Blackie, Julien and Ray from Nunchukka Superfly.
White Knuckle Fever
Marrickville Bowling Club, Sydney
Friday, February 21, 2020
Friday night and gig-bound, I really had no idea what to expect. Part of the thrill of seeing a multi-band bill is to be blown away by a group you're unfamiliar with although I was armed with the knowledge that only one, Nunchukka Superfly, is familiar so I was attending with an open mind.
First up was Garry David. Without previous knowledge who Garry David was, I was expecting, maybe, a solo guitarist singing busking style songs with an inner city bent? Wrong.
Credit: Minivan Photography.
They formed in 2009 but it's in the last few years that San Diego’s Schizophonics have convincingly cemented their reputation as one of the world’s hardest-working and most dynamic bands.
Gymnastically-inclined singer-guitarist Pat Beers, drummer (and his wife) Lety Beers, plus a series of bass players, have been wowing audiences around the world with their unique brand of explosive garage rock. They’re poised to pay Australia and New Zealand their second visit in a year in February and March, before hitting Japan for the first time.
The Schizophonics have been likened to a cross between James Brown and the MC5. Local bands have been lining up to join them on bills. Aussie all-female combo, The Fangin’ Felines, are lucky enough to be joining them for two support spots - in their own hometown Wollongong (Lalalas, March 12) and Sydney (Marrickville Bowlo, March 13).
Strong females are integral to both bands, so it made perfect sense for the I-94 Bar to host a pre-tour conversation between Lety Beers and Fangin’ Feline singer Carrie Phillis. The ladies spoke over Skype earlier this week. Pat Beers joined them and uber fan Russell Hopkinson (You Am I, ex-Radio Birdman) made the whole thing happen.
Twist the Lens - The Pedaljets (Electric Moth Rcords)
The Pedaljets are Midwestern rock veterans who formed in Kansas City in 1984. In 2020 they’re still in Kansas, at least for recording purposes. This album was produced in Shawnee, KS by their former guitarist Paul Malinowski and he did a great job. It leaps out at you. They sound as modern as tomorrow and as rock as they ever did, but with some welcome twists and turns along the way.
As contemporaries and tour partners of the top level of '80s US alternative bands – The Replacements, Husker Du, The Flaming Lips – they put out a couple of albums and did a lot of touring. Somehow they didn’t break through to that R.E.M. next level, and pulled the pin out of frustration. Two decades later they returned to the studio and have released a couple of albums in the last 10 years, including this absolute belter.