eric - The I-94 Bar

Glimpses: 1963-1968 Rarities – Yardbirds (Easy Action)

glimpsesScratch deep enough and you’ll find an undercoat of Yardbirds below the shiny paintwork of every worthwhile rock and roll vehicle.

We’re talking a group that was part of the original wave of British blues, but took 12-bar and twisted it for their own purposes. The Yardbirds were true progenitors of overdrive and sustained feedback, bringing in eclectic influence like Gregorian chants and Eastern ragas.

All-in sonic escalations (dubbed “rave-ups” by the band) were features of their song arrangements. Does that that ring any bells about contemporary bands all these years later?  

In Full Bloom: Four Decades of Blue Oyster Cultdom

Doug Sonders photo

It’s hard to exaggerate the impact Blue Oyster Cult band has had on what used to be Australian underground music - at least at the guitar-orientated, rockist end of its spectrum. Mysterious, energetic and hard-edged but, unmistakenly melodic, they were the ultimate cult band in the mid-1970s.

Man and Machine - Eric Gradman (Aztec Music)

gradman-coverAnother day, another re-release of some apparently fabled recordings from the late '70s and early '80s. Because, you know, everything from back then was like totally rad, man. All them cool guys. Not one of them was an ex art school hippy chancing his way on the next bandwagon.

Oblivians announce Down Under tour

oblivians-chuck-trendChuck Trend photo

For the first time in their 21-year existence, Memphis garage rock legends The Oblivians are touring Australia.

As well as the Golden Plains Festival near Meredith in Victoria, The Oblivians will play headline dates at Newtown Social Club in Sydney (March 4), Brisbane Hotel in Hobart (March 5), Barwon Club in Geelong (March 9), Wooly Mammoth in Brisbane (March 14) and a special three-night residency at Melbourne's iconic The Tote on March 11, 12 and 13.

The Who’s Tommy at the Adelaide Fringe Festival

tommy adelaide festival banner

Tommy is, of course, that double LP rock opera what the ‘Oo done, back in 1969.

Pete Townsend was a powerhouse of creativity and, since he didn’t own an opera company or a film company, we can say he made a pretty impressive stab at both over the four sides of vinyl back in the day. Streets ahead of the competition by a forward-looking rock band, Tommy rebooted the Who back into the limelight…and you know the rest, I’m sure.

There’s been an opera version, a musical adaptation, a film, and there’s been several reissues, including a Super Deluxe Edition. And now…this…extraordinary, louche, beautiful, moving interpretation of a record which is well and truly in I-94 Bar reader terrain.