It’s a brilliant idea so why didn’t someone do it before?
What’s that? you say. Record a bunch of iconic, mostly Sydney, underground songs in a way that honours the originals but makes them their own – at least for a few minutes.
UK-born, Brisbane-bred John Kennedy became a fixture on Sydney inner-city scene in the 1980s after cutting his musical teeth in his hometown. His distinctive “urban western” songs, and his bands JFK and The Cuban Crisis and John Kennedy’s Love Gone Wrong, earned him a healthy niche in a city that back then was groaning with musical talent.
John Kennedy was always backed by excellent bands and inevitably joined his peers in spreading their versions of the word on the national touring circuit, before moving overseas for a time. He and various line-ups of his John Kennedy’s ‘68 Comeback Special have been kicking around the now skeletal Sydney scene (read: Inner-Western Delta) for the last decade or so.
Hello from the Dimboola Farmhouse, I-94 Bar barflies. Mick Medew is a legend, a Queensland Music hall of famer and Australian pub rock icon, and he absolutely nails it with his new album “Open Season” with his band the Mesmerisers.
The Mesmerisers? We have Lois Andrews bringing the bass and her beautiful backing vocals, and she is amazing. Michael Charles is on drums. Yes, that Michael Charles, drummer on Mick’s most famous Screaming Tribesmen EP, “Date with a Vampire”. The pair just nails it and make a fabulous rhythm section.
Rounding things out on lead guitar is Brian Mann, also ex-Screaming Tribesmen and a gifted player who also doubles behind the recording board. He produced this album and it was mastered by Don Bartley. These gentlemen know how to get the sound down.
A taste of the forthcoming new album, this double A-sided single single puts Fast Cars in a place of their own. It's elegiac dream pop with an edge and a long way removed from their mod and powerpop beginings.
Those Sussex Hotel days are long gone. The band is now a core duo of Sydney multi-instrumentalist Fabian Buyrne and UK-domiciled vocalist-guitarist Di Levi. The songs are children of the digital age, worked up in disparate studios and assembled across the Internet.
"Stainless" is pop song of sharp contrasts with sarcastic lyrics ("nothing sticks to you") elegantly rendered by Di Lev,i atop a bedrock of flint hard, buzzing guitars. There's plenty of space in the production.
"Real Love?" Is instantly sunny, thanks to chiming guitar, Di's lilting vocal and a lusher backing. Piano and a pulsing bass-line, buried deep in the soundscape, round things off nicely. It's a song about being alive while savouring your surroundings. Pop with a capital 'P'.