He’s best known as the voice and scorching guitar of the Hard-Ons and Nunchukka Superfly but there’s another string to Peter Black’s bow.
Just back from a seven-week tour of Europe where he played 44 shows in 46 days, Blackie is promoting solo album number-four, “Clearly You Didn't Like The Show”, in Australia.
Dates are as follows:
Saturday, 7th November 2015
Blackwire, Sydney NSW
Saturday 14th November 2015
Transit Bar Canberra ACT
Wednesday 25th November 2015
Hamilton Station Newcastle NSW
Thursday 26th November 2015
Black Bear Lodge Brisbane QLD (with Mark Zain)
Friday 27th November 2015
Old Bar Melbourne VIC
Friday 4th December 2015
Ruby L'otel Rozelle, Sydney NSW
Sunday 6th December 2015
Rad Bar Wollongong NSW
His nearest and dearest might know him as Peter but you'll most likely recognise him as Blackie from the Hard-Ons. Not that this, his second solo album, bears much relation to that esteemed band's fast and furious output. "No Dangerous Gods…" is off-the-wall, whip-smart and often lush acoustic rock that suggests Syd Barrett more than Sid Vicious.
Would you buy a song a day from this man?
Peter "Blackie" Black, notably of the Hard-Ons and Nunchukka Superbly, has always done things differently. He’s taking his own path again as a solo artist, releasing a song a day via his Bandcamp site Subscribe to Peter Black Solo.
Why, you ask?? When we asked him, after scrunching his face for a few minutes, his reply was: "Why not!"
Hard-Ons and Nunchukka Superfly co-founder, Peter Black, (aka Blackie) is launching his third full solo album with an Australian tour that includes a run of dates as special guest support to King Buzzo of The Melvins.
"The Paintings On The Wall Say Gambler! Gambler!" is said to be "a flaming solid ball of creative explosion, whereby storm-trooping guitars and rhythm" that abandons the storm-trooping sounds of Hard-Ons and Nunchukka for "beautiful, introspective and whimsical".
It might be apt to drop in some Dylan to catch your attention from the get-go (“There’s something happening here and you don’t know what it is/ Do you, Mr Jones?”) but it’s not necessary. Cutting to the chase, Peter Black is using melodies and colouring here to make a solo album that’s his most captivating to date.