senor no - The I-94 Bar
Backstage at the Festival of Sue with (from left) BILLY POMMER JR, CLYDE BRAMLEY and ROB YOUNGER. EMMY ETIE photo.
GUADALUPE PLATA (Donostia, Basque Country)
GUADALUPE PLATA are an innovative 3 piece comprising (1) vocals and guitar (2) washtub bass/guitar and (3) drums. The play an eclectic and exotic mix of rock, blues, jazz and rockabilly. I saw them perform live after my solo show in Donostia, Basque Country this year. Pedro’s guitar playing reminded me of my own, at times, demented approach to guitar playing.
KELLEY STOLZ, (Bottom of the Hill, San Francisco).
KELLEY STOLZ is a singer, songwriter, musician from the USA. His music has been compared to that of BRIAN WILSON, VELVET UNDERGROUND, NICK DRAKE and LEONARD COHEN. He played an awesome show with SARAH BETHE NELSON as support. Kelley is an all- rounder – a singer, musician and song writer. The real deal.
“A FESTIVAL OF SUE: THE JDS ARE ON YOU” (The Factory Theatre, Marrickville, Sydney)
Friends of SUE TELFER banded together to pay tribute to this much-loved Sydney lady with proceeds going to Support Act. A line-up that included myself (with special guest BILLY POMMER JNR on drums), X, the NEW CHRISTS, THE JOHNNYS, KIM SALMON, THE CRUEL SEA (instrumental), FRONT END LOADER, THE MIS-MADE, THE HOLY SOUL, & THE ON AND ONS. Having BILLY POMMER JNR on drums certainly gave me a run for my money. Highlights for me included the NEW CHRISTS, THE CRUEL SEA, THE JOHNNYS and X. Unfortunately, I did not get to see all the acts. Too busy chatting with my friends. It was such a great turn out from Sydney folks! After my trip into the city, seeing so many old buildings torn down (which caused me a lot of distress), it was great to see that Sydney folks still have a heart – a very big heart!
High-energy veterans Senor No from Basque Country (don't call it Spain) are embarking on their first Australian tour this month but their Anipoddean connection already runs deep.
Senor No was born in Donostia/San Sebastian, Basque Country in 1993, after the dissolution of the seminal Spanish group La Perrera. The band released their first LP with No Tomorrow Records in 1994 and toured Spain and surrounding areas relentlessly while recording five more albums and more than a dozen singles.
Senor No was the very first release for the seminal Spanish label Bang! Records which is a label responsible of releasing some of Australian best bands overseas.
This is going to be a very biased view and I’m not trying to hide it. I’ll make my own rules just so I can bend them to suit my agendas.
Best gig of the year - The Stew Cunningham Benefit night in Sydney at Marrickville Bowlo. All the bands were awesome but what won the night over was the atmosphere and goodwill of all the people that attended. A truly special night.
Best local live act - The Celibate Rifles. The Rifles slayed it in support of The Sunnyboys at The Factory, then followed it up with a couple of scorchers at The Marrickville Bowlo and The Narrabeen RSL. The old fellas have still got it. Honourable mention to Stiff Richards who tore the roof off in support of The Rifles at the Bowlo, great band.
Best local release - The Aints!, "The Church of Simultaneous Existence". Wonderful album from go to whoa. Honourable mention to Warped - "Bolt From The Blue" - brutal honesty at its best.
Best international gig - Señor No at The Botany View Hotel. It was wild, crazy and a helluva lot of fun. honourable mention to Los Chicos at the Rad Bar in Wollongong, they put on a show and a half, they were just pipped at the post.
Penny with her Japanese band the Silver Bells at her "Tokyo" album launch at Melbourne Museum. Pic by Gary Hallenan
Album: “What Would I Know”, Brian Henry Hooper (Bang! Records)
This posthumous album release is startling in its beauty, rawness and poignancy. Songs about romantic and filial love and songs about death are delivered in Brian’s signature kicking against the pricks style.
Mick Harvey's production appears to form a bridge between the states of life and death. This leaves the listener unsure whether our bard has in fact crossed the River Styx to Hades; while the instruments, like bellows, breathe life into a raging fire. Are they all bellowing from the Underworld or are their feet still firmly planted in the land of the living?
Like Orpheus, the musician, poet and prophet (armed with an electric golden lyre and a distortion pedal) performing in front of Hades, God of the Underworld (clad in a black leather jacket), in the hope of retrieving his ill-fated bride Eurydice, Brian Henry Hooper sings songs to make gods weep.
God bless those wonderful creative people who say: "Screw this boring world, I'm gonna do what I want to do". Because, when all is said and done, we won't be here forever, and if what you fancy makes other people dance and leap about like they've got uncool illnesses, so much the better.
Yeah, yeah, I know. Everyone who claims to love rock'n'roll has their own idea of what rock'n'roll is.
And, it's a suspicion of mine that a hell of a lot of rock'n'roll bands exist because no-one is playing the kind of rock'n'roll they want to hear (this may have been one of Kim Salmon's reasons for re-emerging with another Scientists in 1982).
Last week we saw The Animals, sharp and bright as a new nail, rejoicing in the simple power and beauty of the r'n'b explosion, and the determination to stay stable in a troubled world.