The Dubrovniks are playing a one-off Perth show before embarking on another European tour.
The band reformed for Australian and European shows this time last year and is off overseas again.Their only local appearance will be Thursday June 2 at the Rosemount Hotel, supported by The Volcanics. Tickets are on sale now from http://www.rosemounthotel.com.au/
The Runaways. That's Cherie on the left.
It has taken some time but I have finally found my inner klutz. Fortunately, Cherie Currie is a wise and generous woman. So, if my tale lacks substance, the blame is on me.
On Saturday morning, lacking even the first sip of caffeine, I received an e-mail. Robert Brokenmouth couldn’t do the Cherrie Currie interview. Could I step into the breach? Grown up me was fine with this. I’ve done phone interviews before. I just ring the number and try to build a narrative that gets you, the reader, so excited that you’ll hand over your hard-earned dollars for tickets or discs or downloads or whatever. I know the job.
The trouble is, grown up me is suddenly no longer in charge. Fifteen-year-old me is essentially melting down and demanding attention. Fifteen-year-old me is terrified. Grown up me is trying to explain how things that terrify you can also be fun and exciting. Fifteen-year-old me remains unconvinced.
Hard-Ons and Nunchukka Superfly bass player, chatterbox and all-round nice guy, Ray Ahn, has been telling entertaining yarns on his Facebook feed for eons.
They've irrevent, rollicking tales that have taken on a life of their own lately, generating a big following and constant comments to the effect that Ray should write a book.
He's done the next best thing and is putting his stories into a blog. You can read it here.
You just know some records will be good. UK trio Black Bombers summoned an explosive storm-front in the guise of a seven-inch single (“Crazy” b/w “That Kind”) in early 2015 that sold out its first pressing in a week. To say a full-blooded long-player was anticipated is like saying Kayne West has lots of self-confidence.
Black Bombers hail from Birmingham where everything is either black or Black Sabbath. Those local legends might be held in high regard around the globe but apart from a shared love for riffing and volume, Black Bombers are cut from a slightly different cloth.
It’s a re-issue from the mid-‘90s but most of us missed it the first time around. The Monsters are from Switzerland and that put them at a serious disadvantage in places like the USA, where they did attempt to break only to find they were swimming against the tide, no tsunami, of grunge.
he Monsters are right up there with the likes of The Mummies, Thee Headcoats and a handful of others setting a benchmark for trashy lo-fi rock and roll. That’ll become obvious with even a cursory listen to “The Jungle Noise Recordings”, now in expanded form with extra tracks.This is perfect junkyard fodder.
As the Flamin’ Groovies celebrate 50 years with a special gig in San Francisco this week, DAVE "DOG MEAT" LAING checks out their new single vinyl seven-inch, "Crazy Macy" b/w "Let Me Rock"...
Okay, so the Flamin’ Groovies have a new single out for Record Store Day, on the very cool Californian Burger Records label. This is exciting stuff – even more exciting than walking into my first Groovies show on the ’86 Australian tour, seeing they had a new single (“Way Over My Head’ b/w ’Shakin’’) for sale, and buying five copies of it because I never knew if I’d see it again.
That was what, maybe five or six years since their previous release, the “River Deep Mountain High” single? This one comes more than 25 years since we’ve heard anything new from the band – a long fucking time.
Of course the Groovies, with ’71-’80 lead singer Chris Wilson back in place, have been back in action since the second-last Dig It Up! Festival in Australia a few years back.
While we Down Under may have copped them a tad underdone (the Caravan Club show on Melbourne was sensational though), a look at more recent YouTube footage shows the band firing on all cylinders and sounding very much like they must’ve live in ’75 or so, on the cusp of releasing the landmark “Shake Some Action” LP.
During these past few weeks there has been a stream of classic 1977 UK punks band bands floating through, or announced to play in, Sin City, aka Sydney. Names like Buzzcocks and The Stranglers have been something of a call-to-arms. And now a band that has less of a profile locally, Stiff Little Fingers, is playing.
Stiff Little Fingers emerged out of Belfast in 1977 as a bunch of teenagers playing in a punk band in a city with its soul ripped apart. It was a hard place but one that still had heart. Anyone who looks at news footage at the time knows Belfast was a warzone.
I remember a great uncle telling me first-hand stories of how brutal the city really was. Daily body searches by the English soldiers, ruthless gangs that murdered you for your religion and children that were bashed within an inch of their lives after school for walking down the wrong street. Entrenched generational anger and hatred ran deep on both sides.
Tell me, was the Jim Jones Revue one of the highlights of the Big Day Out (2011) or fucking what? They were utterly on fire, all Jerry Lee and compressed brutality … I thought the majors would scoop them up and take them to war …
Well… almost. The band broke up after years of battle, but Jones, retaining Gavin Jay on bass, picked up Joe Glossop on keyboard, Phil Martini on drums and David Page on pedal steel and theremin … why?
Well, when the main songwriter is … I think “trangressing” might be appropriate here rather than “progressing”… from one place to another, it’s not fair on the band he’s gathered to try to shove them down a hole they don’t want to go. If you thought JJR were shit hot, wait’ll ya get a load of this stinky skanky beast.
It’s difficult to believe that Chris Masuak is only in the second half of his 50’s when you examine his output. It’s been a diverse and solid career, spanning almost four decades.
He was in his late teens when he joined Radio Birdman. He was half of the sound of the “twin-guitar attack” that assaulted Sydney with its array of proto-punk influences, to forever stake Birdman a claim as one of the most influential bands the city has produced.
Then there were the post-Birdman bands. The Hitmen never had the songs, in my opinion, but they always delivered as a live act. Masuak’s guitar playing was the stand-out. Chris was still in his early 20’s and still forging his own style. It lay somewhere between the technical brilliance of Mountain and the pop-rock sensibility of The Dictators.