In no special order:
1. The Damned at The Triffid, Brisbane, March 15
A school night: Wednesday. The Mesmerisers go on at 7.30pm to a packed house. We carve, the crowd makes us feel like they are there to see us. The Damned 's tour manager remarks that he has never encountered a support band being granted a bottle of Gordon's gin as part of their drink rider: another milestone ticked.
The Damned play for two-and-a-half hours - brilliantly. They are a big hit with the audience - and with Captain Sensible back in the band, they could hardly miss.
2. Perfect Match
Now I do know where she comes from: Banyo. I’ve got a Date with a Banyo girl, tonight.
3. Died Pretty, Radio Birdman and The Mesmerisers at The Tivoli Theatre, Brisbane, June 23
The crowd have all turned up early and turn on to us straight away. Died Pretty get better every time I see them. They always were a fantastic band.
4. Perfect Purchase
My Zoom H5 portable recording device does everything i wanted it to.
5. Gap Farmers Markets, Brisbane, June 25
Andrew Ross and Co sure know how to put on a festival . We go on before dusk. I wear my sunglasses for half the set. Michael again chooses the right shirt for the occasion.
2017...the year that was ...and yes I have Sinatra's ''It Was a Very Good Year'' going through my head. Actually, it had its ups and downs but I'll focus only on the ultra good, in no particular chronology.
My musical year started with a performance with the Queensland Symphony Orchestra as my backing band at The Tivoli. in Brisbane. We played my most recent album “Lost Cities” in its entirety, as well as a selection of material I did for the “Last Cab to Darwin” soundtrack, plus earlier solo and Laughing Clowns tunes. “Ghost Gum” and “Collapse Board” were real high points for me.
Richard Davis conducted and made the transition from the garage to the concert hall for me not only possible but an enjoyable experience. Robert Davidson did the orchestral arrangements and brought the songs to life in a context I'd often dreamed about doing but hadn't actually heard.
Richard Wenn put the whole thing together. It would not have happened without him. His enthusiasm for bypassing the “greatest hits” approach and general tenacity made it work. Thank you, Richard.
We did the show again in Cairns a little while later, this time with a slightly trimmed-back orchestra (even flat-stacking them, there are only so many orchestral musicians that fit into the back of my ute.)
This was also great and quite different due to the smaller orchestra. The whole thing has been a great learning curve for me. Thanks, one and all.
The next thing I went on to do was what was announced as my last ‘’Solo and By Request'' tour, this time taking in all those out of the way and rural places I don't get to that often. The idea for these shows started in 2013.
My top 10 albums for 2017 - and a cheeky top 5 EPs chucked in there, too.
Control Freaks - "Mindless Entertainment"
Powerline Sneakers - "Disasterpiece"
Hana & Jessie Lee’s Bad Habits - "Southlands"
Meatbeaters - "Wrong Side Of Yesterday"
Sheer Mag - "Need To Feel Your Love"
Cyanide Pills - "Sliced & Diced"
The Hormones - "Legendary Junk"
Stiff Richards - "S/T"
The Molting Vultures - "Crowd Surfing With The Molting Vultures"
The Uglies - "Keeping Up With The Uglies"
Control Freaks - "Don’t Mess With Jessica"
Les Lullies - "Don’t Look Twice"
The Cavemen - "Dog On A Chain"
Control Freaks - "No Action"
The Fadeaways - "Kicks & Chicks"
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