"Come To My Party," intones Colter Langan on the severe and opening cut of the same name on the latest opus for Montana psychedelic collective Donovan's Brain and, although wrist-slashing is optional, he sure ain't breaking out the fairy bread and streamers.
Montana-based psych collective Donovan’s Brain returns after a four-year hiatus – hardly a blip, really, in a trajectory that’s now spanned two decades. Joining San Francisco expat Ron Sanchez for the festivities are his fellow Montanan Deniz Tek and Mississippi power popster Bobby Sutliff, who once drove 13 hours to record with Let’s Active honcho Mitch Easter. His Career stablemate Roy Loney, who’s been shaking some action this year in tandem with his Flamin’ Groovies partner Cyril Jordan, is also on board.
A fresh album after what seemed an eon finds Donovan's Brain in fine, if geographically disperse, form. Core trio Ron Sanchez (vocals, keys and guitars), Bobby Sutliff (vocals and guitars) and ex-Atomic Rooster/Wayne Kramer/Spinal Tap (no shit) drummer Ric Parnell are at the centre with all sorts of collaborators making contributions recorded at six different studios.
Cookin' Up A Party/Can Your Monkey Do The Wurst? - King Salami & The Cumberland 3 (Dirty Water/Off The Hip)
A West Indian, a Frenchman, a Japanese, a Welshman and a Mexican walk into a bar…it might sound like the opening of an old joke but it's more likely just King Salami & The Cumberland 3 turning up for a pre-gig soundcheck. The London-based five-piece (names can be deceptive) are are a frat band version of the United Nations - only not useless - with enough recycling going on to start a chain of environmentally-friendly chain stores.
The Future Primitives don't believe in airs and graces. Their mission on this album is simple. They locked themselves in a garage and belted out a baker's dozen of songs by their favourite bands - who happen to be have names like The Mummies, Thee Milkshakes and Link Wray. Sounds like a party to me.
What is it about Michigan rock bands releasing debut albums 30 years after they were regularly working the live circuit? The Ramrods did it a few years back and The Seatbelts, now well and truly reformed, continue in the same vein. Contemporaries of the similarly non-prolific Sonic's Rendezvous Band, they've unleashed "Joy Ride" onto an unsuspecting public with rock and roll seemingly in its death throes. Maybe, just in the nick of time.
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