Basecamp - The Clinch (OSU!/Sunny Bastards)
Hello Barflies. The Dimboola Farmhouse has been rocking to the new album from Melbourne punk rockers, The Clinch, of late.
The Clinch is the band, “Basecamp” is the new album, and does it smash you right in the face, make your ears bleed and keep you wanting more.
The Clinch are five hardcore punks with a sound that pay homage to the old East End of London. In terms of sound if not geography, both Rancid and The Exploited come to mind. Luke Mathews and Andy lynch attack their guitars with some of the hardest playing my ears have heard in years. Sam Barker (drums) and Brendan McRea (bass) smash the shit out their instruments with gutso. What a band to have behind you.
Steve Bunch sounds like the perfect frontman for this music. His singing (if that's the correct word) is like an ounce of weed going through a coffee grinder with gravel in place of tobacco. it's a punk rock voice that takes no prisoners and I, for one, love it.
In The Fridge Vol 1 - Suburbia Suburbia (self released)
Biting satire and blues rock make a happy couple. Suburbia Suburbia know the value of three chords and a bucketload of wit and employ both on "In The Fridge Vol 1".
You could call Suburbia Suburbia yobbos. They'd shout you a beer for it before they'd thump you. It's stating the obvious to say Australia's bogan rock heritage had its origins in the "suck more piss" bluster of Billy Thorpe and the Aztecs and lives on through Cosmic Psychos and Amyl and the Sniffers.
Suburbia Suburbia are gnarly old hard-heads who have been around the Australian live music block a few times. With a grounding in sticky carpeted pubs across Sydney, Brisbane, Toowoomba and the Gold Coast, they don't so much take the piss out of suburban culture as revel in it.
Divine Rites – New Christs (Citadel Records)
Not so much an album as a compilation of singles, “Divine Rites” stands the test of time. Just 45 minutes long and spanning a dozen songs, it was released in Australia in 1988 as a mini-album and CD – a holding action while the newest line-up of the band worked up its debut full-length album, the stunning “Distemper”.
The New Christs materialised after Rob Younger took a lengthy lay-off from performing. The Other Side, his first post-Radio Birdman group, had disintegrated without committing anything to vinyl. Pity. The Other Side live were brutal, founded on a plundering of the ‘60s punk and early ‘70s Alice Cooper vaults and fueled by the take-no-prisoners guitar of Charlie Georgees. The band (Younger, Georgees, Clyde Bramley on bass and Mark Kingsmill/Ron Keeley on drums) worked up some fantastic originals, some of which would be played by the New Christs.