Yeah Yeah Nah Nah - VeeBees (Ocker Records)
Rob Younger once opined that he hated lyrical references to local landmarks in Australian songs. He couldn’t imagine anyone wanting to sing about Parramatta Road. Have you been down Auto Alley lately? Fair call.
On the other side of the ledger, it’s also been said that bands should write songs about things they know. The VeeBees sing about Wollongong, suburban Canberra, drive-through bottleshops in Sydney's inner-west, drinking, cars, girls and pubs, ad infinitum. There must be a message in that.
And of course “Bulli Pass” rhymes with “arse”.
Outlaws - Rose Tattoo (Cleopatra Records/Punktured Media)
On which the current, immaculately qualified Tatts pay tribute to the heritage created by a late and much missed past line-up, with mixed results.
Dispassionately assessing a re-recording of Rose Tattoo's classic 1978 self-titled debut album is a tough assignment for any fan of the original work. It was a unique record.
A masterful blend of blues-boogie-rock with massive bottom-end swing. It was laced with punk's confrontational edge and delivered by true outsiders with a gang mentality - when both of those qualities were real and mattered.
Foreign Insurgence - Lethal Mercenaries (self released)
Once you get past the homespun production, “Foreign Insurgence” is a handy slice of garage punk Rock Action.
It’s a mini-album by Lethal Mercenaries, a band formed seven years ago by Charlie Lethal - aka Sydney musician and onetime I-94 Bar scribe Simon Li - and some local underground luminaries.
Simon is Hong Kong-born, Melbourne-raised and Sydney domiciled, so his influences are varied. He’s also a product of Melbourne’s musical training ground, Rock and Roll High School, and a slavish devotee of that city’s late rock royalty, the Powder Monkeys.