It’s perfect timing for a re-issue of this Oz psych-surf-prog classic. Tamam Shud is back playing the occasional show (one of which, in Sydney on September 9, we have an association with) and a new recording, “Eight Years Of Moonlight”, is in the LP racks.
“Evolution” came out in 1969 and was a milestone in the history of Australian recording. It’s hard to believe (cue: cultural cringe) but it was the first LP of all-original compositions to be released in this country.
The soundtrack to a Paul Wizig surf movie of the same name and the band played the songs they’d composed while the film was projected onto a studio wall. Where the new record really did take eight years (off-and-on) to record, “Evolution” was put to tape in less than three hours.
Dinosaur Jr have sold out their Melbourne show just 24 hours after the on-sale. Feel Presents are pleased as punch to announce a second Melbourne show for the original power-trio: Saturday, January 21 at the Croxton Hotel and it's on sale here.
Elsewhere Dinosaur Jr tickets have got off to a great start with the tour set to be a national sell-out well ahead of time. For all your Dinosaur Jr ticketing needs and up-to-date news check in at http://www.feelpresents.com/
Let me start by saying I have been a Black Diamond Heavies devotee since I first heard a bootleg recording of their first album ‘You’re Damn Right”’ way back in 2005. When the latest album by James Leg (aka John Wesley Myers), vocalist, keyboardist and one half of that band turned up for review, I already knew what I was about to hear.
This is without doubt some of the rawest soul/blues/punk rock ‘n’ roll and coolest Fender Rhodes electric piano playing you’ll ever hear, along with the dirtiest Whiskey-smoked growl that has ever been put to tape. Yes, folks, this album is a winner. It’s dirtier and louder than most other things, and just fucking awesome. It’s the future, the past and present, all rolled up into a tight joint, ready to smoke, get high and just rock the fuck out. There are no disappointments here.
Radio Birdman boss Deniz Tek's latest solo album, "Mean Old Twister", will be released by Citadel Records on September 30.
Stand-out tracks are said to include the straight-ahead, high-powered guitar rockers "Burned Black" and "Prison Mouse", "Comanche", a shimmering surf instrumental, the Stonesy ballad "Table For One" and "Free At Last", an all-acoustic diversion from the electric guitar attack.
"Mean Old Twister" was recorded with the same band which appeared on the last Tek album "Detroit". Drummer Ric Parnell is best known for his work in Spinal Tap and Atomic Rooster. Bassist Bob Brown has been working with Deniz since the 1992 Australian tour supporting Deniz's first solo album "Take It To The Vertical".
Lending a keen ear to the process, Radio Birdman bandmate and famed producer Rob Younger stepped in to supervise the mix.
Tickets for Dinosaur Jr’s looming return to Australia January go on sale today. They’re touring off the back of their new album “Give A Glimpse of What Yer Not”, their first since 2012 and their fourth since 2005’s unlikely reformation.
Four albums into their rebirth and Dinosaur Jr look to have no sign of slowing up. Album of the week slots on Double J, FBi, SER and glowing reviews across the planet stand testament to their staying power and the songs of J Mascis. Dates after the link:
The Saints (without Ed Kuepper, if you had to ask) will play three intimate, exclusive Australian shows at Melbourne’s Gasometer Hotel in October. Chris Bailey will be joined by early ‘80s drummer-turned-journalist, Iain Shedden, Pat Bourke on bass and You Am I’s Davey Lane on guitar.
Hitler’s reaction to the news is above. The dates are below and as the venue is quite intimate, bookings are recommended.
Wednesday 5 October – The Gasometer Hotel, Melbourne (18+) Thursday 6 October – The Gasometer Hotel, Melbourne (18+) Friday 7 October – The Gasometer Hotel, Melbourne (18+)
It’s a split 12” LP. Five tracks one side, one track on the other. Which is a great idea; two bands showcase themselves for half the price of the vinyl. Yes, it’s vinyl. More bands should do this.
Fraudband are a secretive bunch; you don’t really know their names, ages, or what their favourite colour is, whether they’re hipsters from Pillockville, young WTFs from the stale burbs or leathery old farts in those vile brown leather jackets which were so in among the more money than taste twats in 1986. Fraudband (brilliant name, I’m sure you’ll agree) want their music to speak to us.
These two discs were each made (mostly) by a two-piece band, drums’n’guitar; and vox and guitars, respectively. They’re both something I wouldn’t have believed possible: successful two-person rock’n’roll that sounds fantastic. Each album does have a few other elements, but they’re precious few and … and again, I wouldn’t have believed it, but … you don’t really miss the others that much. Why?
In King Mud’s case, the songs and the delivery gain, hold and manipulate your attention; their two covers (you should be familiar with at least one) taken over by the Mudders to such an extent they may as well have written it themselves.
King Mud are Van Campbell from the Black Diamond Heavies and Freddy J IV from Left Lane Cruiser. They’re full-on rock’n’stuff, the kind of busy guitar which tells the story, shoves the song forward and devil the details. There’s a distinctive ‘70s American style to the Mudders, but you can clearly hear innumerable UK influences as well.
Thug co-founder and Black Eye Records artist, Peter Read, has passed away. The circumstances are unclear but a friend said Read had been battling liver cancer and was thought to have been in remission. He was living in Melbourne.
Read (Leather Moustache) and Tex Perkins (Tex Deadly and the Dum Dums, later to join Beasts of Bourbon) formed electro-punk band Thug in Sydney in 1987, initially to make home recordings. Thug became one of Sydney's most confrontational live acts, with chaotic 20-minute sets featuring dancers, theatrics, bizarre electronic equipment and—at one performance—an entire audience showered in flour. Thug gigs would end with members mock-brawling amongst themselves, at times sparking audience participation.
Thug, along with Lubricated Goat and Kim Salmon & The Surrealists, were part of the underbelly of the Sydney indie rock scene, releasing music on the Red Eye Records offshoot, Black Eye Records.
Thug's debut single was the "Fuck Your Dad” b/w “Thug". Along with the “Mechanical Ape” EP and “Electric Woolly Mammoth” album, it was released on a CD, “Everything Is Beautiful In Its Own Way”.
Read temporarily joined Lubricated Goat for their infamous nude-on-national-TV performance of “In The Raw”. More about the Black Eye bands at Cousin Creep’s website. He went on to work as a Front of House sound operator.