The only disappointment is that it’s six tracks and not a full album. The title “Vol 4” is an obvious nod to their hometown heroes and is as grimy and hard as the worst parts of Birmingham used to be, pre-gentrification.
Black Bombers are one serious raw power trio. Don’t dwell on the Sabbath heritage because they’re a step removed from their fellow Brummies’ relentless attack. Black Bombers lay down a looser groove and leave more spaces. There’s a multitude of influences at work including Motorhead, the Pink Fairies and Blue Cheer.
There’s a steely edge to “We Who Are” that sets it apart from the pack of ’60-influenced Paisley revivalists and winkle-picker wearing pretenders. It’s apparent in the uncompromisingly serrated fuzz tone of Alessandro Cozzi-Lepri and the economical and direct songs this trio writes.
Most of us have a soft spot for garage rock and ‘60s punk. If you grew up in Australia, it’s probably the US variants (and especially the acid punk end of the genre) that appeals. It fuelled a rash of bands in the ‘80s. You know their names. The Embrooks came late to that particiular party, not forming until 1996, but were no less formidable than their immediate forebears.
If we’re going to talk genre, The Embrooks were masters of freakbeat - the English take on psychedelia, beat pop and Mod - that sprang up in the mid-’60s and fittingly spent time on the Voxx label before calling it a day in 2004. Their reformation for this, their fourth long player, was much anticipated.
Rose Tattoo’s "Never Too Loud", released in 1997 through Repertoire Records in Germany, was a compilation spanning the band's career at the time. Now, 22 years on, the Hard-Ons join Rose Tattoo on their "Still Never Too Loud" tour heading out across Australia in March, April and May.
Thirty-five years since their formation, the Hard-Ons have amassed an unprecedented and never-to-be-paralleled 17 consecutive number-one releases on the Australian alternative charts, making them one of Australia’s most commercially successful independent bands. Their cult following extends into Europe and the UK, and as of 2019, their brand of unapologetic punk rock has never sounded better.
The band are fresh out of the studio having just finished recording their 12th studio album due to be released later this year.
Angry Anderson’s Rose Tattoo recruits, considered some of the best in the business, comprise legendary bass player extraordinaire Mark Evans of AC/DC fame, iconic guitarist Bob Spencer of The Angels & Skyhooks, as well as unbelievably talented maestro of rock mayhem, Dai Pritchard.
Rose Tattoo hit the high seas on the Monsters Of Rock Cruise out of Miami in late February and headed straight into the recording studios in March.
STILL NEVER TOO LOUD
Friday 29th March 2019 - Metro Theatre, Sydney NSW
Saturday 30th March 2019 - Waves, Wollongong NSW
Friday 5th April 2019 - Shoppingtown Hotel, Doncaster VIC
Saturday 6th April 2019 - Chelsea Heights Hotel, Chelsea Heights VIC
Friday 12th April 2019 - The Gov, Adelaide SA
Saturday 13th April 2019 - Capitol, Perth WA
Friday 26th April 2019 - The Triffid, Brisbane QLD
Saturday 27th April 2019 - Coolangatta Hotel, Coolangatta QLD
Friday 3rd May 2019 - Diggers, Ettalong NSW
Saturday 4th May 2019 - Cambridge Hotel, Newcastle NSW
Tickets from rosetattoo.com.au