cowpunk - The I-94 Bar
Rock and roll cowpunks The Johnnys are proud to be sharing a stage for two special shows with a true Australian country music legend, Chad Morgan, in April.
The Johnnys will perform with Chad Morgan at the Hardys Bay Club on the NSW Central Coast on Friday, April 5 and Marrickville Bowling Club in Sydney on Saturday, April 6.
Chad Morgan, 86, has been performing to generations of Australian music and comedy fans for more than 50 years. Dubbed “The Sheikh of Scrubby Creek” after one of his most popular songs, Chad released his first album in 1952.
He is renowned for his vaudeville style of comic country and western songs, and goofy stage persona. Chad is the ultimate comic of Australian country music and is instantly recognisable for his unique trademark – those teeth!
A platinum and gold record artist, Chad has an enormous and devoted following and is constantly touring the country, performing songs such as “I’m My Own Grandpa”, “The Shotgun Wedding”, “Double Decker Blowflies” and “There’s Life In The Old Dog Yet”.
Tex Morton once described Chad as the only original country music artist in Australia. Slim Dusty called him the crown prince of comedy. When Gordon Parsons came up with “The Pub With No Beer”, Chad’s the bloke who wrote the words down and contributed a verse of his own.
Chad and The Johnnys go back 30 years. Guitarist Slim Doherty said: “Chad Morgan played a few shows with us in Sydney many moons ago and loved us as we did him.
“He has a cameo in our 'Buzzsaw Baby' film-clip and it is an honour to have shared the screen with this legend. I have an Eko Electric guitar Chad 'signed' with his pocketknife which I still treasure immensely.”
The Johnnys are Slim Doherty, bassist Graham Hood and drummer Billy Pommer Jr and they will be coming fresh off a national you’re with The Beasts. These shows will be a unique pairing and will sell out so don’t delay. Pre-sales tickets are available here.
The blurb says this split-single is by Sydney’s two best purveyors of cowpunk and who's going to argue? Anyone who’s had prior live exposure to Spurs for Jesus or the more rarely-sighted Deadwood 76 will know both as a soundtrack to an afternoon of wearing beer goggles and raucous fun. It’s been that way for a couple of decades.
Spurs claim the honours on their “Landslide” side where twin guitar and lap steel attack from Matt Alison and Martin Martini cuts a swathe. Musically, it’s edging towards tough beat rock than straight-up country twang. No Liverpuddlian accents here, however, and Kane’s insistent phrasing and Spats' lap steel ensures the song stays on the rough shoulder of the road. Killer engine room, too, and the smarties among us will know there’s no show without that beat.
Deadwood 76 mines the rich alluvial vein that’s known as Outlaw Alt-Country with “Pearl Cadillac”, a boozy tale that’s told from the waist down. The lap steel cuts through with venom and the guitars have a matching edge to their twang. Good guys wear white but this song has a black heart.
Stanley Records on the Web
Americana is a term that excuses all sorts of sins. It’s so sweeping as to be meaningless - and it’s been homogenised to the point of dross - so let’s not speak of it again.
Some folks call Pat Todd “Americana” and it doesn’t remotely cover what he and his Los Angeles-based Rankoutsiders play. They’ve been tagged “Mellencamp with the Les Paul turned right up” by one reviewer, which is a bona fide compliment if you ignore the stuff that charted in Australia…
So, the fifth Rankoutsiders album, “The Past Came Callin’”, is rootsy and muscular rock and roll, an amalgam of rock, country, blues and everything in-between, and a contender for their best yet.
What makes the 14 tracks on “The Past Came Callin’” stand out? The songwriting, for one. Pat Todd doesn’t do mawkish sentimentality and writes from the heart. These are a mix of old and new songs, stories about relationships and crimes - which we all know are sometimes one and the same thing.
The surging, urgent guitars of Nick Alexander and Kevin Keller are another distinctive plus. Like Thunders with a clear head or Keef with a new-found dose of inspiration and less noodling, these guys make you take notice of every lick and steamrolling riff.