A Festival of Sue tickets go on sale

festival of sueTickets for The Festival of Sue, the tribute to late Sydney music booker Sue Telfer, are now on sale here.

X, the New Christs, The Johnnys, Kim Salmon, Front End Loader, The Mis-Made, Penny Ikinger, The Holy Soul and The On and Ons have been announced in the first wave of bands on the bill.

Proceeds from the October 20 show - featuring a dozen bands over two stages at The Factory Theatre in Marrickville, Sydney - will go to Support Act, the charity for music industry members who have fallen on hard times.

It's a dazzling line-up with more names to be added and will run from 2-10pm. It will sell-out so don;t delay.  

Celebrate Damien Lovelock

damien memorialThe private funeral has come and gone. There will be a public celebration of the life of one of the world's great characters in yoga teacher, sports commentator, writer, musician and waterman, Damien Lovelock, of the Celibate Rifles on Saturday, August 24 at Newport Surf Club in Sydney from 2pm.
 
Surfers wil conduct a paddle-out, followed by a gathering in the clubhouse of all who wish to pay their respects.
 
 
 
 
 
 
 
 
 
 
 
 

Soft – Songs of Love. Distance & Destinations – Fast Cars (Method Music)

soft coverIn case you haven't noticed, trans-global duo Fast Cars kissed their mod past goodbye a long time ago. moving into dreamy shoegaze and pop-psych.  On their second full-length album, “Soft – Songs of Love. Distance & Destinations”, the core of Di Levi and Fabian Byrne has staked its claim on folk-pop.

“Soft” leads with the A and B side of the seven-inch single that preceded it. “Real Love?” and the slightly acerbic “Stainless” grow with each listen, reverberating with echoes of Britpop and the faintest strains of the Church. It’s Di Levi’s elegant vocal that’s the distinctive take-out here and that rings true for all 13 songs.

Expect no in-your-face rockers on “Soft”. Fast Cars are aided and abetted by an array of guests in Australia and the UK and there's some quality playing. Melody lines and musical textures abound. On this one, Fast Cars seek to beguile rather than badger.

Burnt Trees in The Snow – Fraudband and Donovan’s Brain (Kasumuen/Career)

burnt trees in the snowAn unlikely pairing or a reckless act of inspiration? The contrasts on this split LP couldn’t be more obvious, but somehow the partnership works brilliantly.

Fraudband is an Australian duo (drums and guitar) that plays stark and evocative instrumentals, while Donovan’s Brain is a long-running American collective with roots in psychedelic West Coast and paisley pop. This LP, which you can buy on either side of the Pacific, gives each a toehold in the other’s musical market. As is often the way in these digital times, the vinyl comes with a download code for six extra tracks, all of them as good as the 10 LP cuts.

Half the Fraudband contribution comes from a CD release called “Blinkered vision and blurred horizons”, the rest of which ended up on a Bevis Frond split album. The Donovan’s Brain stuff is drawn from a seemingly bottomless well of material, pieced together by leader Ron Sanchez.

Sydney music champion Sue Telfer to be celebrated by all-star line-up

sue telfer

Friends of Sydney music scene legend Sue Telfer have banded together to assemble a line-up of bands to pay tribute to this much-loved lady at The Factory Theatre in Marrickville on Sunday, October 20. Over eight hours and two stages, a line-up that includes X, the New Christs, The Johnnys, Kim Salmon, Front End Loader will crank up the volume for Sue.

Sydney’s live scene suffered a monumental blow in June when long-time administrator, venue booker, confidante and den mother to countless bands, Sue Telfer, passed away suddenly at her Sydney home.

Sue grew up in in the halcyon days of Sydney’s inner-city scene of the 1980s. A employee of musicians’ rights organisation APRA-AMCOS for 32 years, Sue was around Surry Hills’ vibrant music pubs and clubs for even longer, most notably as the long-time booker for its legendary Excelsior Hotel.

