deniz tek - The I-94 Bar
Dave Weyer circa 1969: Sought after Hollywood sound architect.
DATELINE 1999 - If you're a regular here at the I-94 Bar, chances are good that you have a more than passing interest in the music of Deniz Tek. Granted, the Radio Birdman mastermind's music has taken a markedly experimental turn over his last couple of albums -- one which hasn't found universal favor among fans of Birdman and his earlier solo work. But give the Iceman his due for hewing true to his uncompromising vision and never failing to make challenging, stimulating music.
Since the "Italian Tour" and "Bad Road" EPs and the "Le Bonne Route" album, a key element in the Deniz Tek sound has been one David Weyer, owner/operator of the studio in Laurel, Montana, which bears his name. As engineer and co-producer, Dave is the man who's helped realize Dr. Rock's prescriptions on tape and disc, and he has a fascinating story of his own to tell...
He's been a musician, inventor, a resident of L.A.'s Laurel Canyon during the frenetic '60s, amp technician to a host of guitar greats including Neil Young and Jimi Hendrix. Over a virtual beer or two, we talked about Dave's facinating past and his work with Deniz on projects past, present, and future.
Dave Weyer bellied up at the bar with me from his home in Laurel, Montana, on Sunday afternoon, October 3, 1999.
It’s hard to imagine Deniz Tek fans being disappointed by his latest release. Radio Birdman fans, maybe not so much.
While Deniz’s last album, “Detroit”, was a brooding, introspective and dark reflection on urban and personal relationship decay, “Mean Old Twister” paints with a broader aural palette. Sax, harmonica and keys are woven into the sound at strategic points, to enhance Tek’s trademark guitar and guitar player’s vocal.
Radio Birdman boss Deniz Tek's latest solo album, "Mean Old Twister", will be released by Citadel Records on September 30.
Stand-out tracks are said to include the straight-ahead, high-powered guitar rockers "Burned Black" and "Prison Mouse", "Comanche", a shimmering surf instrumental, the Stonesy ballad "Table For One" and "Free At Last", an all-acoustic diversion from the electric guitar attack.
"Mean Old Twister" was recorded with the same band which appeared on the last Tek album "Detroit". Drummer Ric Parnell is best known for his work in Spinal Tap and Atomic Rooster. Bassist Bob Brown has been working with Deniz since the 1992 Australian tour supporting Deniz's first solo album "Take It To The Vertical".
Lending a keen ear to the process, Radio Birdman bandmate and famed producer Rob Younger stepped in to supervise the mix.
Here's part two of Art and Steve Godoy's mini-documentary of their last tour of Europe as part of the Deniz Tek Group. In case you missed it, part one is here.
Art and Steve Godoy in: 'Deniz Tek and The Golden Breed USA/European tour through OUR eyes'.
It’s taken me a little while to get to this one, and I wish I’d got here sooner.
There’s 12 tracks, nine by guitarist Dylan Webster, three by other guitarist Jason Sharples. With your bass by Dave Lundquest, drums by Serge Ou (no, really, that’s what it says here) and vocals by Michael Preiss… we’re looking at a band capable, if we read the back of the CD right, of constructing and delivering the twin guitar assault.
My oath they do.
After collaborations for singles with Petra Haden (“Blues Jumped The Rabbit”), Lisa Kakuala (“I Love My Tutu”) and Maia (“Sickkk”) in the last six months, ex-Iggy & the Stooges guitarist James Williamson is poised to release an acoustic EP with Radio Birdman’s Deniz Tek.
“Acoustic KO” is being released digitally and as a vinyl EP on March 31. The track listing is “I Need Somebody”, “Penetration”, “Night Theme” and “No Sense Of Crime” and you shouldn’t need to be told that the first two come from “Raw Power” and the others from the Williamson-Pop “Kill City” album. Tek provides vocals and guitar on three cuts and Williamson contributes guitar (naturally) but expect acoustic drums, guest singers and an orchestra in there too.
Many people have tried to make a Radio Birdman documentary. For a variety of reasons, only one has succeeded.
And it would have been so easy for Jonathan Sequeira to fuck it up.
Don’t worry. He hasn’t. Not by any stretch of the imagination.
“Descent Into The Maelstrom” was screened to a select audience of band members, followers, media and other hangers-on in Sydney last night. The venue was the Chauvel Cinema, deep inside – ironically enough – Paddington Town Hall, the scene of the definitive Radio Birdman line-up’s last Australian stand.