For 20 years, Sydney’s Lime Spiders cut a swathe through audiences in Australia - and for that matter, right around the world.
Beginning as acolytes of the ‘60s acid punk sound, the band developed its own hard rock style, signed to a major label and toured extensively, attracting praise from the likes of Jello Biafra, Iggy Pop and Joey Ramone. Three studio albums and a live record attest to the band’s power.
The Green Spiders could be called the “sequel” to the Lime Spiders. Featuring three-quarters of the Spiders’ most prolific line-up,
The Green Spiders were born in 2018, out of a desire by the members to play together again. Their originals are written or co-written by Ged Corben, Tony Bambach and Tom Corben and naturally include a generous portion of Lime Spiders material.
There’s also a serving of obscure 60’s guitar rock/pop and a dash of 70’s punk.
Ripley Hood (Mushroom Planet, Funhouse, Gun Control, Brando Rising and the Four Stooges) fills out the Green Spiders line-up as lead vocalist.
Their February 16 show at Marrickville Bowling Club will be their debut Sydney gig.
They’ll be joined by power pop supremos The Loose Pills, now in the throes of completing their second album and deservedly one of Sydney’s best live bands.
Making its debut will be The Second Chance, a collection of Detroit rock veterans gathered around vocalist Pete Patterson (ex-Mother Jones, Melting Skyscrapers and Rattlesnake Shake.)
Tickets are selling here.
After an extremely emotional final performance with the Beasts of Bourbon, Tex Perkins hit upon the idea of getting all of the band’s members, past and present into a recording studio with no particular agenda other than to do just that.
It was more of a celebratory thing he had in mind than anything. Sadly, bassist Brian Hooper didn’t make it along as he passed away a week after the Beasts’ last show.
Assembled in Melbourne's Soundpark Studio a couple of weeks later were, Charlie Owen, Boris Sujdovic, Tony Pola, Spencer Jones, Kim Salmon and Tex Perkins. They were unprepared, save for some some sketchy ideas, loose ends and a couple of covers. With limited time the band knocked together a collection of jams pretty much true to the crazy modus operandi employed back when “The Axeman’s Jazz” got laid down in that fateful eight-hour session in 1983.
After more than two weeks of raved-about Australian shows, English punk-era singer-songwriter Wreckless Eric heads home shortly. But before he does – and after he plays his sole WA show at the Rosemount (with guest Joe Bludge) on Monday November 26 - he’ll be playing one last gig in Melbourne, this Tuesday November 27 at the Merri Creek Tavern in Northcote.
Opening for Eric on the night will be the Merri Creek Tavern’s publican, much-loved singer-songwriter, Weddings Parties Anything mainman and Wreckless Eric superfan Mick Thomas.
Fans of either artist – Wreckless Eric or Mick Thomas – won’t want to miss this super intimate show, so get your tickets here.
Legendary Mexican-American singer-songwriter Alejandro Escovedo will tour Australia for the first time in March 2018 on the back of his acclaimed new immigration-themed album The Crossing.
Escovedo is a seminal figure in Texan music and one of the most acclaimed American songwriters of his generation. He’s a recipient of the Americana Music Association's Lifetime Achievement Award and will be honored with the Townes Van Zandt Songwriter Award at next year’s Austin Music Awards.
Alejandro has released 11 solo albums and contributed to numerous others, as both band member and guest. His songs have been recorded by the likes of Lucinda Williams, Steve Earle, Ryan Adams, Cowboy Junkies, and Calexico, and he’s shared stages with everyone from Bruce Springsteen to John Prine to Mott The Hoople’s Ian Hunter.
Alejandro’s latest album, "The Crossing", released in September 2018 on Yep Roc and one of the most acclaimed of his career, looks at matters of immigration and the broken Promised Land that is America through the focused and unflinching poetry Alejandro is known for.
It includes cameos from underground rock royalty in the personages of MC5 guitarist Wayne Kramer, Stooges guitarist James Williamson and Peter Perrett and John Perry of The Only Ones, Texan country great Joe Ely and acclaimed novelist and Richmond Fontaine/Delines songwriter Willy Vlautin.
REM’s Peter Buck and the Velvet Underground’s John Cale have both served as Alejandro’s sidemen in addition to being his producers, a role also filled by legendary Bowie and T.Rex producer Tony Visconti, who produced a run of three albums for Alejandro spanning 2008-12.
High-energy veterans Senor No from Basque Country (don't call it Spain) are embarking on their first Australian tour this month but their Anipoddean connection already runs deep.
Senor No was born in Donostia/San Sebastian, Basque Country in 1993, after the dissolution of the seminal Spanish group La Perrera. The band released their first LP with No Tomorrow Records in 1994 and toured Spain and surrounding areas relentlessly while recording five more albums and more than a dozen singles.
Senor No was the very first release for the seminal Spanish label Bang! Records which is a label responsible of releasing some of Australian best bands overseas.
Sixties soul and Swinging London icon PP Arnold returns to Australia in November and December for more shows with her all star band.
In case you haven't heard, that band would be Tim Rogers, Andy Kent and Russell Hopkinson of You Am I, Talei & Eliza Wolfgramm and James Black, and she'll also play select shows with the Rockwiz Orchestra.
Her recent run through Australia elicitted rave reviews - including this one.
PP Arnold‘s CV includes Ike & Tina Turner, Mick Jagger and Andrew Loog Oldham, The Small Faces, The Nice, Jimi Hendrix, Rod Stewart, Barry Gibb, Eric Clapton, Nick Drake, Graham Nash, Stephen Stills, Roger Waters, The KLF, Ocean Colour Scene, Primal Scream, Oasis and Paul Weller.
She was the Los Angeles teenager who became London’s First Lady of Soul after hitting town in 1966 with Ike & Tina Turner and coming to the attention of Mick Jagger.