Boy Howdy! Creem magazine documentary makes its debut

boy howdy poster"Boy Howdy: The Story of Creem Magazine"
Alamo Ritz Theatre
Austin, TX  U.S.A.
Thursday March 14 2019 

,I was surprised to learn that there was a documentary film on Creem magazine. Then, I was pleased to learn that it would be featured as part of the South by Southwest Film Festival in Austin, TX

As I'd planned on attending SXSW this year, I thought that I'd look into seeing it.

In the early 1970s, I discovered Creem Magazine. I must've been about 13-years-old. The magazine was quite a bit different from the magazines that I'd read. It was irreverent and enthusiastic. Creem was based in Detroit, Michigan and offered coverage of Musicians and Bands from that region. It was during this time that I'd discovered The Stooges and The MC5.

I remember after bringing home my first issue that my Mom asked me not to purchase Creem anymore. Of course, I continued to do so.

Shake, Stomp and Stumble - Greg Antista & the Lonely Streets (Primal Beat Records)

AntistaStatement of the obvious: Three-minute pop punk songs (mostly) don’t get old. “Shake, Stomp & Stumble” - the debut album for Californian Greg Antista and his Lonely Streets - is littered with them.

This is a record of its SoCal birthplace. Orange County local Antista grew up in the 1980s with most members of The Adolescents, Agent Orange, Social Distortion and Middle Class as his buddies. He recorded and toured two albums with the band Joyride with Steve Soto (The Adolescents) in the early ‘90s. 

“Shake, Stomp & Stumble” wears all those influences on its sleeve. It’s a little punk, a lot pop and all of it smeared with large dollops of country and Americana. Antista has an emotive vocal with a touch of melancholy to it - when needed. Not a bad attribute if you're dipping your toe into country waters. Johnny Cash was a punk rocker, you know.

Selfless Shame Promotion - Live at the Old Bar - Lost Talk (Wild Animal Records)

live at the old barThis is rated six bottles. Seven if you were at this gig and still have your hearing. What we know so far is that Lost Talk's first LP, "Symbol/ Signal" was released last year on Spooky Records. When I heard it I lost my shit.

"Selfless Shame Promotion" is a cassette-only physical release (and yes, you can get it on download so you can burn it onto CD and play it in your car and give the pedestrians a headache) released to remind you what the band are like, prior to a new LP and presumably gigs in your town.

The track list, in case I get lost, is A: Cheap Crimes/ Thin Skin/ Shoe Shine/ Igloo/ Annie; and B: Chrome Alone/ Spotless Temperament/ Enter the Muskrat/ Jesus-Centaur

Shine - E.T. Explore Me (Voodoo Rhythm Records)

shine et explore mePLAY REALLY FUCKING LOUD! 

It's rated 15 beer bottles. Out of five. Classic, fucking brilliant disc. Starts with a genre, fucks it over and you end up, amazed and wild-eyed, at the end of the night, guzzling from a bottle of polish spirit and yowling at the moon with irate citizens throwing the contents of their chamber pots ... OK.

First, E.T. Explore Me is possibly the perviest name for a rock band ever. Never mind 10CC or the Lovin' Spoonful, that's just wilful boys will be boys stuff. E.T. Explore Me, I mean, ew. 

In fact, E.T. Explore Me, EEEEWWWW! 

Blessed Is The Boogie - Datura4 (Alive Naturalsound)

blessed be the boogieIt's Album Number Three for the blues-psych-boogie West Australian combo built by Dom Mariani (The Stems, DM3) and mates and it’s like the members sat in a studio and conspired to make everything heavier than what came before. If you want to be technical, they set the pan pots to Full-On Raunch and slammed the faders waaaay up to 11. All while wearing double denim.

While "Demon Blues" and "Hairy Mountain" had their feet stubbornly wedged in the mud of a rain-soaked Sunbury Festival paddock, "Blessed Is The Boogie" dives into the back of a Holden Sandman and posts a "If it's rocking, don't bother knocking" sign on the curtained back window and goes about its business.

