American University - John Dissed (Bull Lee Records)

american universityWhen both irretrievably corrupt, collaborating, billionaire owned, fat cat political parties are 100 percent complicit in knowingly propping up completely fabricated, mythological stories to manufacture consent for a babies in cages prison state and permanent lies for imperialist wars for the insatiable profits of the one percent, hungry ghost, demonic extortionists at the top, it is absolutely essential that we, the people, educate our peers, and organize authentic resistance, and become the new media.

If you think you might appreciate an album's worth of simple, Nick Gilder style, solid gold pop hooks galore spiked with revolutionary truth-telling and courageous common sense, you will probably really thoroughly enjoy this important LP! John Dissed is a modern day Billy Bragg or Joe Strummer and "American University" is his ambitious D.I.Y. tour de force concept album, a pleasing throwback to the days of the Adverts, Lords Of the New Church, and Wanderers with a cinematic Pink Floyd ambience.

The Scientists - The Scientists (In The Red)

Scientists epIconic bands recording new music years after their prime-time is fraught with peril. Recapturing old magic is nigh impossible when every member has inevitably moved on, musically speaking. Only a few succeed.

The Scientists - as in the Salmon-Thewlis-Cowie (Chock)-Sudjovic line-up - have been an off-and-on, reformed concern for years, coming together for occasional festivals or the odd juicy support tour as, and when, members are available. They put together this five-song 12" vinyl EP between Australian shows and released it to promote their first US tour in 2019.

These days, their laboratory is spread over two continents with guitarist Tony Thewlis living in the UK and the rest of the band in Australia, so parts of the recording have been worked up inisolation and stitched together. Knowing how the sausage was made, in this case, doesn't detract from the taste. The EP, and the single (an updated oldie) that goes with it, rocks in its own uniquely primeval way. Completists should note that it was was proceeded by a digital-only single in 2017.

I’d Much Rather Be With The Noise - Rattanson (Open Mind)

rattansonThe DIY ethos is less a gimmick and more a way of life these days for the 99 percent of musicians not enslaved by a major label. It's either practical, necessary or all too easy to hole up in your bedroom and let those ideas pour out onto a hard drive without someone else calling the shots and charging your own money for it.

There's a defiite upside and also a downside.  Rattanson is a case in point.

Rattanson is a one-man garage pop multi-instrumentalist from Sweden and "I'd Much Rather Be With The Noise" is his second album under that name. A former member of powerpo act Fanscene and garage rockers The Rawhides, he's gone solo to focus on his own songs.

Rattanson played all the instruments on his first record, 2017's "Full Scale Shakeability", and also on this one except for drums, for which he recruited Anders Björnlund from the Turpentines and the HiJackers. He'll have a bass player in tow to play the songs live.

Mystery Train – Chickenstones (Crankinhaus Records)

mystery trainThis is one angry sounding record. Its 11 songs seethe and burn with fuzzed-up, roaring guitars and are propelled by an engine room whose controls are set for the carpark just outside the Gates of Hell.  

That’s a place with which Chickenstones main man Andy “Doc” Temple Ellard has become familiar over the last 18 months. In early 2018, he and the band were riding high on the back of a new album, “Johnny Streetlight”, and preparing for a tour of Europe when Doc got a tap on the shoulder from some fucker called Cancer.

Now, that prick comes in many guises and the kind that came cold-calling was especially nasty and persistent. Doc is a Registered Nurse so he had an understanding of what would be involved, but all the forewarning in the world doesn’t make the fight physically easier. Many rounds of treatment later, Doc’s emerged at the other end - with shorter hair and a deeper suntan - and he’s still looking over his shoulder.

Shake Yer Popboomerang Vol 3 - Various Artists (Popboomerang)

popboomerang3Great pop music is timeless. The proof is right here in the 37 rare or previously unreleased tracks on this compilation of Australian bands from Melbourne label Popboomerang.

