canberra - The I-94 Bar
Has this debut album really been three decades in arriving? The details of how and why are more than a little shrouded in mystery but what counts more is that it’s here and it delivers.
Young Docteurs materialised in Canberra in 1978 with a potent brew of punk-psych that has always been hard to categorise. They made the move to Sydney in the early ‘80s and became part of the rich tapestry of life that was Surry Hills and the Sydney Trade Union Club scene. Despite some heavyweight backing (Jeremy Oxley, Nic Dalton and Steve Kilbey were fans), they never emerged to major prominence nationally and have flashed off and on like a lighthouse in the thickening fog ever since.
Australia’s national capital isn’t exactly known for its crop of present day garage bands, so Space Party is a pleasant surprise.
They might even be Canberra’s only garage band, except their PR sheet helpfully says that they recruited their singer from another outfit called Okinawa Girls, so that means there are at least two.
(Before any public servants send thoughtfully composed emails of complaint, it’s been many years since I lived in Canberra so I’m possibly talking through my arse. The place does have at least two regular live venues and a cool community radio station in 2XX, so there are signs of rock and roll life amongst the roundabouts and grim Stalinist architecture.)
It’s said that the only good thing to come out of Australia’s national capital is the Federal Highway, but it’s not true. Canberra’s also spawned some decent punk rock, and here’s more evidence.
It’s not a hanging offence if you’ve never heard of The Vacant Lot. Molly Meldrum never made their acquaintance either. If he had, he would have hated them. Take that as a plus.
The Vacant Lot grew out of the Australian National University campus in 1978. Canberra had a small but energetic punk or new wave scene by then. Wearing less Detroit leather than Sydney, not as ragged and oppressed as bands from Brisbane and not as artfully smacked out as the Melbourne crew, it was a community that tolerated - no, encouraged - music that didn’t fit with convention.