Where were you, and what were you doing when Australian surf and psychedlelic legends Tamam Shud last played some of their tripped-out live shows on the University Scene during the acid movement of the '70’s?
Most people probably wouldn’t remember and those who do probably weren’t there.
However, everyone recalls Tamam Shud for their input and timeless tracks contributed to Australian surf film classics, “Hot Generation, Evolution and the seminal Morning of the Earth”.
It wasn’t long ago Tamam Shud were onboard for the sold-out national tour for "A Long Way to the Top" arena spectaculars and "Delightful Rain: A celebration of Australian Surf Music" shows.
More recently the band has undertaken a brief East Coast tour in 2017 with Andrew Kidman & The Windy Hills, played a double-header with Buffalo Revisited and did sporadic shows on Sydney's northern beaches and in its inner-west.
The Shud has just wrapped up recording a new LP and with this release, an opportunity to celebrate their latest recording.
Dick Taylor and Phil May of the Pretty Things.
Lou Reed posed the question: "What becomes a legend most?" and it's a fair bet that playing a Wednesday night in Sydney at theFactory Theatre wasn't an answer uppermost in his thoughts.
But that's the lot of the Pretty Things on this temperate Aussie evening. A fact of life for one of the original wave of British blues-rock bands and a band who were contemporaries of the Rolling Stones, briefly giving Mick and the boys their first bassist before they'd even settled on a name.
Carbie Warbie photo.
On 20 April, 2018 the world of rock’n’roll lost one its most charismatic and talented soldiers, Brian Henry Hooper. Best known for his work in the Beasts of Bourbon and Kim Salmon and the Surrealists, Hooper’s resume extends to stints with Charlie Marshall’s Body Electric, Rowland S Howard and Andre Williams.
When he was diagnosed with lung cancer in November 2017, Hooper was mid-way through putting the finishing touches on his new album, What Would I Know?, one of two solo records he'd recorded over the previous two years at Andrew McGee’s Empty Room Studios in Nagambie.