Ask yourself this question: When did Pop - as the ‘60s defined it - become uncool with the masses? Who forced it to go sit in the naughty corner with its rowdy sibling Rock and Roll and its odd cousin Free Jazz? Best guess is when the corporatised music industry ate itself in the 1980s and all the people with emotional intelligence were replaced by spreadsheets. 

Melbourne pop fan Scott Thurling and his prolific label just deals with it. With more than 100 releases in the back catalogue, for almost 20 years it’s been the go-to place in Australia for “real” pop - not the soulless pap that passes for the same for most people. As you might work out from the title, “Shake” is the third volume in a series and the label’s fourth compilation. A handful of these tracks date back 20 years but you'd never know.

The Breadcrumbs EP – Alice Cooper (EarMUSIC)

breadcrumbsSome of us have had a lot of problems forgiving Alice Cooper the man for ditching Alice Cooper the band.  The first two Alice Cooper band albums, “Pretties For You” and “Easy Action” were fairly decent if you go in for a bit of whacky hippy burlesque.  They have their fans but, truth be told, they needed a firmer hand than Frank Zappa if they were going to amount to anything more than a sideshow.

Next came five albums of perfection.  Even the much maligned “Muscle of Love” shits over anything that tried to pass itself off as competition.  I know we're all Stooges and Dolls fans here but the Coop actually owned the mainstream throughout the early ‘70s. 

Well, they were a shit hot band with great song-writing, a genius producer and a grand guignol stage show.  How could they miss? 

Well, the thing is... 

Chrysalis - Eric Mingus and Catherine Sikora (self released)

chrysalisI suppose you might think of this as “modern jazz”, a term I find too concrete, too easily dismissable. I think it's fair to say that most people find improvised, loosely structured music either to be crap, or too much effort to pay attention to. Which is why you don't hear yer actual John Coltrane or Ornette Coleman in the elevator or supermarkets.

Why they play horrible current “pop” in these places I have no idea, as it makes me hurry to get what I need and run; I mean, if I could get my groceries in a place with either nothing playing or bland light classical wittering away in the background I'd be very happy ... oh, then there's the likes of Albert Ayler... don't get me started. 

I like music, but you may have gathered that already. I'm not that keen on definitions, though. Cradle of Filth started in one area, but bent the rules and ended up with a big, broader sound which still fits (albeit somewhat untidily) into a genre-area-type-thing.

Not For Sale: Live 1978/79 - The Scientists (Grown Up Wrong)

Scientists Not For Sale lo resThere are supposed to be two types of Scientists fans: those who like the first punky-pop incarnation from Perth and people who like the latter, swampy line-ups that sprang up in Sydney and moved to the UK. Of course that’s nonsense. The world isn’t binary. You’re free to love ‘em both.

Getting a handle on the recorded legacy of either, however, is no easy task. The grunge Sydney-UK Scientists recorded in fits and starts, falling out with their then-record company and seeing their stuff released in forms that did not please them. 

You'll drop big money tracking down original vinyl but the output of the Perth Scientists has been reissued several times over in jigsaw fashion. At one stage their legacy did suffer from a poorly produced self-titled record (the posthumous so-called Pink Album) being their only LP. Thankfully, there’s enough out there to give a more complete picture of their sound, to which “Not For Sale” adds much.   

Black Door – The Volcanics (Citadel)

black doorIt’s hard – no, impossible – to believe The Volcanics aren’t huge names in underground rock households right around the world.

Perth might be the Most Isolated Capital City in The World (something its bands used to brag about incessantly - but let's face it, it's a great tagline) but the relevance of that factoid is fading fast in this digitally-connected age. So it can’t just be down to location.

Sonically-speaking, “Black Door” has guitars up the wazoo, brutal hooks, captivating songs, swagger and attitude. So it’s as unfashionable as fuck to the ears of cultural taste-makers, who’d rather assail our ears with Chris Brown or Tay-Tay (whichever one makes them the most money through streaming). Yeah. That’d be it.