A slinky bass-line and sultry vocal (that’s Rachel Mayfield in the duet, ex-delicious monster) give “Rush” a downright sexy feel.“You take my mind over the top/You make my senses stand up,” intones guitarist Alan Byron before the song’s consumed by a monstrous guitar break and a wave of horns. Sonically speaking, it’s simply spectacular.
It’s been a long time between drinks but the DM3 cocktail remains as sweet as ever, without losing any of its bite. This limited edition, double A-sided 45 shows off the Fremantle trio’s trademark tight harmonies and guitar-fuelled melodies, just right.
"There is nothing to win by this kind of an outcry..." -Richard Hell
"Everything is really hard, if you ain't got that credit card." -Iggy Pop
Old grape popsicles don't expire, they just get freezer burnt.
Back in my bespangled youth, there was no Internet and no downloadable sound files you could carry around in your hand-held Orwell gadget. We had, like, Walkman's and a couple of cassettes, if we were lucky, you know? If we got real enterprising, we'd spring for all those big batteries to power up our boom boxes, with all the band stickers on it, but it costs a lot to keep those machines blaring, especially if you hung out with a ragamuffin lot of heavy metal kids, Stooges heads, and ersatz break-dancers.
Rock 'n' roll sounds still mostly came on collectible black platters with colorful picture sleeves, but you had to send cash away for it in the mail, relying on the honor of scuzzy rascals, and every so often, you might get chumped. 'Had to figure, somebody must be awful hard up, to rip off their own fans. There was no Pay-Pal, you just paid your pals.
The Lonelyhearts popped out of Sydney’s western suburbs in 1979 and burned, briefly and brightly, before slipping away. Their their first 45, “Last Kiss” b/w “Ambition” is as one of the great lost Oz power-pop gems of its time.
They had two lives, resurfacing towards the end of the decade, but The Lonelyhearts’ recorded legacy (three full singles) was scant for a band of their quality. And that’s why Melbourne’s canny boutique label, Buttercup Records, is seeking to make amends.
Make sure you read until the end. Let’s talk vinyl first:
The A side of this is where the voice (and guitar, for the most part) of X goes back to the ‘60s to show off his sentimental side. Steve Lucas pulled together a capable combo in Levi Franco (drums), Ryan MaCay (bass) and Herbie Mayhem (piano) to play his songs a couple of years ago, so strap yourself in.
“Ever So Lovely” is an ode to Mrs Lucas (hi Joey!), set to raunchy guitars and set off by Steve’s warm but chipped-at-the-edges vocal. Shades of A.R.M., his fabulous Oz Rock project of 20 years ago, here but not as excessive and fixed in the now.
A slice of fuzztone thicker than hand-sliced artisan bread and bossy chick vocals fuel both sides of this snarler 45 from French band The Missing Souls. Vocalist-bassist Zaza Sharpe lives up to her surname on the A side, a cover of a song by The Teardrops that's recorded live to eight-track, with guitarist and co-vocalist Little Big Ian chipping in.
A cover song also graces the B side (“Alligator” was by American frat-punkers The US Four) and it’s powered by a storming, dance-worthy beat and a neat duet between Zaza and and Little Big Ian. Soulful and fiery as hell, if this is indicative of The Missing Soul’s output on French label Dangerous Skylab (two singles and an LP) then you and me both need to hear it.
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