With a band lineage like The Eastern Dark, the New Christs, Orange Humble Band, Happy Hate Me Nots, Lemonheads, Pyramidiacs, The Scruffs and Eva Trout among others, you’d have high expectations and “Rx”, the debut album for Sydney supergroup Loose Pills, matches the label on the bottle.
Steven Danno photo
The thing with nostalgia is that it never gets old. Like sand through an hourglass, reunions of storied bands are an inevitability. Some are great, some barely tolerable.
The verdict is in on the return to duty by three versions of the Hoodoo Gurus, as a warm-up for an appearance at the Splendour In The Grass festival a few days later. This was a championship-style triumph rather than a chore.
Needing to leave Queensland for a fresh start in March, Lime Spiders vocalist Mick Blood said a sad farewell to his beloved dog, Monty, and set off looking for a new home. After a torrid few months, Mick finally found a new home in Newcastle, NSW, and set about getting back into work and getting on with his life.
Within a few days of moving in, however, disaster struck when Mick was bashed unconscious at a local nightspot, leaving him with serious head injuries. He is now in hospital and requires a long period of treatment, recuperation and life re-building.
The Sydney date for the New Christs launch of "Incantations" has been announced. It's Saturday, August 2 at The Factory Floor (that'd be The Factory Theatre) at Marrickville.
Tickets for the show are selling here or you can preach about it on Facebook here. More Aussie dates have been announcec following the band's well-received four-week tour of Europe:
Saturday August 2nd - Factory Floor, Sydney
w/ Johnny Casino + The Escarpment
Friday August 8th - Bridge Hotel, Castlemaine
w/ Don Fernando
Saturday August 9th - Cherry Bar, Melbourne
w/ Don Fernando + Grindhouse
Fri August 22nd - Beetle Bar, Brisbane
w/ Hits + guests
Saturday August 23rd - Italo Australian Sports & Recreation Club, Lismore
w/ special guests
Saturday August 30th - The Small Ballroom, Newcastle
w/ special guests
Pssst…Like Rock? I think got something for ya. Like a disappeared postcard that got mailed 35 years ago, this showed up on my porch and promptly blew the doors off. It’s the first Rockets recording since they disbanded in the early ‘80’s.
Monster drummer and songwriter Johnny Bee Badanjek (think Detroit Wheels, Free Ride, Welcome To My Nightmare) has relaunched The Rockets with Jim Edwards - a fantastic singer, and a badass group of Detroit musicians.
Punk turned peace activist Ivan Suvanjieff - originally known as Mark Norton from the Ramrods - is a former Cream writer and film maker as well. Here's episode one of his series, Detroit Punks, featuring interviews with pre-eminent Motor City music names. This is with John Brannon of Easy Action and Negative Approach.
Ivan Suvanjieff and Dawn Eagle head PeaceJam, a multiple Nobel Prize-nominated organisation working for social justice. More information at Peacejam.
Hard-Ons and Nunchukka Superfly co-founder, Peter Black, (aka Blackie) is launching his third full solo album with an Australian tour that includes a run of dates as special guest support to King Buzzo of The Melvins.
"The Paintings On The Wall Say Gambler! Gambler!" is said to be "a flaming solid ball of creative explosion, whereby storm-trooping guitars and rhythm" that abandons the storm-trooping sounds of Hard-Ons and Nunchukka for "beautiful, introspective and whimsical".
Rising from the ashes of trio Hy-Test, BRUCE! (capital letters compulsory) is a band from the once-industrial musical nursery of Wollongong, south of Sydney, that plays skull-crushing guitar rock with occasionally complex arrangements. This EP showcases four of their simpler tunes delivered to mostly damaging effect.
One of the lesser-known musical pleasures in Australian over the last decade has been the quirky garage sound of the Hekawis, a fuzz-and-organ-driven combo prominent on the Brisbane and Melbourne underground music scenes. Churning out release after release, partly via the then prolific Courdroy label (who happened to own the country's sole vinyl pressing machine for a period in the '90s), the Hekawis pushed all the usual '50s and '60s buttons but came up with a sound unlike any other of their ilk.
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