doug yule - The I-94 Bar
It seems totally ridiculous to tell you how important the Velvet Underground were. What do you think I am? The god damn professor of punk? I know there are some squares who blew in too late but if you haven’t made this particular scene by now, you won’t be reading this. Keep sucking on that caffeine free soy latte and tell me reading about music is so 20th Century.
I’m writing this review for those who want to know why they should fork out big bucks for this top shelf item, a box of four CDs. Those who drink out of jars and buy LPs ironically need not apply. For those people, it’s time to start feeding a new habit. Shave off that frigging beard. Go out and listen to these CDs, one through four. Take some drugs. Bad drugs.
So on to "The Velvet Underground" (aka The Third LP). As Velvets fans know, this is the first LP with Doug Yule replacing John Cale.
Disc One is the more usually recognised Val Valentin mix (the mix used for the 1980s reissue onwards); Disc Two is Reed’s slightly later ‘closet’ mix (the mix used for the original 1960s LP), or or Peel Slowly) and, for the first time in any broader sense, the Promotional Mono Mix (with the two shorter songs from the single).
The Val Valentin mix is the one I grew up with, as did several generations of later fans and musicians; so both mixes are obviously essential in the same box set, as is the rarely-heard promotional mono mix - it was several years became stereo became the norm, rather than mono. Curiously, the mono mix reduces the length of several songs, but adds a few bare seconds here and there.
In 2014, Discs Five and Six here were revelatory, ensuring purchase (one of the reasons I forked out). Most of these recordings were unreleased in 2014, but today, in the light of the "Matrix Tapes", surely they’re surplus to requirements.
I mean, there’s nothing wrong with these last two discs in themselves, or the order in which the songs appear here; these discs present the band doing two very different gigs; they’re at their most ferocious and their gentlest. Me, I rather enjoy the different tracking (to the "Matrix Tapes") which the Deluxe Box provides here, so I’ll be returning to these discs myself. But you shouldn’t need this box for that reason if you already have the "Matrix Tapes".
So, let’s assume that you enjoyed the plunge into the Matrix, and are curious to hear more.
This will of course, naturally lead you to their fourth, and last, studio album, "Loaded"; the Super Deluxe six disc box set is "Re-Loaded", the two disc set from 1997 is "Fully Loaded".
Now, "Loaded" itself is an excellent, heavily industry-influenced, subtly smart pop album. But, after coming from "The Matrix Tapes", you’ll feel that this album is a little too shiny, starchy and … just doesn’t quite have the juice.
I remember first hearing this LP after having thirsted through their first three records and wondering, ‘What the fuck happened to this band?’, then discovering that Mo Tucker wasn’t on drums for these sessions, that Doug Yule sings on four songs, and that Lou walked away as soon as recording was complete. David Fricke’s article on "Loaded" in the December 2015 issue of Mojo provides excellent background to what is a not-fully Velvet Underground record.