Well, this is a first, I think. This is a four bottle CD, and I really do dislike it. However, I disliked it a lot less after the second listen, and by now (fourth spin) it’s beginning to grow on me.
Michael Cullen’s last CD, 2011’s “Love Transmitter”, I am unfamiliar with, but it seems all who heard it loved it. This fact, plus the quality of “True Believer” (I can see shedloads of you shelling out to hold it in your hands, then scampering out to see the man in the flesh) gives me pause.
“True Believer” takes us through loves lost and almost won, via European streets and Melbourne alleys, dashed hopes and determined belief and - a certain contempt amid the vulnerability.
There’s a lot of ‘50s revival acts and actors out there. And, I suspect for most, it’s just a bit of harmless narcissism. But the Rev…?
Have you ever stood in a jammed-in-crowded room and suddenly felt a large hand grip your balls and give them a playful squeeze? And there’s no-one around who looks like it was them..?
“Rev”, The Rev’s umpteenth LP, is full-tilt, in ya face, grabs your privates, smart, sassy, intelligent rock’n’roll from the old school.
This New Jersey four-piece might be one of the oddest bands to grace the reviews section of the I-94 Bar - or most other places. if you know of any others to have a lead xylophone/glockenspeil player as backing vocalist, well you know our address.
OK, Dave Graney uses a fair chunk of vibraphone in some of his music. Mark Sultan made a killer solo record("The Sultanic Verses") with dinky keys and xylophone. Tommy Hall’s jug rhythms made 13th Floor Elevators sound other-worldy. Using a glockenspiel as a melodic advice puts Crazy & The Brains in a different category.