The spirit of New York City’s Lower East Side (circa 1979) is alive and well and living under the nom de plume The Disconnects in Neptune City, New Jersey.
In many respects that’s good to know because in these horrifyingly gentrified times, it couldn’t exist any longer in safe and antiseptically clean Manhattan. Even its neighbour, Brooklyn, has become respectable. New York Punk (the Heartbreakers variant) was swept under the carpet years ago - so good on The Disconnects for flying that ragged flag.
Legendary guitar-pop trio DM3 are set to tour Australia in April following a renewed interest in the band on iTunes and on vinyl.
DM3’s “Monsters of Jangle” Tour will be a rare chance for fans of the WA-based, internationally revered power-pop outfit too see them perform live in limited venues around Perth, Melbourne and Sydney ahead of a trip to Japan.
“Monsters of Jangle” will showcase DM3’s ‘Best of’ vinyl release “One Time Two Times Three Times More”, a collection of explosive highlights from their five albums released on the respected Sydney based independent label Citadel Records from 1993-2002.
Formed in 1992 by The Stems’ founder songwriter Dom Mariani, the original line-up of DM3 includes Summer Suns’ drummer Pascal Barlolone and Someloves’ bassist Toni Italiano. Together they are revered worldwide for an explosive sound that fuses melodic pop hooks, cool vocals and high energy rock’n’roll guitar.
DM3’s first two albums “One Time Two Times Three Times Red Light” (1993) and “Road to Rome” (1996) were produced by the legendary Mitch Easter (REM, Pavement, Velvet Crush) and lauded by critics and fans alike as two of the world’s best in power pop genre.
Album number-three “Rippled Soul” (1998) put Mariani’s unrivalled skill as a songwriter front and centre and won legions more fans at home and in Europe and the USA.
Fancy some cock rock in a double-serving? This double A-sided split-single puts Gold Coast/Far Northern New South Wales misfits, Raygun Mortlock, intp bed with trashy Brisbane brat-beaters, The Dirty F Holes. Who wears the strap-on in this aural version of "50 Shades Of Grey" isn't clear but the consummation of this relationship isn’t pretty.
“I’ve Got Cock If You Want It” sits astride a repeating guitar figure and lets it all hang out. There is no fancy foreplay introduction or acoustic guitar filigree at the bridge in this ball of sludge. It has a direct, shout-along chorus (you can guess the words) that's interrupted only by a tightly-coiled guitar solo that takes the song out.