It's been mentioned here before that Fast Cars are a 1980s Sydney mod band, revolving around the creative core of Di Levi (vocals, guitar) and Fabian Byrne (guitar), that reformed a couple of years ago to make more music. This EP is their second since re-convening and was compiled for the “15th Dream of Dr Sardonicus Festival” in Wales earlier this month.
Mod is a label that suggests Union Jacks, sharp clothes, Vespa scooters and The Who, but Fast Cars aren’t constricted by the genre’s straight jacket. “Rarebits” comprises four old tracks and two new ones and takes the band deep into psychedelic pop territory.
Nil to do with the Mamas and the Papas song, this is from the fab Fast Cars album “LAX” and it’s a lush, string-tinged brooder that’s a great calling card for the psychedelic long-player.
Remember albums? They were those things where a band put more than one idea into extended pieces of music (aka songs) that became a sum of a greater part. Fast Cars - once a Sydney mod band but these days vocalist Di Levi and multi-instrumentalist Fabian Byrne - sure do, and evoke more in these few minutes than a lifetime of downloads by Taylor Swift clones.
“California Dreaming” is part of a concept about ambition and star-making in a strange environment and place but you don’t need the back-story to appreciate the 45.
The flip is a brave take on the Russell Morris song of the same name. No marching jackboots but a heady sonic picture nonetheless. You’d hope Molly would appreciate it because it works all the same. It’s mastered a little quietly but you can compensate by playing it loud. Available as a 45 from here.
Sydney powerpop mods Fast Cars are hitting the crowd-funding trail for their debut album...a mere 35 years after they kicked off.
Fast Cars were a fixture on the Sydney mod scene of the 1980s, issuing a single (“Saturday’s Girl” b/w “No Love Today”) and an EP to great acclaim and lots of Sydney airplay. The first incarnation of the band was around from 1980-84.
Where they’ve come from is academic; it’s where Fast Cars are now that counts. The onetime ‘80s Sydney mod-power-pop band has been a creative duo since reforming in 2015, working on opposite sides of the globe. “LAX” suggests distance only makes the creative muse all that much stronger.
“LAX” is what people used to call a “concept album” - back when single song downloads weren’t the staple currency of the musical economy. I know what you’re thinking: Concept equals Pretentious. Wrong. “LAX” stays well away from that precipice. It’s 12 songs of classy psych pop, alternately dreamy and lush, occasionally funky or wrapped in strings, and framed loosely on the theme of seeking your dreams in a big city.
“LAX” is also a Dropbox record. Dropbox is the cloud app that’s become stock-in-trade for projects like this. With vocalist-guitarist Di Levi based in Bristol, UK, and guitarist-songwriter Fabian Byrne living in Sydney, Australia, the swapping of ideas, sketches, recorded parts and, ultimately, fleshed-out songs, had to occur online.
The under-appreciated heroes of the mushrooming Sydney underground scene of the 1980s were the women. Some will say it’s always been the case and continues to be so. For every Chrissie Amphlett there were many others - like Juliet Ward (Shy Impostors), Julie Mostyn (Flaming Hands), Jo Piggott (XL Capris), Annalise Morrow (The Numbers) and Angie Pepper (The Passengers) - who never made it to international mainstream stages.
This exhumed live set by Sydney’s Fast Cars’ underlines this fact. Fronted by Di Levy (vocals and guitar), Fast Cars were habituates of the small but vibrant mod scene that grew in the sweaty pubs of Sussex Street in the Sydney CBD. They occupied a place where ‘60s pop mixed with soul and the sound of what was lazily dubbed New Wave.
Fast Cars grew out of the Sydney mod scene of the 1980s. Home turf was the fertile Sussex Hotel and they made a modest mark with a couple of EPs before moving on. This five-song CD is their first release in 30 years.
Here’s what a mod band sounds like after it grows up. That’s not being trite or dismissive. Creative people don’t stand still - and bands like Fast Cars were no exception. Guitarist Fabian Byrne went on to the dance-orientated Fiction Romance, shifted into management and ran the Method label that gave a leg-up to bands like Allniters, Paul Kelly, Spy vs Spy and The Amazing Wooloomooloosers. So you’d expect “More?” to sound different to Fast Cars of the ‘80s.