italian - The I-94 Bar
Let’s see. It’s been 18 years since I first heard a Peawees record and this is Album Number Six. The Italian combo from scenic La Spezia by the sea has been kicking out pop-punk jams since the mid-‘90s. Despite having only one constant member in guitarist-vocalist Hervé Peroncini, they sound pretty much like they did way back when.
There's something to be said for longevity in rock and roll. Perhaps there's a clue to The Peawees' secret in the album title. One thing The Peawees haven't done down the years is stand still, and there's enough stylistic variation on this album to keep things interesting.
It's not all about the Ramones. The bar room boogie of "Reason Why" or the Jam-like rush of opener "Walking Through My Hell" are proof enough. If that double-punch to the solar plexus doesn't get you gasping for air, you're a corpse.
Italian journalist and occasional I-94 Bar correspondent Roberto Calabro has had a Radio Birdman book published.
It's called "Radio Birdman. Il rito del suono selvaggio" (that would be “Radio Birdman: the ritual of the wild sound" for non-Italian speakers) and it’s published through Tuttle Edizioni.
Not just a historical recounting, it covers the whole story of the legendary Sydney band from the early days up to now with chapters about The Visitors, the New Christs and the work of individual members.
It’s only in Italian right now but Roberto is keen to have it translated and published in English. You can order a copy here. Comprendere?
When you take your surname from a character in a James Ellroy book, you nail your colours to the mast as a fan of most things American. Naples-born Guy Littell might be as Italian as pizza with a cappuccino on the side, but his music is drenched in Americana.
Littell’s biography mentions his links to Steve Wynn (of The Dream Syndicate and a long solo career) on whose next album Guy guests, and the impact of hearing Neil Young and Mark Lanergan. “One of Those Fine Days” shows those influences writ large - plus a deep dish serving of Matthew Sweet.
Littell might not have the pipes of Sweet - who does? - but he and his band tackle these 10 self-penned songs with a similar measured, rock-pop aplomb.
Italy’s best kept secret since the Bellini cocktail with Peroni chaser has an Australian record label. In an age of Fake News, this is significant Good News. It means there’s one fewer reason (like overseas postage) for Aussies not to pay attention.
So let's catch up with the rest of the world: Giuda play irresistible songs that marry all the best parts of glam rock to punk. That’s the simple story. Handclaps mixed with hooks… nasty, gravel rash chords…rifferama that’s sharper than a Rome pickpocket’s reflexes.