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Ray Hanson’s Whores of Babylon: Sonic outlaws, empire of dirt, glitter and perforated electric souls

thee hypnotics hansonRay Hanson used to play guyitar for Thee Hypnotics, who destroyed audiences in their home of the UK before they begat The Jim Jones Revue. His current band is Ray 'Sonic' Hanson's Whores of Babylon. What are they like? You'll hear for yourself, soon enough.

Here's a word picture.

Think: Geordie Pleathur jamming in the midnight hours to Sonic Ray while thinking of Nick Marsh, lost loved ones, and nursing a broken hand.

Now read on...

No Fool's Gold to be seen as Datura4 debuts in Sydney

datura4 factory floor

The term “jam band” first flashed across my radar in a small bar in Ann Arbor, Michigan, in the early ‘00s. It was in a pub called The Eight Ball, underneath the much more famous Blind Pig. I was lucky enough to be sharing a drink with Scott Morgan. (Ooops. I dropped a name.)

“Who’s playing upstairs tonight?”

“Some jam band.”

“A what…?”

feedtime poised to release first album in 20 years and here's a taste

 

 

Much-loved Sydney blues-punks feedtime are releasing their first new album in 20 years on March 24. "Gas" will be on In The Red and "Any Good Thing" is the preview track. Pre-orders are happening here.

Against the backdrop of the burgeoning inner city music scene, feedtime was formed in 1979. Taking notes from the incendiary live shows of X and Rose Tattoo, feedtime set about creating their own interpretation of the events unfolding before them, a blues-noise that was equal parts abstract minimalism and working class roots-rock. Post-punk, yet right in the thick of it; miles ahead of the pack and not many seemed to notice.

Say goodbye? Hunnas have still got it

mark seymourMark Seymour of Hunters and Collectors.   Mandy Tzaras photo

Hunters and Collectors at the Clipsal 500 in Adelaide? Dunno about you but we started the year behind and so far we’re still behind. So we didn’t think we’d be able to go to this, and planned accordingly to see Fear and Loathing at the Metro instead.

It’s a nightmare place to navigate, is Adelaide. Circling the city are roadworks (which take four times longer to do than in Syd or Melb) and go-slower signs everywhere which result in funding for local government. This week’s big car race this week has caused 40 percent of the public transport and cars to divert, thus clogging up the rest of the roads; Festival and Fringe are cluttering up the place with doofus tourists in daggy clothing and "duh" expressions...

I know people who only visit the city between April and November because they can't stand it and are fed up with struggling through the traffic. A lot of "normal" businesses lose money because of it. And all, one suspects, to sell alcohol.

The Velvet Underground. Complete Released Works. Part Five

velvets dinkusSo on to "The Velvet Underground" (aka The Third LP). As Velvets fans know, this is the first LP with Doug Yule replacing John Cale.

Disc One is the more usually recognised Val Valentin mix (the mix used for the 1980s reissue onwards); Disc Two is Reed’s slightly later ‘closet’ mix (the mix used for the original 1960s LP), or or Peel Slowly) and, for the first time in any broader sense, the Promotional Mono Mix (with the two shorter songs from the single).

The Val Valentin mix is the one I grew up with, as did several generations of later fans and musicians; so both mixes are obviously essential in the same box set, as is the rarely-heard promotional mono mix - it was several years became stereo became the norm, rather than mono. Curiously, the mono mix reduces the length of several songs, but adds a few bare seconds here and there.

In 2014, Discs Five and Six here were revelatory, ensuring purchase (one of the reasons I forked out). Most of these recordings were unreleased in 2014, but today, in the light of the "Matrix Tapes", surely they’re surplus to requirements.

I mean, there’s nothing wrong with these last two discs in themselves, or the order in which the songs appear here; these discs present the band doing two very different gigs; they’re at their most ferocious and their gentlest. Me, I rather enjoy the different tracking (to the "Matrix Tapes") which the Deluxe Box provides here, so I’ll be returning to these discs myself. But you shouldn’t need this box for that reason if you already have the "Matrix Tapes".

Gypsy Mojo - The Hollerin Sluggers (self released)

gypsy mojoBorn out of a surf club fundraiser, this trio from the Manly Dam Delta on Sydney’s Northern Beaches have just rolled out album number two. “Gypsy Mojo” makes it clear that if The Hollering Sluggers have sold their souls to the Devil at the Brookvale Oval crossroads, they ain’t getting a refund.

The Sluggers are a trio playing blue collar blues with a distinct rock and roll edge. There’s no new ground being broken on “Gypsy Mojo” but that’s not going to worry fans of this style. It’s honest and unpretentious blues-rock.

The Glory Days of Aussie Pub Rock Vol 1 - Various Artists (Festival)

glory days“What's he doing reviewing THAT?”

Only people of a certain age will “get” this review. The term "Guilty Pleasure" will not be used at any point.

Admit it, punk. If you grew up in Australia in the 1970s and ‘80s (OK, you were might have been underage and still growing up, but you could sneak into licensed premises) and lived anywhere outside of Melbourne and Sydney’s inner-city regions, a dose of Pub Rock was unavoidable. A way of life, even.

The Undertones go chasing Teenage Kicks in Australia

undertones 2017

Legendary first wave Irish punks The Undertones will make their live Australian debut this July.

The Undertones earned seven top 40 UK singles and three top 20 UK albums between 1978 and 1981. Their debut single "Teenage Kicks" was influential English DJ John Peel'’s favourite single of all time.

How Dave Weyer helped Jimi and Neil shape the sounds of the '60s

Dave69.2Dave Weyer circa 1969: Sought after Hollywood sound architect.

DATELINE 1999 - If you're a regular here at the I-94 Bar, chances are good that you have a more than passing interest in the music of Deniz Tek. Granted, the Radio Birdman mastermind's music has taken a markedly experimental turn over his last couple of albums -- one which hasn't found universal favor among fans of Birdman and his earlier solo work. But give the Iceman his due for hewing true to his uncompromising vision and never failing to make challenging, stimulating music.

Since the "Italian Tour" and "Bad Road" EPs and the "Le Bonne Route" album, a key element in the Deniz Tek sound has been one David Weyer, owner/operator of the studio in Laurel, Montana, which bears his name. As engineer and co-producer, Dave is the man who's helped realize Dr. Rock's prescriptions on tape and disc, and he has a fascinating story of his own to tell...

He's been a musician, inventor, a resident of L.A.'s Laurel Canyon during the frenetic '60s, amp technician to a host of guitar greats including Neil Young and Jimi Hendrix. Over a virtual beer or two, we talked about Dave's facinating past and his work with Deniz on projects past, present, and future.

Dave Weyer bellied up at the bar with me from his home in Laurel, Montana, on Sunday afternoon, October 3, 1999.

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