Aztec Music once again has done a brilliant job with great remastering, a massive booklet with liner notes, band interviews and tons of photos. Plus 2 rare bonus tracks (a 7” edit/mix of "What’s Going On" and a live GTK recording of "United Nations"). Aztec have done such a good job that the bootleggers have actually had the nerve and audacity to cry unfair...Ha! Maybe the bootleggers should pay the band some royalties first, before complaining too much.
I remember when I first bought this album. It would have been around 1974 or '75 on my first visit to Sydney's famous Ashwoods Records in Pitt Street (RIP). Being a poor high school student, the idea of cheap second-hand albums was cool beyond words! For about $2-3 each I scored Slade "Slayed", "Black Sabbath Vol 4" and, of course, Buffalo’s debut LP "Dead Forever".
All good things must come to an end and Aztec's reissue series on the mighty Buffalo is something that in a perfect world would never end (a world which would also include hangover free beer, amps that really do go to eleven and pizza that grows on trees).
Considered by some collector types as not being as valid as the earlier Buffalo albums, "Mothers Choice" and "Average Rock & Roller" are both very different to the hard and heavy jams as heard during the John Baxter (guitarist, songwriter) era of the group.
By An Anonymous Australian Band Member
Recently I was interested to read an article on a News Corporation website in which Justin Burford, from a lame pop band called End of Fashion, took aim at AustralIa’s national youth broadcaster JJJ.
The New Christs are re-surfacing after knuckling down in the studio to work on their forthcoming album, “Incantations”. The band hits the stage at Beaches in Thirroul (in Wollongong’s northern suburbs) on Sunday night. Support band,The Escarpment, opens the evening at 5pm and admission is free.
Ade (right) and fellow Bad Shepherd Terl Bryant share a joke.
There are times when I don’t like doing this.
If the '90s and early '00s were the era of young folk aping the look of punk junkies (see Buffy the Vampire Slayer), the Twenteens will be remembered as the era of OI! BEARDFACE! YOU! FACE THE FUCKING AUDIENCE! You are PERFORMING! YOUR BACK DOES NOT PERFORM! YOU FUCKING TWAT!
I copped this 2006 reish late (thanks ‘n’ a tip o’ the hat to Lou Ridsdale at Lance Rock Publicity), but the Barman is generously allowing me to weigh in with myYankee two cents’ worth.
It depends where you live but electrified Deniz Tek shows are more or less annual affairs these days, with the good Doctor spending half his time tending to A&E patients in Sydney, Australia, or Billings, Montana, with rock tours squeezed in during down-time. Unplugged gigs, on the other hand, are fewer and further between.
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