mark steiner - The I-94 Bar

City Primeval. New York. Berlin. Prague. Curated by Robert Carrithers and Louis Armand (Literaria Pragensia Books/ Univerzita Karlova)

city primeval coverYou may, or may not, see this book in shops. If you do, buy it. Most of the readers here will want to read the New York section. So don’t hesitate.

But I’m s’posed to be a critic or something and The Barman wants to know: how many McGarretts?  In spite of the several things which annoy the hell out of me, "City Primeval" rates a mighty Three McGarretts. Yep: 100 percent..

Why so high, Grand-dad?

Well, the concept alone is mighty. And it could’ve been seriously terrible. But "City Primeval" is one of those unique, slanted historiography things which are invaluable to any music/ culture enthusiast. Sure, the book could’ve done with a decent editor, and sure some of the people writing here don’t usually write so it’s not the smoothest. 

But that’s not the point, at all, and in fact is part of the charm. Reading "City Primeval" doesn’t just give us a bit more context, but part of the "ah-HA!" understanding which so many outsiders to any florid scene lack.

Just hanging out in the Singles Bar...

"Giant Lizards on High" b/w "Fresh Meat for Martyrs" - Blurt! (Sartorial)
"Insomnia" - Mark Steiner and his Problems b/w "Six Feet Under" - Mark Steiner and his Problems with Line Saus (Rabben Records
"Urge" b/w "Milk and Metho"/"Crash"/"318" - The Nuclear Family (Urge Records/VS)

"Knife Edge" - The NJE b/w "Caesar" - Dear Thief (Sartorial)

Today I'm listening to a few singles (instead of cleaning the house for an inspection).  Sorry, that's the small vinyls that play at 45rpm.

OK - "records" not “vinyls”. 

Now, the beauty of singles is that they carry a stand-alone song, in a format which forces you to pay attention to that one song. For a low-level label or a low-level band - no matter what the rep, you're only as big as your last gig - the single is a signpost, a statement, a declaration of intent.