Bolt From The Blue - Warped (Conquest of Noise)

bolt from the blueFiguratively speaking, the title fits like a glove. 

This long player hasn’t arrived entirely without warning, but its sonic impact is like a sucker punch to the side of the head from a blind spot. 

No dispute that Warped is an Australian hard rock institution. Through two careers over the course of nearly three decades, the line-ups might have shifted but the commitment to that dirty “Geelong sound” has remained intact.

For the uninitiated, Geelong is/was an industrial city to the west of Melbourne which was a rich spring of of bands in the late 190s and early ‘90s. The town’s industrial nature has faded, but the “no airs, no graces” character of its music has hung in there.

Jesus Loves My Heroin II - Various Artists (Hurtin’ Records)

jesus loves my heroin 2Here’s the two-part hypothesis: (1.) No schtick in rock and roll works as well as premature death and; (2.) the Japanese have a particularly deep interest in musicians who have checked out early – especially those terminally doomed through their own vices. 

The latter probably has a lot to do with the strict Japanese drug laws and the populace's deeply rooted respect for authority. Remember the Macca bust? Did you hear the one about the Australian band that wouldn't tour there because the singer liked his pot so much and was worried he wouldn't find a connection? I digress. 

The laws of science say that any hypothesis should be disprovable. While you’re trying, I’m spinning this album.

"Jesus Loves My Heroin II" is  a Japanese tribute to Nikki Sudden and Kevin Junior Now, I have familiarity with some of the works of the late Mr Sudden; I’m less up-to-speed with the output of the late Mr Junior.

Heart of Black City - Poison Heart (Heavy Medication Records)

heart of black cityParallel universes of like-minded underground music scenes exist all around the globe but Poland has to be one of the lesser-known outposts. Poison Heart from Warsaw just appeared on my radar and they might be candidates to pop up on yours. 

The Scandi Rock wave of the ‘90s gave high-energy rock and roll a much-needed injection of spirit just as the rippling after-shocks of grunge were making everything bland and homogenised. Poison Heart soaked it all up and “Heart of Black City” makes obvious nods to the Hellacopters and Gluecefier. 

Is that a Warsaw Turbojugend logo on your CD slick or are you just happy to see me?

Hook Down Easy - Phringe Dwellers (self released)

hook down easyFor every band that “makes it” there are hundreds, if not thousands, that never get past thefringes of a scene. Sydney’s Hunchbacks were one of the many runners-up in the mid ‘90s. Despite patronage from the likes of Asteroid B612 (whose main man John Spittles produced them), they never cracked the big(ger) leagues. 

That the hard blues edge of The Hunchbacks is apparent on The Fringe Dwellers’ debut album “Hook Down Easy” should be no surprise: Vocalist Carl Ekman (on bass) and guitarist John South from that band are leading lights. They’re joined by sometime I-94 Bar scribe Simon Li (drums) and Damien Smith (vocals and guitar.)

The sound of “Hook Down Easy” drips Sydney’s underground music scene circa 1986. It’s in the driving, hard-edged sound and sparring guitars that do it. That’s where the band’s roots are and there’s no escaping them. I’m guessing that won’t be a drawback for many reading this. 

Live at Bookies - Iggy Pop (Easy Action)

live at bookiesDespite an increasing lack of consistency with his official album releases, it's fair to say Iggy Pop continued to reign supreme in the live setting throughout the eighties.  You could always guarantee he wouldn't actually sound like the horror that was "Blah, Blah, Blah" in the flesh.

This disc emerges from around the period of the equally undigestable "Party" LP.   Fortunately, despite sharing two guitarists, it sounds nothing like that.

Along with other companies, Easy Action has recently all but flooded the market with a seemingly endless slew of concert releases from this period.  The "Where the Faces Shine" box sets proved more than worthy but they alone bought us more than 12 hours of live Pop music.

Trash Town Rock - Ace Killers Union (Hurtin’ Records)

ace killers union“Noise annoys,” said the Buzzcocks and although they took a more melodic bent than most of their contemporaries, you knew what they were on about. “Ugly music for ugly people” was the apt review tagline for the self-titled Kim Salmon and the Scientists album, many years ago. 

