Nicole Izobel Garcia - The I-94 Bar

Baile Bruja Muerto - Reverend Beat-Man and Izobel Garcia (Voodoo Rhythm)

beat man isobel garciaIzobel Garcia’s collaboration with Reverend Beat-Man was one of the best things on the latter’s most recent album, “Blues Trash”, so a full-length long-player from the pair was always going to be a tasty prospect. Those high hopes have been met.

“Baile Bruja Muerto” (translation: "Dance Witch Death") evokes colours of a dark hue; West Coast Mex cool meets decadent garage trash. Gospel, swamp and skronk meet in a parking lot to imbibe god knows what.

Ms Garcia is an L.A. artist of Mexican descent with a stunning voice. Beat-Man is a frequent visitor to the City of Lights as he has relatives in the area. The pair met at a downtown rock and roll gig. Beat-Man picked Izobel for a musician because she looked odd. It takes one to know one.

Blues Trash - Reverend Beat-Man and The New Wave (Voodoo Rhythm)

beat man and the new waveAfter 30 albums or so under a variety of monikers, Beat-Man could take the easy way out and keep churning out records of garage skronk. You know, music to kill any party, as the label slogan goes. Instead, he’s continuing to take chances.

The Swiss madman's brief with this project was simple: Pick a collaborator and play them a song once. Set the tape running. Use the first or second take. No overdubs. No arguments. 

The Reverend describes the album as “a mix of blues trash, new wave folk and dark no wave garage punk and rock'n'roll”. No arguments. Stylistically speaking, “Blues Trash” IS all over the shop. The bands behind him and his friends range from minimal duos to full-blown folk groups.