That some of the Pink Fairies are around today to make an album, two decades after their last and four after their heyday, is something of a miracle. Surprise Number Two is that it’s good.
If you’ve read Rich Deakin’s meticulous book about the band’s travails, “Keep It Together”, you’ll know that The Pinks were never people to shy away from the Rock and Roll Lifestyle. Taking care of business was never the band’s forte, which makes a new record’s appearance even more unlikely. Their last LP, “Kill ‘Em and Eat ‘Em” didn’t set any houses on fire and smelt like a once great band on its last legs.
“What's he doing reviewing THAT?”
Only people of a certain age will “get” this review. The term "Guilty Pleasure" will not be used at any point.
Admit it, punk. If you grew up in Australia in the 1970s and ‘80s (OK, you were might have been underage and still growing up, but you could sneak into licensed premises) and lived anywhere outside of Melbourne and Sydney’s inner-city regions, a dose of Pub Rock was unavoidable. A way of life, even.
Born out of a surf club fundraiser, this trio from the Manly Dam Delta on Sydney’s Northern Beaches have just rolled out album number two. “Gypsy Mojo” makes it clear that if The Hollering Sluggers have sold their souls to the Devil at the Brookvale Oval crossroads, they ain’t getting a refund.
The Sluggers are a trio playing blue collar blues with a distinct rock and roll edge. There’s no new ground being broken on “Gypsy Mojo” but that’s not going to worry fans of this style. It’s honest and unpretentious blues-rock.
There’s a beautiful, sleazy rock and roll feel to “…disasterpiece” that’s refreshingly hard to pin down. From the rumbling and seedy “Dream Feature” to the girl-group-on-steroids swagger of “Don’t Shit Me Now”, and even more Spectoresque glow of “Spectre” (ha!), it’s an avalanche of hard-boiled hard Rock Action.
That Powerline Sneakers rock like motherfuckers should come as no surprise, given the pedigree of the players. Lead guitarist John Nolan was in the Powder Monkeys and Bored!. Sly Faulkner, on vocals and guitar, fronted the Splatterheads, who were well regarded even if I never got into ‘em. Bassist Katie Dixon was in Ripe and Mark Hurst pounded the tubs for The Yes-Men and Gutternsipes.
It’s taken me a little while to get to this one, and I wish I’d got here sooner.
There’s 12 tracks, nine by guitarist Dylan Webster, three by other guitarist Jason Sharples. With your bass by Dave Lundquest, drums by Serge Ou (no, really, that’s what it says here) and vocals by Michael Preiss… we’re looking at a band capable, if we read the back of the CD right, of constructing and delivering the twin guitar assault.
My oath they do.
The best re-issues are a reminder of how great an album was the first time around. “Turn On With” is exactly that - 11 songs of prime garage pop, exhumed and revived after 15 years.
The Stoneage Hearts started as a vehicle for drummer Mickster Baty (Finkers, Pyramidiacs, Crusaders) to play with some mates and collaborate on writing some spiffing tunes after he moved from Sydney to Melbourne. It was also the first CD on his own Off The Hip label and 160-plus releases later it’s still going strong. There have also been several incarnations of the band, with Dom Mariani a notable member. Another version of the band lives on today.