This confronting record from electro-punk duo Ace Killers Union is a bit of both. If their music doesn’t make a mark, stick in your craw or drive you to reach for a stiff glass of Suntory whisky after a couple of listens, you’re just not paying attention. 

Ace Killers Union - ACU for short - is Hiroshi The Golden Arm and Mr Ratboy with their guitars and a whole slew of machines. From the impossibly fast title track and opener to the low-fidelity, speed pulse-attack of “I Wanna Be Your Dog” (yes, that one) this is an abrasive melange of noisy, gutter rock skronk.

Wacka Lacka Boom Bop A Loom Bam Boo - Walter Lure and The Waldos

waka lacka loom bop a loom bam booThere’s a temptation to hail this record as the last gasp from a dying breed. After all, it’s 24 years since the last Waldos studio album, the wonderful “Rent Party”, and a lifetime since Johnny Thunders and The Heartbreakers last staggered onto a stage.

Walter Lure is almost The Last Man Standing from what’s erroneously generalised as “the New York punk scene”. There was a scene but it was more than just punk (whatever that is or was) and it was pushed to the margins by the dual forces of Disney and gentrification.

Walter has lived his share of the nine lives that his old band was gifted, and maybe then some, so if the temptation proves too much not to tag “Wacka Lacka Boom Bop A Loom Bam Boo” as a lowering of the curtain on a long-gone era of Lower East Side guitar sleaze, cut me some slack. A handful of other people still wave that flag.

There are a dozen songs on “Wacka Lacka…” and most contain more raunch per ounce than you can squeeze into a digital back catalogue of Strokes records. This is as you’d expect: Walter Lure – “Waldo” to his stockbroking mates – was the guitar foil to Johnny Genzales in the post-Dolls Heartbreakers, and they were the band that made the template for street-level, pharmaceutical-fuelled, bad boy, four-chord goodness. (Yes, Keef did it first but he could afford not to mix it with the masses who were copping on Norflok Street, hence the term “street-level”.)

Subversions – UK Subs (Cleopatra)

subversionsRevisionism is a wonderful thing. If you’d suggested listening to an album of cover songs by UK Subs as a useful way to spend some time 30 years ago, I’d have told you to check yourself into a psych ward.

I never “got” the UK Subs, despite their membership of the first wave of English punk…probably because I’d never bothered to try. There was just too much other stuff on the same block. Time marches on and you can't ignore band leader Charlie Harper’s indefatigable nature (he’s 73) or the 26 original studio albums (one for each letter of the alphabet) as testament to their durability.

“Subversion” is good. Better than good. It’s capital ‘F’ for Fun, underlined by great playing and a collective “we don’t give a fuck” attitude. Which should be what punk rock was - and is - all about. Fuck the fashion.

Bring On The Mesmeric Condition – The Morlocks (Hound Gawd)

mesmericWhen it comes to bands from the ‘80s wave of garage revivalists, The Morlocks don’t get a fair shake, even for cult artists.

Put it down to their splintered history - there have been more line-ups than chords in a prog rock opera - or singer Leighton Koizumi’s disappearing act - years behind bars after a drug deal gone wrong will do that to your profile - but you never hear them mentioned in the same breath as, say, The Fuzztones or Lyres. 

It’s been eight years since the all-covers “The Morlocks Play Chess”, a salute to the artists from the label of the same name, and Kolzumi has left the US West Coast to domicile himself in Germany.

For “Bring On The Mesmeric Condition” he assembled a “new” crew of mostly old fuzz fiends: Rob Louwers on drums ( Fuzztones, Q-65, Link Wray) Oliver Pilsner on bass (Fuzztones, Cheeks, Montesas, Magnificent Brotherhood) and guitarists Bernadette (Sonny Vincent, Humpers) and Marcello Salis (Kolzumi’s ex-Gravedigger V bandmate) make for some line-up.