Neko Case "Hell-On" CD
Another top release, especially considering Neko's then home apparently was lost in a fire, during recording
Lindi Ortega "Liberty" CD
Still got the goods, despite Lindi thinking she was done with it.
Margo Price @ Factory Theatre, Sydney
Great voice, top songs, fine show
Bad Reputation - Joan Jett documentary
Joan tells her story/her side of The Runaways story
Baby 8 - "Painkiller" video clip
Great clip for a tune from an album with an interesting name
When you realise we came up to Sydney from Adelaide solely to see The Chickenstones you may deduce from this that I am a tad biased towards the band. However, if I were able, I would simply be at every gig they do, because, to my mind, they really are that good.
However, one of the reasons I can't dash all over the country is the inevitable lack of money (donations are welcome), and another is that I work in a family-operated business, so I fit myself around what everyone else is doing. Mostly this means that there are things on interstate which I would love to see, but can't.
Opening band Dias - pronounced Dee-az - have good songs and the young folk love them. I think they may also be currently in a bit of transition, as some of the songs showed a similarity of purpose, while some of their others seemed to be coming from some other place.
Guitar and vox, bass and drums; it's amazing how varied people can make such a traditional set-up. While comparisons are effectively fairly useless, my photographer was reminded of The Whitlams, a musician in the audience was thinking about The Strokes, and I was reminded a little of early Go-Betweens. Truth is, I'd characterise them as a richly shiny, slow-burning surf waltz.
They went down well with the very mixed crowd (old unionist surfers and their wives, and folks who may as well be their university-aged grandkids ... hell of a mixture). I don't know if I'd liked Dias if they'd still had their other guitarist - what interested me was that, as I say, I think they're still trying things out - which is always an excellent reason to see a band.
If you see the Action Recordz label on an album and you’re a regular at the I-94 Bar, pick it up with confidence. The French label doesn’t often miss and its in-house producer Johnny Cat has an impeccable touch.
If you didn’t know, Honest John Plain was/is a member of London’s The Boys, an under-appreciated and wonderfully melodic punk band that grew out of the rehearsals-only London SS. After stints with various outfits (including The Lurkers) he started cranking out records under his own name in 1996 and “Vocal Remover Requested” is his latest.
It’s a record full of Plain’s trademark buzzy guitars, unassuming hooks and meat-and-potatoes vocals. There’s nothing wrong with the latter - the album title is presumably ironic - and Honest John is in a long line of singers with a guitar player’s voice. You expected Aled Jones?