A roomful of love amid the loss

beasts adl

The Beasts
The Johnnys
The Gov, Adelaide
March 17, 2019
Photos by Alison Lea

It's the last night of the Adelaide Festival and the city centre is abandoned to the tourists, and no doubt some "end of festival" official shindig, doubtless adding anodyne "vibrancy" (one of Adelaide City Council's favourite buzzwords) to the joint.

Meanwhile, Adelaide's finest and most intelligent people are voting with their wallets and pile into the Gov, many having come from miles around. One bloke is here with his wife from Kangaroo Island (more expensive than a trip to Melbourne or Sydney); another bloke flew 300 miles to arrive at 4pm, with a return flight at 8am. There are many happy drunks.

Tonight was the most beautiful gig I've seen in years, if not ever. I cannot remember a more wonderful, cathartic experience.

Vol 4 - Black Bombers (Easy Action)

vol4The only disappointment is that it’s six tracks and not a full album. The title “Vol 4” is an obvious nod to their hometown heroes and is as grimy and hard as the worst parts of Birmingham used to be, pre-gentrification.

Black Bombers are one serious raw power trio. Don’t dwell on the Sabbath heritage because they’re a step removed from their fellow Brummies’ relentless attack. Black Bombers lay down a looser groove and leave more spaces. There’s a multitude of influences at work including Motorhead, the Pink Fairies and Blue Cheer.

We Who Are - The Embrooks (State Records)

who we areThere’s a steely edge to “We Who Are” that sets it apart from the pack of ’60-influenced Paisley revivalists and winkle-picker wearing pretenders. It’s apparent in the uncompromisingly serrated fuzz tone of Alessandro Cozzi-Lepri and the economical and direct songs this trio writes.

Most of us have a soft spot for garage rock and ‘60s punk. If you grew up in Australia, it’s probably the US variants (and especially the acid punk end of the genre) that appeals. It fuelled a rash of bands in the ‘80s. You know their names. The Embrooks came late to that particiular party, not forming until 1996, but were no less formidable than their immediate forebears.

If we’re going to talk genre, The Embrooks were masters of freakbeat - the English take on psychedelia, beat pop and Mod - that sprang up in the mid-’60s and fittingly spent time on the Voxx label before calling it a day in 2004. Their reformation for this, their fourth long player, was much anticipated.

If you're hard of hearing, don't show up

still never too loudRose Tattoo’s "Never Too Loud", released in 1997 through Repertoire Records in Germany, was a compilation spanning the band's career at the time. Now, 22 years on, the Hard-Ons join Rose Tattoo on their "Still Never Too Loud" tour heading out across Australia in March, April and May.

Thirty-five years since their formation, the Hard-Ons have amassed an unprecedented and never-to-be-paralleled 17 consecutive number-one releases on the Australian alternative charts, making them one of Australia’s most commercially successful independent bands. Their cult following extends into Europe and the UK, and as of 2019, their brand of unapologetic punk rock has never sounded better.

The band are fresh out of the studio having just finished recording their 12th studio album due to be released later this year.

Angry Anderson’s Rose Tattoo recruits, considered some of the best in the business, comprise legendary bass player extraordinaire Mark Evans of AC/DC fame, iconic guitarist Bob Spencer of The Angels & Skyhooks, as well as unbelievably talented maestro of rock mayhem, Dai Pritchard.

Rose Tattoo hit the high seas on the Monsters Of Rock Cruise out of Miami in late February and headed straight into the recording studios in March.

STILL NEVER TOO LOUD
Friday 29th March 2019 - Metro Theatre, Sydney NSW
Saturday 30th March 2019 - Waves, Wollongong NSW 

Friday 5th April 2019 - Shoppingtown Hotel, Doncaster VIC 
Saturday 6th April 2019 - Chelsea Heights Hotel, Chelsea Heights VIC 
Friday 12th April 2019 - The Gov, Adelaide SA 

Saturday 13th April 2019 - Capitol, Perth WA 
Friday 26th April 2019 - The Triffid, Brisbane QLD 
Saturday 27th April 2019 - Coolangatta Hotel, Coolangatta QLD 
Friday 3rd May 2019 - Diggers, Ettalong NSW 

Saturday 4th May 2019 - Cambridge Hotel, Newcastle NSW 
Tickets from rosetattoo.com.au
 

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