Grong Grong live to air

3D Radio, Adelaide, October 27, 2013

There was always only one gig for me in Adelaide this week, and it wasn't a gig. We were lucky enough to be among the few watching Grong Grong play live to air on 3D Radio last night.

Release The Bats in Melbourne 2013

 ATP-96Tom Verlaine turns on Television.

The Palais & The Prince of Wales, St Kilda, Melbourne, October 26, 2013

I have a lot time for the All Tomorrows Parties as a festival, it is ultra-cool. Awesome vibe. In fact, my festival going was a dim memory since the late Nineties until the ATP Sydney Cockatoo Island of a few years ago. It a lineup of was The Saints, Rowland S. Howard and Bad Seeds. No brainer really, It was an awesome day. Nor, was it a no brainer to get down to Melbourne for another dose of ATP with a lineup that included Jesus Lizard, Television, Scientists, Breeders and the Roland S Howard tribute Pop Crimes.

Television + Ed Kuepper

television row

Enmore Theatre, Wednesday, October 30, 2013

Restraint is not often a by-word around these parts but let’s at least try to keep some perspective. A visit to Australia by Television seemed unlikely, if not an absurd proposition, just a few years ago. The band was scarcely active, Richard Lloyd having had long flown the coop, and Tom Verlaine had let a label issue two mothballed solo records that were barely promoted. It seemed if the TV hadn’t been turned off it was in storage and in danger of being forgotten.

Hugo Race + Sacri Cuori + Carla Lippis

hugo1
The Metropolitan Hotel, Adelaide - September 27, 2013

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Tonight was a passionate night of balance, power, and space. Each group told us stories, ran films in our heads.

The streets are empty. Empty as in, it's Tuesday night. Except it's Friday night. Where is everyone?

Just the previous night, the suburbs decanted some 10,000 to land like a torrent of ants in Adelaide's great dome of the popular people's front to see Rihanna, who is, I am told, a superstar. From overseas.

Bellrays + Johny Casino and The Secrets

Annandale Hotel - August 1, 2006

If you don't like slobbering, breathless gushes, leave now. OK? I've already copped a broadside from someone about one review of a gig this week - and the fucker wasn't even at the show - but here goes...

What an in-fucking-credibly amazing show. Just about the best thing I've seen this year. The Stooges beats it (although that was surreal an experience I'm still not sure it happened). Soulful, rocking, energetic and dynamic. Perfectly paced and a testimony to a band at the peak of its considerable powers. Cruisey and light at the get go, it shaped as a righteously loud and grooving way to ease us all through a Tuesday night.

Mick Harvey + JP Shilo + Louis Tillett

mick-harvey

 

 

 



Wheatsheaf Hotel, Thebarton, Australia - June 22 and 23, 2013

My dad used to say that nothing was free. There's always a catch. There's a reason that nice man on the street is giving away Bibles, Robert.

He was right, of course. Those free music magazines you pick up for the what's on this weekend guide, the reviews of pub food, new beers and pricey wine, they make their living from the adverts. Stop putting in the stuff that the people with money to spend want to see and they'll stop bending at the creaky knees to pick it up. And the advertisers start to wonder why they're paying four or five hundred bucks a week. Self-evident, yeah? You don't change a money-making formula unless you can make more.

And those Hollywood nights

all that shinesAll That Shines Under The Hollywood Sign by Iris Berry (Punk Hostage Press)

“It appeared clear to me - partly because of the lies that filled my history textbooks - that the intent of formal education was to inculcate obedience to a social order that did not deserve my loyalty. Defiance seemed the only dignified response to the adult world.”
- Timothy B. Tyson, Blood Done Sign My Name: A True Story)

“Most men today cannot conceive of a freedom that does not involve somebody's slavery. They do not want equality because the thrill of their happiness comes from having things that others have not.”
- W.E.B. DuBois, Darkwater: Voices from Within the Veil)

"The fortunate is seldom satisfied with the fact of being fortunate. Beyond this, he needs to know that he has a right to his good fortune. He wants to be convinced that he 'deserves' it, and above all that he deserves it in comparison with others. He wishes to be allowed the belief that the less fortunate also merely experiences his due. Good fortune thus wants to be 'legitimate' fortune." - Max Weber

"A catalog of catastrophic events shaped our lives..." - Iris Berry

ALMOST GOLD...

