Vale Damien Lovelock, lead singer of the Celibate Rifles, raconteur and and sports commentator. The icon of The Australian underground music scene passed away this morning after a protracted health battle. A more fullsome tribute soon.
It’s a bill to have fans of lysergic acid punk or Sydney-via-Detroit Funhouse jams reaching into the cupboard for their leather jackets and Cuban heeled boots, when the Green Spiders pair with the long, lost ME-262 for one gig only at Marrickville Bowling Club on September 28.
The Green Spiders come from the DNA of the Lime Spiders, Adolphus and The Most – all staples of the Strawberry Hills-Sydney Trade Union Club circuit in Sydney in the early ‘80s. They play the songs of the Lime Spiders that Green Spiders members penned.
Lime Spiders members Ged Corben (guitar), Tony Bambach (bass) and Tom Corben (drums) are joined by Ripley Hood (Mushroom Planet) on vocals to deliver a potent parade of hard rock and ‘60s punk gems.
Some 37 years after they last strode a Sydney stage, ME-262 are reforming to play this one show.
Comprising teenagers Mark Roxburgh, Andy Newman, Tony Gibson (one of the best guitarists of the era) and drummer Alan Marr, ME-262 (also known as Trans 262 and not to be confused with MEO-245) could be seen regularly around inner-city Sydney in the post-Radio Birdman years of 1979-82.
Heavily influenced by Birdman and The Visitors they played support spots to Sunnyboys, New Race and dozens of others. issuing an EP before fading away to form, or join, other bands like Decline of the Reptiles, Chris Masuak’s North 40, the Visitors and the Deniz Tek Group.
This show will draw from the band’s posthumous 2017 compilation "Original 7” Tracks/Demos" on boutique label Buttercup, which comprised their EP tracks and other songs drawn from a recording session with Rob Younger.
Th Green Spiders and ME-262 will be joined by a mystery band drawn form a range of bands from the Sydney underground of the late '80s and '90s. Tickets are on sale here at a special early bird price.
Radio Birdman is embarking on a short, sharp Australian tour with Citadel label-mates The Stems in tow. The five-date run will include Spanish band Los Chicos as guests on three gigs.
Tickets are on sale via venue websites.
+ The Stems
25 – Factory Theatre, Sydney
+ The LangLangs
26 – The Gov, Adelaide
+ Sunday Reeds
1 – The Triffid, Brisbane
+ Los Chicos
2 – Coolangatta Hotel
+ Los Chicos
4 – Croxton Ballroom, Melbourne
+ Los Chicos
There's some more news about that one-off show featuring Filth with the Celeibate Rifles at Oxford Art Factory in Sydney on September 11.
A limited edition vinyl EP will be issued on the night, featuring four songs originally played by Filth in a run of just 150 copies. Roll-over the image to check out the tracklist. They are not recording by the original line-up.
"Do You Feel Lucky, Punk" is the name of the event and tickets are on sale here.
It's part of the broader Sedition 2019 Celebration of Public Art and Protest in Sydney during the 1970s, more of which we'll be bringing you soon. Check it out here if you can't wait.
And don't delay if you want to see The Aints!, Flaming Hands, Shy Impostors and The Professors at Paddington RSL on August 31 as part of Sedition.
Those tickets won't last long and are selling here.
Bob Short and Noel from Filth.
One of the trace elements of Sydney’s punk history will be exhumed on September 11 when Filth supports the Celibate Rifles at Oxford Art Factory, as part of the Sedition festival.
Filth sprouted from Radio Birdman’s fertile Oxford Funhouse scene and spawned the Psychosurgeons and the Lipstick Killers. Nihilistic and self-destructive, Filth presaged a richly diverse and extreme musical movement based in pubs like The Grand and The Civic.
Loud, fast and full of body fluids that were generously shared with audiences when the mood took them, Filth attracted fans who are even more deranged than them and were rarely invited back by venue operators. One show at Bondi with a nascent X remains infamous for both the repair bill and the number of fans sent to hospital.
The new album from Chris Masuak and the Viveiro Wave Riders is out in early August on I-94 Bar Records and we’ve opened pre-orders. The lead-off track "1776" is embedded above. Place an order here.
“Address to the Nation” is full of trademark Masuak melodies and power with harmonies, a wide-ranging record where powerpop gems rub shoulders with bristling, muscular rock and roll, and punk. It’s in a similar vein to its predecessor, “Brujita”, but a touch harder-edged and more pointed, with lyrical insights about life, love and the sorry state of geopolitics, all powered by Klondike's ace Spanish band There’s also a healthy dose of satire, lurking deep in its grooves.
If you pre-order, your copy of the CD will be sent the day the album arrives back from the pressing plant. You’ll also receive a full digital copy, with bonuses, shortly before. If you're in the market for vinyl, we'll keep yuou posted.
Flaming Hands have announced their line-up, six weeks out from their Sedition Festival show at Paddington RSL on August 31, and it’s an all-star cast.
Founders Julie Mostyn-Gilbert (vocals) and Jeff Sullivan (acoustic guitar) will be joined by Cub Calloway (guitarist with the Saints, New Christs and Ed Kuepper and The Yard Goes On Forever), bassist Warwick Gilbert (Radio Birdman, Hitmen, The Rats), Barton Price (The Models) on drums, John Hoey (Died Pretty, New Christsw) on keys and Phil Hall (Sardine v, Drop Bears and Lime Spiders) on sax.
Coinciding with this news, a rare 35-year-old Flaming Hands clip for single “The Edge” has resurfaced online.
The Mark Of Cain returns to the stage this October performing their debut album “Battlesick” in its entirety.
Originally released in 1989 via indie Adelaide label Dominator, Battlesick sounded like no Australian album before or since. Tracks like “Wake Up”, “Dead Man’s Mail”, “The Setback”, “Call in Anger” and the title track addressed the fear of dreams, the threat of death, anger over disappointment and personal setbacks; not exactly the subject matter of an era when Kylie Minogue was queen and Ratcat were primed to become the pinnacle of the underground.
Sedition 2019 is a Celebration of Public Art and Protest in Sydney during the 1970s, running across various venues and spaces this August-September. To celebrate, Feel Presents have put together a live music component featuring some musical giants from Sydney’s fertile post-punk scene of the late 1970s.
Mark down Saturday, August 31 at Paddington RSL for a show by The Aints!, Flaming Hands, Shy Impostors and The Professors. DJ Dr Rock with be providing the soundtrack between sets. Tickets go on-sale at 12 midday today here.
Ed Kuepper needs little introduction; as a founding member of Brisbane world beating proto-punks The Saints - residents of Sydney for a short four months in Jan-April 1977 - and Sydney’s post-punk giants the Laughing Clowns (1979-1984) Kuepper is almost single handedly responsible for igniting two musical movements.
The Aints! is a continuation of those both projects having lain dormant for some 35+ years but reignited with a passion in 2017 that has thus far seen the release of two full lengths albums, a mini-album and a series of scorching live shows.
Flaming Hands and Shy Impostors both sprung from the ashes of Sydney's exclusive Detroit scene headed by the pioneering Radio Birdman during their reign of 1974-1977.