paul collins - The I-94 Bar
Two thoughts sprang to mind after one spin of "Let's Go Wild!" and both are for sharing: (1.) What a cracking album and; (2.) Let's all move to Spain.
American-born Kurt Baker has done just that, calling Madrid home for about a decade and fronting his own Kurt Baker Combo, based over on the other side of the country in Leon, Spain.
If the fact that "Let's Go Wild!" Is on the Wicked Cool label isn't a clue, the sticker on the cover with the ringing endorsement from Paul Collins should tell you that it's a winner in the power pop stakes. Baker has a great voice, his band powers and the songs are full of fuzzy hooks.
If Jack Lee went to his grave only known as the guy who wrote the Blondie hit “Hanging On the Telephone” he’d be more noteworthy than all of us combined and then some. The irony is that only music publishing houses and fans of his former band, The Nerves, would know this. Sad, but that’s the state of music in the ‘00s.
Just the facts: Their recorded output was scant but The Nerves were one helluva great power-pop band, operating out of LA in the mid-‘70s, and Jack Lee was (and probably still is) a consummate songwriter. Lee formed The Nerves and played guitar. His similarly talented bandmates were Peter Case (bass) and Paul Collins (drums.) They all sang and wrote the songs. That’s probably too much talent for one band and of course they didn’t last long…
The re-birth of the Stoneage Hearts sounds like a sequel to “High Fidelity”: Three guys walk into a record store at various times, buy the new Red Kross album from the owner and they all decide to form a band. They rehearse at nights in the shop, record an album, tour together and achieve global success.
Apart from the last bit about the worldwide success, the story is true. Not that global domination isn't possible, but more on that later.
This is the third incarnation of this Melbourne garage-pop band and apart from a stack of classic garage and powerpop influences, drummer Mickster Baty is the only constant. Previous line-ups were fronted by Danny McDonald (P76) and Dom Mariani (The Stems, DM3) with Ian Wettehall (Seminal Rats, Phillesteins, Freeloaders) on bass then and apart from guest Farfisa organist and Mickster, this one is populated by relative unknowns. Not that it matters a jot. They’re up to the mark and this is a great record.
A couple of listens in and it’s evident why Paul Collins recruited the core of this band to back him on his Australian tours. The On and Ons play classic guitar pop in the mould of The Plimsouls, the Flamin’ Groovies in their Beatles-besotted era and Collins’ own The Beat.
This is a band that walks down the pop side of the street. If lineage counts, The On and Ons start with a considerable advantage over many others. The members’ rap sheets include the early Hoodoo Gurus, the latter-day Screaming Tribesmen, Kings of the Sun, The Barbarellas and The Stems. To paraphrase Lou: Their powerpop day beats your year.
A brand new powerpop-rock combo with an impeccable pedigree, The On and Ons, are launching their Citadel Records CD album, "It's The On and Ons Calling", at the Factory Floor in Sydney on July 18.
The back story is this: Ex-Screaming Tribesman and Kings of the Sun member Glenn Morris (lead vocals and guitar) and his brother Brian (drums), of The Zeros (the Australian band) toured Australia and the US in 2012 as members of The Paul Collins Beat.
That successful stint encouraged them to record their own album of Glenn's original songs. The resultain record "It's The On and Ons Calling" was produced and engineered by legendary Australian guitarist Dennis Wilson, of Khavas Jute fame.