Address to the Nation – Chris Masuak and the Viveiro Wave Riders (I-94 Bar)

address to the nation smIt's been three years since Chris Masuak released his “Brujita” album with his rip-roaring rock combo The Viveiro Wave Riders. A bitter-sweet record that was full of melody, hooks and razor-sharp lyrical daggers. Subtle, Chris was not.

With the new album “Address to the Nation”, there's the sense that he and his band have many gigs under their belt since then The Spanish-based Wave Riders are developing into a very tough, street-level rock monster   The rhythm section of drummer Juan Martinz El Kara and bassist Abe Coreujo is as tight as a bloke with middle-aged spread putting on his stovepipe jeans for the first time in 30 years.

Opening track “1776” takes no prisoners with its blistering attack and soaring guitars telling you that the valves of the Marshalls are truly lit. That rhythm section is sounding like a semi-trailer on the Hume Expressway. Masuak’s cynical, anarchic approach to a topic like the Trumpian world in which we are living would surely have the Founding Fathers rolling in their graves. In just over three minutes, Masuak and his band nail the mess that the 'Murican empire has become.

By Request - Steve Lucas & Friends (SL Express)

by request vinylThis four-song single and accompanying 10-track CD is a labour of love, a mission completed at the request of the late Chris Wilson, the celebrated Melbourne singer and X collaborator who was claimed by cancer in 2018.

Steve Lucas is backed by a San Diego band on the single, and augmented by Melbourne players on the rest. The majority of instrumentation is by Lucas, The CD includes the vinyl tracks so you're good to go in whatever format you please.

This is the X singer as you haven’t heard him - unless, of course, you’ve been to one of his thoroughly entertaining solo shows where he does away with stylistic boundaries and sings whatever takes his fancy. Mostly-acoustic, largely recorded live but augmented by sympathetic players, it resonates with raw spontaneity.

“By Request” has a distinctly Americana mood to the music. That should not surprise - the EP tracks were recorded with Mexican musicians in America, as Chris Wilson asked. Their number includes Hector Penalosa of The Zeros but they are all accomplished local players.

Ron Keeley offers original Birdman drumhead

rb drumheadFoundation Radio Birdman drummer Ron Keeley is offering a rare piece of memorabilia for sale on the UK eBay site, taken from his own collection.

This item is a 24 inch (61cm) diameter painted bass drumhead from his white Rodgers kit. It was hand-painted by the band’s long-serving bass player and their artist, Warwick Gilbert. It saw action from 1976-78. It was re-used by Ron after Birdman broke up and he joined The Visitors, at that point being covered by a cardboard fascia with that band’s logo.

“It was on the kit for ALL the Radio Birdman gigs we played during that time, including all those at the Funhouse, the famous live session at 2JJ Studios, both of the legendary 1977 Paddington Town Hall gigs and many others,” Ron said.

“Condition is pretty good considering its age and the number of ‘skirmishes’ it was involved in…although it’s a bit battle-scarred (and stained in places with splashes of beer and other unidentified liquids.)”

The item comes with a personally signed Certificate of Authenticity stating that the drum face is a contemporaneous item from Ron’s personal collection, and describing its provenance.

Beyond Respect

killing time brett allenPhoto from a Brett Allen video.

Damien Lovelock 1954-2019

I first caught the Celibate Rifles a few weeks after my 17th birthday in the upstairs room at the Paddo Green Hotel. They were loud, fast, made me grow long hair. I’d recently bought “But Jacques, the fish”, skipped the first few classes and went into the city; got back to school with that treasure. It was a passport to a different world.

There were a lot of Rifles gigs over the years. It’s remarkable now to think how damn LOUD they were in the ‘80s. Towering amps, double four-way PA, in an average pub or club. It was inspirational too.   If they could do it...

Of course, the average teenage punter didn’t know how much time and effort had already been ploughed into that band. Thirty-one years after that first gig I put this together. Read it, it’s the key.

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