Rock and roll cowpunks The Johnnys are proud to be sharing a stage for two special shows with a true Australian country music legend, Chad Morgan, in April.
The Johnnys will perform with Chad Morgan at the Hardys Bay Club on the NSW Central Coast on Friday, April 5 and Marrickville Bowling Club in Sydney on Saturday, April 6.
Chad Morgan, 86, has been performing to generations of Australian music and comedy fans for more than 50 years. Dubbed “The Sheikh of Scrubby Creek” after one of his most popular songs, Chad released his first album in 1952.
He is renowned for his vaudeville style of comic country and western songs, and goofy stage persona. Chad is the ultimate comic of Australian country music and is instantly recognisable for his unique trademark – those teeth!
A platinum and gold record artist, Chad has an enormous and devoted following and is constantly touring the country, performing songs such as “I’m My Own Grandpa”, “The Shotgun Wedding”, “Double Decker Blowflies” and “There’s Life In The Old Dog Yet”.
Tex Morton once described Chad as the only original country music artist in Australia. Slim Dusty called him the crown prince of comedy. When Gordon Parsons came up with “The Pub With No Beer”, Chad’s the bloke who wrote the words down and contributed a verse of his own.
Chad and The Johnnys go back 30 years. Guitarist Slim Doherty said: “Chad Morgan played a few shows with us in Sydney many moons ago and loved us as we did him.
“He has a cameo in our 'Buzzsaw Baby' film-clip and it is an honour to have shared the screen with this legend. I have an Eko Electric guitar Chad 'signed' with his pocketknife which I still treasure immensely.”
The Johnnys are Slim Doherty, bassist Graham Hood and drummer Billy Pommer Jr and they will be coming fresh off a national you’re with The Beasts. These shows will be a unique pairing and will sell out so don’t delay. Pre-sales tickets are available here.
It was the moment I knew the relationship was in trouble. It was April, 1993 at Le Rox in Adelaide. Ed Kuepper was headlining, but it was support act Kim Salmon - in solo mode - who was holding our attention.
Just as Salmon strummed the opening chords to “Words From a Woman To Her Man’”– still, when push comes to shove, one of my two favourite Salmon tunes (the other being its companion piece, “Something to Lean On”), a punter in front of us turned and rebuked my girlfriend for disturbing the aural ambience with her loud commentary.
I knew the relationship was in trouble because I wanted to side with the anonymous interlocutor from the crowd.
Nancy Rankin-Escovedo photo.
In 2018 Alejandro Escovedo released "The Crossing", an album based on the story of two boys, one Mexican and one Italian, travelling across the United States. “I’ve always lived along the border in California and Texas, so it’s been part of my story,” Escovedo says. But while immigration is fundamental to the evolution of modern America, in recent years it’s has become a hot political topic.
(To accentuate the point, a few hours before my interview with Escovedo, US President Donald Trump invoked emergency powers to secure the funds to continue the building of his border wall between Mexico and the United States.)
Escovedo didn’t set out to write a political album; it’s just that “whenever you talk about immigration at this time it tends to be political because of what’s going on in America”.