Iris Berry is my favorite movie star. In my personal rocknroll pantheon, she will always be the queen of the Hollywood underground. Hard livin' hellion, heroine, helper, healer, auteur, essayist. She lived on 10, on full-blast, for a long time, and has written several riveting books about it, including "Daughters Of Bastards", and her latest enchanting collection of poetic reminiscing's, "All That Shines Under The Hollywood Sign".

Part of the reason she is always such a big hit on the spoken word circuit is because we are all getting older and are increasingly nostalgic for our own wayward punk rock youth, and therefore, love hearing those far out and heavy, true tales from her seen it all history, but also, because something about her speaking voice is oh so very consoling and soothing, it is a tender, understanding salve for the sad and lonely, and scarred for life, all 'us last of the last, limping landmarks and leather clad convalescents. She has a comforting presence, because she emanates real deep, genuine article beauty, from the inside out. We can all recognize her as one of our kind. 

Take The Fall for one Hex-cellent read

the big midweekHave A Bleedin Guess. The Story of Hex Enduction Hour
by Paul Hanley (Route Publishing)

Straight outta ... Pontefract ... comes Route's latest (rather brilliant) publication. For what I suspect is a small publisher, Route (est. 2000) punch above their weight. This is their 10th music book - the third to deal mostly with The Fall and - gulp - the second by a Fall drummer.

You can snaffle Simon Wollstencroft's “You Can Drum But You Can't Hide” and Steve Hanley's tour de force “The Big Midweek. Life Inside The Fall” at Route's website, and Paul Hanley's “Leave The Capital” (a history of Manchester music and liberation) as well.

My copy's pink with black writing, and  signed. Though I'd like to think you'd see this one in Dymock's or JBHiFi, don't hold your breath. I ordered mine, yes from overseas, and it arrived in a timely fashion, and much better wrapped than most books you order from overseas.

Which is excellent; particularly since it anticipates Cherry Red's upcoming '"1982" Fall box, the latter of which I expect I'll get to in due course.

Now, unlike his brother Steve, Paul Hanley approaches “Hex Enduction Hour” in two minds. The bulk of the text follows the obvious pattern: what came before the album, how the songs were put together, the context of the band in their time and so on. He approaches the album as a music historian, but is also able to correct wrongly-held beliefs (such as the likely identity of King Shag Corpse) with restrained glee, while inserting footnotes which reveal the bloke you want to meet at the pub. Rather puts me in mind of Terry Edwards' book on Madness' first LP, written for the 33 1/3 series.

Speaking of which, in the foreword, Stewart Lee (no, no idea) tells his sad story of wanting to write a book on “Hex” for 33 1/3, only to be rebuffed with the old “ain't commercial enough”, a sad and common refrain to many an enthusiastic writer (if not fan).

A Big Beat that's worth every cent

the big beat bookBook launch
The Big Beat by Donald Robertson and others
The Howing Owl, Adelaide
Wednesday, October r16 2019

Can't take Her anywhere.

We've just witnessed Donald Robertson, mainspring behind Adelaide's monthly Roadrunner magazine (1978-1983) be inducted into the SA Music Hall of Fame (the 111th member) by John Schumann (of Redgum).

Preceding that was a couple of short speeches (including one from Jim Kerr of Simple Minds), a rather entertaining Q&A chaired by Suzy Ramone (of, among many other things, the Molting Vultures), and prior to that much chinwagging by a bunch of old coots who hadn't seen each other in - literally in some cases - several decades.