lunch’s self-defined brief has been deliberately and avowedly confrontationalist.
In her own words, Lunch is a conceptualist, exploring concepts that highlight the exploitation and marginalisation of the individual in contemporary society, the typically patriarchal and oppressive discourse wielded by institutions of power.
If you can’t stand the heat in Lunch’s artistic kitchen, go find yourself a fast-food media joint and starve on the processed, intellectually bankrupt crud that masquerades as entertainment.
In May 2018 Lunch returns to Australia with her Retrovirus concept, trawling across her 40-year career with the aid of Bob Bert (Sonic Youth, Chrome Cranks), Weasel Walter (The Flying Luttenbachers) and Algis Kizys (Swans). I spoke to Lydia Lunch in her sometime home town of New York City.
Corporate con or well-meaning act of benevolence? History tends to deliver a verdict of the former. for "Lethal Weapons", the 1978 compilaiton album of Australian "punk".
"Lethal Weapons" was a product on an offshoot of major Australian label Mushroom (the same people who brought you Chain, Skyhooks and the Sunnyboys) and it was clearly a cynical attempt to commercialise underground music scenes then burgeoning in Melbourne and Sydney, especially.
Compiled by would-be A & R man Barry Earl, the album was notable for its eclectic cast which included The Boys Next Door (soon to become The Birthday Party), JAB, The Survivors, whose members would go onto Sacred Cowboys, The Moodists, Radio Birdman, Teenage Radio Stars and the Bad Seeds.
Trevor Block went in search of many of the original protagonists in bands that signed to Suicide. We're reprising his article to mark 40 years of "Lethal Weapons", and the decade since its CD re-issue.