Getting loved up with Steve and Joey

jetaimeJe T'aime Moi Non Plus b/w Je T'aime Instrumental - Steve Lucas & Joey Bedlam (Radio Rocks)

This is the I-94 Bar Singles Bar, isn't it? "Je T'aime Moi Non Plus" (translated: "I love you no more") is a lovingly-crafted cover of the Serge Gainsborough song he wrote for for Brigitte Bardot, sung by X's Steve Lucas and his better half Joey Bedlam, most notably of Dollsquad.

Everybody from Kim Salmon and the Surrealists to Nick Cave and Anita Lane, TV siren Abigail and Bob Downe has had a lash at "J T'aime", so it would be a pity if you had to self-isolate and not have the chance to sing along with your own nearest and dearest and steam up some windows. 

It's a faithfully-rendered version and a million miles from X, but it's also a bunch of fun. Flip the sucker over and there's an instrumental version that you can karaoke with or record along to. Grab a copy at Bandcamp and see the uncensored cover that Facebook banned.

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Get hip to these cats

tall orderTall Order b/w Something Inside - The Fangin’ Felines (Evil Tone)

It’s no tall order to like this brace of sassy and smart tunes from The Fangin' Felines, who come from Wollongong south of Sydney. There’s just the right blend of bawdy garage rock rawness and girl group sweets to rattle almost any I-94 Bar barfly’s cage.

“Tall Order” is catchier than a Chinese bat virus after a side order of snakeskin soup in a Wuhan roadside diner. It coms out all guns blazing on the back of a Jerry Nolan beat and a brash Carrie Phillis vocal, aided and abetted by fullsome harmonies and some coo-ing and whooping. Morgana Ancone’s deft guitar adds a light touch.

Flip the sucker over and “Something Inside” is another winner. An undulating melody and a rolling feel nail this one to the floor with the Felines again showing the value of solid live gigging and knowing their way around a studio. Not as immediately addictive but you'll get hooked soon enough. 

Surely a full-length album is only a formality? Meanwhile, grab this while it’s still available. The purchase link is below. 

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Buy it on Discogs

 

Intercept this

50LgEBlack Interceptor b/w Bee-Music - 50LgE (Rare bone Records)

Ensconced in sub-tropical Far Northern New South Wales - where the hippies are numerous and the sheep would be scared if they weren’t so mellow - 50LgE is a band that clearly likes to do things its own way. 

You’d issue your debut single as a 12-inch slice o’ vinyl, right? Cheap to ship (not). Although the included download card is a nod to modern technology, that’s a lot of vinyl to hold two songs and the run-out groove goes forever. 50LgE have their own DJ cranking garage rock tunes between sets, and also boast their own brand of beer. Now you’re talkin’…

First, the intros: This is a garage rock-influenced trio whose number includes ex-The Eastern Dark drummer Geoff Milne, bassist DB (ex-The Tellers - from Brisbane) and guitarist Tone Changer, whose own cv includes a spell in the Psychotic Turnbuckles back when he was a kid. So you know that two of them have had the good sense to get out of Dodge (aka Sydney) and make a tree change.

Double dose of pop with sax and sass

baby 8 splitLaughing Up a Storm - Baby 8 b/w Boys In Town - Penny Ikinger (Fantastic Mess Records)

This is a double A sided single from two of the best female-fronted/dominated and/or comprised outfits in Melbourne town. 

First to Baby 8 and “Laughing Up a Storm” which is brassy and bold, over-the-top pop. It’s immediately appealing with its rambunctious three-part harmonies with sax and trumpet parts kicking up a storm.  A lick of synth casts an oddness into the soundscape that befits this vengeance song. There’s a sharp lyrical turn that’s like the twist of a knife and Kat Karamitros sells the vocal like she means it. Wonderful. Don't cross her. 

The late Chrissy Amphlett was a mentor to Penny Ikinger and she brings plenty of conviction and feeling to her cover of Divynils’ “Boys in Town”. Three guitars give it more crunch than the radio-friendly original single, with Penny’s guitar howl leaking through the more conventional attack of Julian Heid and Sam Billinghurst-Walsh. Not content to sound just like the original, Penny and Co have bent the song out of shape, just so. 

It’s the usual Fantastic Mess run of other clear-spattered or ruby red vinyl in a limited pressing. Grab it here

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Tie yourself in Knots

knots epAction; 1980 Three Tracks - The Knots (Rave-Up)

For those of you who aren't familiar with the name, Joey Pinter, he is like an angrier, tough as leather, hard as nails, punk rock Billy Gibbons. Or if Johnny Thunders was still alive and vital and never lost his mojo. Roughly, he's the American equivalent to Spencer P. Jones-in that he is also a formidable and prolific singer/songwriter in his own right, who is best known for having played soulful, emotionally charged, white lightning guitar in beloved cult bands.

I first discovered Pinter's legendary American punk gangs, the Waldos and the Knots, back when I was 20-years-old and pin-balling back and forth between Boston, Hollywood, and New York City. I was a pencil thin scarecrow, would-be vocalist, back then, trying to forge my own dangerous glam rock band ala Smack, Hanoi Rocks, and Dogs D'Amour, but I never had the money or social skills, to keep a band together for long.

A double-dose of pop and punk fun

 
little murders ep
the fiction ep

Little Murders EP - Little Murders (Off The Hip)
Sweetness Brings The Light EP - The Fiction (Off the Hip)

It’s a crazy, mixed-up world where music-lovers buy things in every available format. This four-track vinyl EP comes direct from the “Dromana-Rama” CD album which is not available as an LP, so if you’re both a Little Murders fan and a vinyl fetishist, this is the only way to satisfy your habit.

“Memory Sky” is a superb opener but there’s also not a dud among the selections here. Which are: “Wait”, “Train” and “52 Bands”. The “Dromana-Rama” album has a lot of depth and grows with each listen, but something has to be said for assembling four of its best songs on a slice of black vinyl. If you don’t walk away from a listen thinking that power-pop-rock can't get any better, you have industrial deafness or your tastebuds have relocated to your back passage.