scott asheton - The I-94 Bar
I originally heard this new release in its raw format three years ago now and was surprised by the laidback feel of it….wow, Sonic’s Rendezvous Band playing a front bar pub type of gig to 25 people….how cool to have seen that? I didn’t even know they did that sort of thing
There’s plenty of on/off stage banter, some jamming and tune ups; it was a nice surprise and refreshing to hear a recording of one of my favourite bands playing in a different situation and early on in their development. This recording joined some of the dots in the band’s history (no they didn’t just appear out of nowhere as this blindingly amazing live band – it took years and plenty of gigs) and fleshes these guys out as players.
The Tale of Tornado Turner is a curious but intriguing piece of Stooges history. You’re about to hear the story. First-hand.
Flashback to 1973. An increasingly bored and three-quarters strung-out Iggy and the Stooges are holed-up in a rented mansion in the Hollywood Hills, captives of their management company Mainman. “Raw Power” is out. For reasons best known to themselves, Mainman is booking no tours to promote it.
One reluctantly-arranged show (Ford Auditorium, Detroit, March 27) produces an ultimatum following a clash at an after-party between Manman supremo Tony Defries and guitarist James Williamson. The edict is: It’s him or the band. Iggy sacks James. Enter a replacement, Warren Klein.
This recording is where it all started for recent Sonic’s Rendezvous Band fans. Originally issued in 1998 as “Sweet Nothing”, it was the first non-bootleg, live recording that stood up, sonically speaking, and both the CD and LP pressings sold out quickly.
A second disc of live and tweaked studio stuff (“City Slang”) surfaced a year later and we’ve been fairly spoiled with a flow of material since then.
“Sweet Nothing” was an ear-opener in all senses of the term. No longer did you need to listen to “Strikes Like Lightning” or any of the other lamentably poor quality boots and ponder why nobody in Detroit in the mid-‘70s owned a boombox with a decent microphone.
The steady stream of releases peaked with Easy Action’s lavish 2006 “Sonic’s Rendezvous Band” box set, a six-disc CD collection that included rehearsals, other live recordings and a spruced-up version of this show. Now, this vinyl release has arrived as part of the annual Record Store Day hoopla.
Gang War at Second Chance in Ann Arbor in 1979. Sue Rynski photo
It’s said the drummer in a rock and roll band has the best seat in the house. It’s given John Morgan his unique perspective on some of rock and roll’s most talented, fascinating and sometimes flawed characters.
Now living in Ventura, California, John Morgan’s spent half his life as a professional musician, playing with a long list of blues and jazz bands. But it’s his insights into two in particular: Gang War and Sonic's Rendezvous Band - the former as a partcipant, thw latter as an observer - that will hold the most interest for I-94 Bar patrons.
Dunno what all the online backlash is all about. Jim Jarmusch called his film “a love letter to the Stooges” and that’s precisely what he delivered when “Gimme Danger” made its Australian debut at the Sydney International Film Festival on June 17.
“Gimme Danger” was never going to be a deep dissertation about what made the Stooges tick. Read Paul Trynka’s magnificent “Open Up and Bleed” for that. It was more like a shallow duck dive into the broad history of the band. Or bobbing for apples.
I enjoyed "Gimme Danger" but this was the Stooges, dumbed-down for beginners. Or “Stooges 101” as someone later said.