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Americana Hero: Alejandro Escovedo's long journey from punk to troubadour

nancy rankin escovedoNancy Rankin-Escovedo photo.

In 2018 Alejandro Escovedo released "The Crossing", an album based on the story of two boys, one Mexican and one Italian, travelling across the United States. “I’ve always lived along the border in California and Texas, so it’s been part of my story,” Escovedo says. But while immigration is fundamental to the evolution of modern America, in recent years it’s has become a hot political topic.

(To accentuate the point, a few hours before my interview with Escovedo, US President Donald Trump invoked emergency powers to secure the funds to continue the building of his border wall between Mexico and the United States.)

Escovedo didn’t set out to write a political album; it’s just that “whenever you talk about immigration at this time it tends to be political because of what’s going on in America”.

Messin' With The Kid

kid congo promo shotGuess who's coming to dinner? Kid Congo Powers (right) and the Pink Monkey Birds.

Kid Congo Powers’ musical career is a lens through which can be seen some of the most intense and evocative music of the last 40 years. 

Born Brian Tristan in the Los Angeles suburb of La Puente, Kid Congo Powers famously met Jeffrey Lee Pierce in the line at a Pere Ubu concert. Pierce was the president of the LA chapter of the Blondie Fan Club; Powers was the president of local chapter of The Ramones Fan Club. Pierce recruited Powers to join his fledgling band, Creeping Ritual, later to become The Gun Club. 

In 1980 Powers joined psychobilly band The Cramps, who’d recently moved to LA from New York (it was Cramps lead singer Lux Interior who bestowed Brian Tristan with the moniker Kid Congo Powers).