One of Melbourne's best acts, James McCann and The New Vindictives, will play their first show in Sydney, as support to the New Christs, at Marrickville Bowling Club on July 15. Tickets for the gig are here.
They'll bring with them the CD version of their their new album "Gotta Lotta Move - Boom!" (Beast Records for vinyl, Off The Hip for CD). This is "Sheena Says", the second video single from it.
In musical terms, Melbourne's James McCann has traversed more miles than that ditzy blonde travel agent chick from the local Flight Centre. Unlike Sharon, however, McCann hasn’t done his miles with the benefit of industry junkets and a staff discount. In short, he’s paid his own way.
Back in the ‘90s, McCann co-founded The Drones in Perth, before moving to Sydney where he played with Harpoon, Lowdorados and an early version of the shape-shifting Nunchukka Superfly. Relocating his voice and guitar to Melbourne, McCann’s played under his own name or with his own bands, like The Dirty Skirt Band and The New Vindictives. The odd foray to Europe has kept his passport stamp collection growing.
Sometimes you get all philosophical. The penny dropped on Saturday night, after a succession of $14 jugs of beer with a mate, that the New Christs are probably the band that I’ve experienced live for the longest number of years.
Of course there have been so many line-ups that a statement like that becomes very elastic. But the wrist stamps don’t lie...
And they go right back to 1984 when a loose and limber Rob Younger bounded onto the stage of Sydney’s Capital Theatre, fronting the band’s first live incarnation, in support of Iggy Pop.
That line-up of Chris Masuak, Tony Robertson, Mark Kingsmill and Kent Steedman (the Rifle later to be subbed by a Spider, Richard Jakimyszyn) might have been equalled by the “Distemper” one (Charlie Owen, Jim Dickson and Louis Burdett/Nick Fisher) but never bettered. The former had a brutal edge, the latter a bluesier, expansive feel with jazzy inflections.
The current configuration of Dickson, Paul Larsen, Dave Kettley and Brent Williams measures up nicely in the history of the New Christs, probably sitting at level-pegging with the late-‘90s line-ups. They’ve all served up differing sounds and brought something different to the stage, with the one constant being Younger’s undeniable presence and bitter-sour song-writing.
“Emotional Jihad” and “Word Salad” are terms that others have used down the years to describe Younger’s lyrical vision. You can’t do much better than that.
Tamara, Richard and Stacey on-stage at the Tote. Matthias Baratheon O'Meara photo
It has now been six years since was lining up at the Excelsior Hotel in Sydney when Jim Dickson (New Christs and Radio Birdman bass-player) told me about this band from Brisbane that I had to check out. Knowing Jim for three decades from his time selling Indian food down at Max’s in the late ’80s, I had never heard him express how blown away he was by a local band.
It’s 25 HITS gigs later for me. I’ve been seeing them from a time when only about five of us living outside their home of BrisVegas were convinced that they could be the greatest exponents of dirty, street-level rock ’n’ roll in this country.
Nowadays, HITS are the band on everyone’s lips. That’s why I am flying down from Sydney to to see my favourite Aussie band to play The Tote in Melbourne, not long before they’re due to embark on their second tour of Europe.