Black Leather Soul - Angus Khan (Nickel and Dime Records)
Hello from the Farmhouse, Barflies. This is one from the archives, originally issued in 2009, but this most rocking album has been re-released in July and is already on all good music streaming services with a extra track, "Silver and Green" (acoustic.) I, for one, love this tune and the album.
Angus Khan was formed in the summer of 2006 by three Streetwalkin' Cheetahs and two B Movie Rats in sunny California. They were Frank Meyer and Bruce Duff on guitars, Dino Everrett on bass, Derek Christenson (vocals) and Andy Baker of the B Movie Rats on drums. What a cracking line-up.
That's some pedigree and they didn't disappoint. This is a hard rock album that just kicks from the first track, the wonderful "Midnight Moses".
These tunes are a must for any Barfly who loves Rock 'n' Roll played hard with witty lyrics. "Call Me Motherfucker", "Hot Pants", "Bop City", "Chainsaw Betty" and "Scene Bitch" are perfect examples of what I love in a rock band: Don't take yourself too seriously and have some fun. Angus Khan most certainly does both in abundance.
"Black Leather Soul" takes listeners on a journey of stomping riffs. Oh, those guitars just blast out of the speakers. No bullshit here. It's a must have album.
I was lucky enough yesterday to have a conversation with Frank Myer about why he decided to branch out from the Cheatahs and form Angus Khan. Just quickly before I let Frank loose on the public, you should know that they derived their name from Angus of AC/DC and Genghis Khan, leader of the Mongol Empire. So name alone, you know this album ain't for pussies.
So I'll let Frank explain the origins of the band and I'm most grateful for the time he took to speak to a dirt farmer from Dimboola, Victoria
When the Cheetahs and the Rats both broke up, Derek and I had been plotting on doing a heavier band for some time. We wanted to do something kinda like Zodiac Mindwarp meets Turbonegro - a really dirty sleazy biker metal music with dashes of punk and glam.
At the time I was also writing for Cherie Currie of the Runaways on a solo album that would return her to her Runaways roots. Unfortunately that album never ended up getting done so a bunch of the songs like "Scene Bitch" and "Big Balls" we just took and continued that direction, making it more extreme and as we continued writing new songs.
When we were writing songs for Angus Khan we where listening to a lot of music like Alice Cooper, Aerosmith, Nashville Pussy, ZZ Top and even Megadeth and Metallica. We wanted a sound to be steeped in '70s hard rock but with a metal twist.
There's a lot of fun and cheap humour in the lyrics; We wanted the music to be fun and funny, with lyrics that were cool yet ridiculously over the top.
Each member of the band had a character. I dressed like a Army guy and went by the name Sgt Rock. Our biker singer went by Dirty D, our bass player was Droogie from the movie "Clockwork Orange', the drummer was Tarzan and the other guitarist was a '70s rock god. We all dressed the part and kept the whole thing as over the top as possible.
So Barflies, this is a must for lovers of hard-riffing, good time, over-the-top rock 'n' roll. Download or stream this most wonderful album on Spotify, Apple or Amazon music, and if you're not familiar with The Streetwalkin' Cheetahs, give them a listen also. They just kick fucking arse.
Six Beers Please Barman AND keep them coming
From The Farmhouse, enjoy your week and don't run out of bog rolls.
Full Circle - Arctic Circles (Buttercup Records)
With a scant recorded legacy, it would be easy to forget Arctic Circles, a ‘60s-inspired band that kicked around Melbourne’s underground music scene in the second half of the 1980’s. A 45 (“Angel” b/w “My Baby Said That”) and a mini-LP, “Time”, was the sum total until a posthumous live seven-inch on Buttercup Records in 2014.
Six years later, Buttercup has upped the ante with “Full Circle”, a vinyl compilation of Arctic Circles’ entire output, supplemented by live tracks and a bonus CD of demo’s and live cuts. It’s in a limited run of 200 copies.
Ball Movement - The Toss (self released)
Hello I-94 Barflies. As always, the old Farmhouse has been rocking loud, and these past couple of days it’s been to the sounds of The Toss, those fun-loving and football-crazy nuts from Adelaide.
“Ball Movement” is CD’s the name and whether taking the piss or draining it is their game, this puts them right at the top of the ladder. It’s the seventh album for The Toss, following hard on the heels of the highly acclaimed “Full Support Of The Board”. This is a masterpiece of Australian Football songs but before I bounce the ball and start the review-proper, I think you need a "Footy Record" account of who's who.
Greg Atkinson of Ups and Downs.
