Fast Cars were a fixture on the Sydney mod scene of the 1980s, issuing a single (“Saturday’s Girl” b/w “No Love Today”) and an EP to great acclaim and lots of Sydney airplay. The first incarnation of the band was around from 1980-84.
Where they’ve come from is academic; it’s where Fast Cars are now that counts. The onetime ‘80s Sydney mod-power-pop band has been a creative duo since reforming in 2015, working on opposite sides of the globe. “LAX” suggests distance only makes the creative muse all that much stronger.
“LAX” is what people used to call a “concept album” - back when single song downloads weren’t the staple currency of the musical economy. I know what you’re thinking: Concept equals Pretentious. Wrong. “LAX” stays well away from that precipice. It’s 12 songs of classy psych pop, alternately dreamy and lush, occasionally funky or wrapped in strings, and framed loosely on the theme of seeking your dreams in a big city.
“LAX” is also a Dropbox record. Dropbox is the cloud app that’s become stock-in-trade for projects like this. With vocalist-guitarist Di Levi based in Bristol, UK, and guitarist-songwriter Fabian Byrne living in Sydney, Australia, the swapping of ideas, sketches, recorded parts and, ultimately, fleshed-out songs, had to occur online.
The under-appreciated heroes of the mushrooming Sydney underground scene of the 1980s were the women. Some will say it’s always been the case and continues to be so. For every Chrissie Amphlett there were many others - like Juliet Ward (Shy Impostors), Julie Mostyn (Flaming Hands), Jo Piggott (XL Capris), Annalise Morrow (The Numbers) and Angie Pepper (The Passengers) - who never made it to international mainstream stages.
This exhumed live set by Sydney’s Fast Cars’ underlines this fact. Fronted by Di Levy (vocals and guitar), Fast Cars were habituates of the small but vibrant mod scene that grew in the sweaty pubs of Sussex Street in the Sydney CBD. They occupied a place where ‘60s pop mixed with soul and the sound of what was lazily dubbed New Wave.
Fast Cars grew out of the Sydney mod scene of the 1980s. Home turf was the fertile Sussex Hotel and they made a modest mark with a couple of EPs before moving on. This five-song CD is their first release in 30 years.
Here’s what a mod band sounds like after it grows up. That’s not being trite or dismissive. Creative people don’t stand still - and bands like Fast Cars were no exception. Guitarist Fabian Byrne went on to the dance-orientated Fiction Romance, shifted into management and ran the Method label that gave a leg-up to bands like Allniters, Paul Kelly, Spy vs Spy and The Amazing Wooloomooloosers. So you’d expect “More?” to sound different to Fast Cars of the ‘80s.