She’s been called “fuzz queen, sonic chanteuse and primal mistress of dark folk” and Europe is getting a brief opportunity to come up with more superlatives for Melbourne's Penny Ikinger and her unique brand of rock and roll this Northern summer.
Penny is promoting a CD single “Gin No Suzu” b/w “Ride On Cowboy” (that's the cover art at right), from her forthcoming album with a short series of dates in Spain and France, the peak of which will be appearances at Andoaingo Rock Jaialdia in Spain (June 17) and as part of Fete de la Musique at Petit Garage in Paris, France (June 21.)
On the 40th anniversary of the release of The Saints classic album "(Im) Stranded", founding member, guitarist and songwriter Ed Kuepper will revisit the material performed by that seminal Australian band.
Originally spawned in the early '90s, The Aints sought to bring justice to the sound and attitude of the original Brisbane-based band, capturing their energy and iconic onstage presence.
In one way, every box here rates five bottles. They’re essential; if not for the music, then the history and their place in it. In another … every box rates between four and five bottles. Why?
Well, all but two of the PiL albums represented here were patchy. One of those unpleasant truths we must all know (another is the knowledge that some our (many) rock ’n’ roll heroes have been anything but loveable rascals, but thugs of considerable degree who richly deserve four walls and a small barred door with the occasional beating…)
One of Melbourne's best acts, James McCann and The New Vindictives, will play their first show in Sydney, as support to the New Christs, at Marrickville Bowling Club on July 15. Tickets for the gig are here.
They'll bring with them the CD version of their their new album "Gotta Lotta Move - Boom!" (Beast Records for vinyl, Off The Hip for CD). This is "Sheena Says", the second video single from it.
Many people have tried to make a Radio Birdman documentary. For a variety of reasons, only one has succeeded.
And it would have been so easy for Jonathan Sequeira to fuck it up.
Don’t worry. He hasn’t. Not by any stretch of the imagination.
“Descent Into The Maelstrom” was screened to a select audience of band members, followers, media and other hangers-on in Sydney last night. The venue was the Chauvel Cinema, deep inside – ironically enough – Paddington Town Hall, the scene of the definitive Radio Birdman line-up’s last Australian stand.
Yeah Hup! The Radio Birdman documentary public screening dates have been announced. You can indulge in post-screening Q&As at a handful of them. Book your own "Descent Into the Maelstrom" at these cinemas via the links after the MORE link.
The soundtrack (pictured above) is now available for pre-order on LP and CD. Go here to grab a copy.
Some re-issues are blatant money-making efforts and others are a public service. Think of these two as the latter. They’re both on vinyl. No digital downloads.
Dismissing The Onyas as a sub-tropical, Johnny-come-lately version of the Cosmic Psychos does both bands a disservice. Both bands are still going (The Onyas sporadically) and share a member in John McKeering (aka Mad Macka). You might say him joining Cosmic Psychos was inevitable. Some have.
The talent that stumbled out of the late ''70s Darlinghurst scene in Australia was astonishing: a match for anything coming out of London, New York or Los Angeles. But geography and population density is a fucking bitch.
Even scene bosses Radio Birdman are considered an underground phenomena. So what chance is there for the small fry?
Meet The Passengers (if you have not already done so.). Hey. Make sure you find the right ones because there are some dodgy international acts with the same moniker. They briefly graced us with their presence as the seventies clicked over. A gift we clearly we did not deserve because we utterly failed to surrender the charts to them.
UK-born, American-based Dan Melchoir is a longtime Holly Golightly and Billy Childish collaborator and his old band, The Broke Revue, had a string of albums out on Sympathy for The Record Industry and In The Red.
He’s not as prolific as Childish but he’s not far off. How he got to record in Queensland with two members of Australia’s Ooga Boogas (Richard Stanley and Perl Bystrom) is unclear. I'm willing to bet it came of paths crossing at one of those underground gatherings in the US like Gonerfest.