london - The I-94 Bar
"This album is dedicated to a small club: the squatters of Campbell Buildings in 1979/80. Every year our numbers get fewer but the story lives on," writes Bob Short on the LP cover.
Yeah. Just like the 100 Club and the Sex Pistols, occupants of the Campbell Buildings in London now number in their mythological thousands.
Yeah right. Some pasts attract wanna-be’s like flying bugs to apricot jam, others … well, let’s just say you’d give some pasts a wide berth.
The Horniman Museum in South London is a monument to its founder's eccentricities. A giant stuffed walrus vies for space beside antique musical instruments. Medieval torture chairs sit next to a delightful selection of monk’s undergarments. Both horsehair and spiked.
They had a couple of live piranhas and a virtual history of pipe smoking. The Addams family would have felt right at home.
One unusual exhibition was a wheel of Chinese opium. It sat happily in its case for 80 years until some reprobate walked in, opened the case and vanished off into the English Autumn.
The legend shared by South London’s heroin users was the perpetrator was one, Peter Perrett. This wasn't based on fact. He just lived around the corner from the museum.
"Yesterday’s Town" is huge. You think you know where she’s going, but she doesn’t take you there. The lyrics are like a stripped-back novella. Suzie really nails the slow/uptempo dynamic with her romantic guitar and sweet and smoky (by turns) voice.
Suzie’s been going about her career the right way (photos, film clips bios and downloads here.). She's moved from Melbourne to London and is building a profile. Her production on "Yesterday’s Town" is superb, and the song itself begs for mainstream airplay, and I can only assume the majors are scampering with intent toward her right now.