"Shake Yer Popboomerang 3" Sydney Launch
Ups and Downs
The Aerial Maps
Marrickville Bowling Club
Friday February 29, 2020
Photos by Mark Fraser of Redback Rock
This isn’t going to be one of those reviews where someone walks you through a song-by-song recreation of the gig. For starters, I’ve seen Aerial Maps once, Halfway never, and Ups and Downs twice. None of them are really big on song introductions either. So I have no idea what any of the tunes were called, besides a couple from the headliners.
I guess a dedicated reviewer would have gone and had a squiz at the set lists, or maybe bailed up a hapless band member, but to be honest I was too busy drinking with a dear friend I hadn’t seen in ages to worry about that. So it’s going to be more about the vibe, man, and a few observations I jotted down in a notebook.
Basecamp - The Clinch (OSU!/Sunny Bastards)
Hello Barflies. The Dimboola Farmhouse has been rocking to the new album from Melbourne punk rockers, The Clinch, of late.
The Clinch is the band, “Basecamp” is the new album, and does it smash you right in the face, make your ears bleed and keep you wanting more.
The Clinch are five hardcore punks with a sound that pay homage to the old East End of London. In terms of sound if not geography, both Rancid and The Exploited come to mind. Luke Mathews and Andy lynch attack their guitars with some of the hardest playing my ears have heard in years. Sam Barker (drums) and Brendan McRea (bass) smash the shit out their instruments with gutso. What a band to have behind you.
Steve Bunch sounds like the perfect frontman for this music. His singing (if that's the correct word) is like an ounce of weed going through a coffee grinder with gravel in place of tobacco. it's a punk rock voice that takes no prisoners and I, for one, love it.
Gonna Rock Tonight: A Tribute To Roy Loney
The Chapel, San Francisco, USA
Friday, February 21, 2020
Roy Loney’s passing on December 13, 2019 was a very sad day for the music and arts community. He last appeared on stage May 29th, 2019 at the the second warm up show for the Flamin’ Groovies' "Teenage Head" European tour. Always the trooper, Roy continued to perform live despite his declining health. Sadly Roy was forced to pull out of the tour after collapsing at San Francisco Airport.
"Gonna Rock Tonight: A Tribute To Roy Loney" brought together many of the musicians he’d worked with, musical friends and fans for a night to remember Roy.
In The Fridge Vol 1 - Suburbia Suburbia (self released)
Biting satire and blues rock make a happy couple. Suburbia Suburbia know the value of three chords and a bucketload of wit and employ both on "In The Fridge Vol 1".
You could call Suburbia Suburbia yobbos. They'd shout you a beer for it before they'd thump you. It's stating the obvious to say Australia's bogan rock heritage had its origins in the "suck more piss" bluster of Billy Thorpe and the Aztecs and lives on through Cosmic Psychos and Amyl and the Sniffers.
Suburbia Suburbia are gnarly old hard-heads who have been around the Australian live music block a few times. With a grounding in sticky carpeted pubs across Sydney, Brisbane, Toowoomba and the Gold Coast, they don't so much take the piss out of suburban culture as revel in it.
Taking a Ride - The Chordites (Swashbuckling Hobo)
This ride’s got a lot of everything. Pop-punk, power pop and grimy garage rock spring from the 10-song vinyl LP like water from a leaky radiator.
It’s a self-assured effort from a crew of Brisbane players who - to milk the travelling metaphor - have a bit of mileage on their clocks, doing duty in bands such as the Dolls-meet-the-Groovies Subsonic Barflies, Half a Cow popsters Daisygrinder and '80s punks Death of a Nun.
That’s a diverse background, so It may have been tempting to make a record with a side of pop and another of the rougher stuff. I have a feeling that such a contrived approach would have been too predictable for The Chordites.
Divine Rites – New Christs (Citadel Records)
Not so much an album as a compilation of singles, “Divine Rites” stands the test of time. Just 45 minutes long and spanning a dozen songs, it was released in Australia in 1988 as a mini-album and CD – a holding action while the newest line-up of the band worked up its debut full-length album, the stunning “Distemper”.
The New Christs materialised after Rob Younger took a lengthy lay-off from performing. The Other Side, his first post-Radio Birdman group, had disintegrated without committing anything to vinyl. Pity. The Other Side live were brutal, founded on a plundering of the ‘60s punk and early ‘70s Alice Cooper vaults and fueled by the take-no-prisoners guitar of Charlie Georgees. The band (Younger, Georgees, Clyde Bramley on bass and Mark Kingsmill/Ron Keeley on drums) worked up some fantastic originals, some of which would be played by the New Christs.