Selfless Shame Promotion - Live at the Old Bar - Lost Talk (Wild Animal Records)

live at the old barThis is rated six bottles. Seven if you were at this gig and still have your hearing. What we know so far is that Lost Talk's first LP, "Symbol/ Signal" was released last year on Spooky Records. When I heard it I lost my shit.

"Selfless Shame Promotion" is a cassette-only physical release (and yes, you can get it on download so you can burn it onto CD and play it in your car and give the pedestrians a headache) released to remind you what the band are like, prior to a new LP and presumably gigs in your town.

The track list, in case I get lost, is A: Cheap Crimes/ Thin Skin/ Shoe Shine/ Igloo/ Annie; and B: Chrome Alone/ Spotless Temperament/ Enter the Muskrat/ Jesus-Centaur

Shine - E.T. Explore Me (Voodoo Rhythm Records)

shine et explore mePLAY REALLY FUCKING LOUD! 

It's rated 15 beer bottles. Out of five. Classic, fucking brilliant disc. Starts with a genre, fucks it over and you end up, amazed and wild-eyed, at the end of the night, guzzling from a bottle of polish spirit and yowling at the moon with irate citizens throwing the contents of their chamber pots ... OK.

First, E.T. Explore Me is possibly the perviest name for a rock band ever. Never mind 10CC or the Lovin' Spoonful, that's just wilful boys will be boys stuff. E.T. Explore Me, I mean, ew. 

In fact, E.T. Explore Me, EEEEWWWW! 

Vol 4 - Black Bombers (Easy Action)

vol4The only disappointment is that it’s six tracks and not a full album. The title “Vol 4” is an obvious nod to their hometown heroes and is as grimy and hard as the worst parts of Birmingham used to be, pre-gentrification.

Black Bombers are one serious raw power trio. Don’t dwell on the Sabbath heritage because they’re a step removed from their fellow Brummies’ relentless attack. Black Bombers lay down a looser groove and leave more spaces. There’s a multitude of influences at work including Motorhead, the Pink Fairies and Blue Cheer.

Blessed Is The Boogie - Datura4 (Alive Naturalsound)

blessed be the boogieIt's Album Number Three for the blues-psych-boogie West Australian combo built by Dom Mariani (The Stems, DM3) and mates and it’s like the members sat in a studio and conspired to make everything heavier than what came before. If you want to be technical, they set the pan pots to Full-On Raunch and slammed the faders waaaay up to 11. All while wearing double denim.

While "Demon Blues" and "Hairy Mountain" had their feet stubbornly wedged in the mud of a rain-soaked Sunbury Festival paddock, "Blessed Is The Boogie" dives into the back of a Holden Sandman and posts a "If it's rocking, don't bother knocking" sign on the curtained back window and goes about its business.

We Who Are - The Embrooks (State Records)

who we areThere’s a steely edge to “We Who Are” that sets it apart from the pack of ’60-influenced Paisley revivalists and winkle-picker wearing pretenders. It’s apparent in the uncompromisingly serrated fuzz tone of Alessandro Cozzi-Lepri and the economical and direct songs this trio writes.

Most of us have a soft spot for garage rock and ‘60s punk. If you grew up in Australia, it’s probably the US variants (and especially the acid punk end of the genre) that appeals. It fuelled a rash of bands in the ‘80s. You know their names. The Embrooks came late to that particiular party, not forming until 1996, but were no less formidable than their immediate forebears.

If we’re going to talk genre, The Embrooks were masters of freakbeat - the English take on psychedelia, beat pop and Mod - that sprang up in the mid-’60s and fittingly spent time on the Voxx label before calling it a day in 2004. Their reformation for this, their fourth long player, was much anticipated.

The Hot Sweets – Hello and Goodbye (self released)

the hot sweets"Hello and Goodbye" is the debut album for The Hot Sweets, a short-lived Wollongong band that folded a couple of years ago. I’m here to tell you, there’s a lot to like about The Hot Sweets, particularly if melodic garage-rock/power pop be your thing.

Yet that catch-all tag is only the tip of the iceberg. To better define The Hot Sweets sound you need to add in the following descriptors – likeable female vocals, melodic sensibilities, hard hitting riffs, infectious choruses and underscoring it all – pop hooks. For as I’ve written a zillion times, no matter what type of sound you are after, if a song don’t have a hook – it ain’t worth the paper it’s written on.

Picture Us - Money for Rope (Cheersquad)

money for rope albumI can’t remember the first time I saw Money for Rope play. Probably sometime around 2010, give or take a couple of years. Wally Kempton, initially fan, then manager, now the band’s record label benefactor, was there, telling us these guys were good. Very good. He was right, of course.

There have been a few changes in the line-up since that initial sighting, maybe not on the scale of The Fall, but enough to threaten Money for Rope’s initial promise. But every time I’ve seen Money for Rope since then, they’ve been as impressive as they were that first time. Sometimes you get bands like that.

Easter Monday - Mustang Jerx (J-Pop)

easter monday mustang jerxIt's the fourth full album for Japanese trio Mustang Jerx and while they're not a household name in Australia, there's a small but willing fanbase here awaiting their third visit on the back of this record.

"Easter Monday" is nimble blues-rock with a swing in the bottom-end and a scything slide guitar up front. Their 2019 visit to these shores will follow similar hit-and-run missions six and five years before, and will owe much to the mutual admiration between them and Sydney band Bunt.

Mustang Jerx sing in their native language so the lyrical themes are impenetrable to these ears, but the music they grind out is universal in its rawness and punchy appeal. It's dirty and unpolished - and you know that's gotta be a plus when you mix it with sticky carpet and liberal amounts of beer.

Sometimes When - The Golden Rail (Candlestick Records)

sometimes whenIf you heard the debut album you know what to expect: These four veterans - supplemented by producer and multi-instrumentalist Nick Batterham - have been around too long to put a foot wrong, so it’s stellar guitar pop all the way.

With origins going back to Perth popsters like The Palisades, The Rainyard, Header, Summer Suns, DM3 and The Jangle Band, a
re-grouping in Australia's music capital, Melbourne, would be hard-pressed to fail.

The 10 songs are co-writes by guitarists-vocalists Jeff Baker and Ian Freeman and they're exactly what you don't expect to hear on mainstream radio. In other words, they're full of understated melodies, feels that sit back in the pocket and chiming guitars.

The Golden Rail's evocative sound winds things back to the '80s, capturing echoes from the preceding decades.