What does a garage band do when it wants to shoot a film clip? Hold a garage sale and let the cameras roll, of course. The Dunhill Blues from Sydney shot this clip for their forthcoming single "Ronnie Wood". We like it. Production by Cheap Music Videos.
You can catch the Dunnies in Queensland and Nothern New South Wales in September and Europe after that.
Tracking the post-Sonic’s Rendezvous Band career of Detroit’s rocking rhythm and blues man, Scott Morgan, gets a little easier next month with the release of three of his solo band albums on a double CD.
UK label Easy Action (who else?) will release the “Scots Pirates”, “Revolutionary Means” and “Rock Action” LPs in re-mastered form as “Revolutionary Action” on October 20.
The 38-song collection will be encased in the usual top-shelf packaging with a bonus cut, the hard-to-find cover version of Jimi Hendrix’s “Can You See Me?”
Twenty-five years on and Australian punk legends The Meanies have somehow weathered many a storm to still be not only around but being more relevant now than ever before.
The band is about to launch a national tour to mark a quarter of century in “the business”.
The re-tooled Radio Birdman (from left) is Jim Dickson, Dave Kettley, Rob Younger, Deniz Tek, Pip Hoyle and Nik Rieth.
Radio Birdman has announced the line-up for its October-November Australian tour with Nik Rieth drumming and Dave Kettley of the New Christs on guitar.
Rieth, the former Celibate Rifles and briefly Visitors member, was behind the traps for a handful of Birdman shows in 2006.
Kettley is a long-standing member of the New Christs and played a one-off gig in Tek and Younger, the band assembled for the Dig It Up! festival in Sydney in 2012.
They will join original members Rob Younger, Deniz Tek and Pip Hoyle, and longstanding bassist Jim Dickson. Longtime guitarist Chris Masuak is a notable omission.
The not-very-mild-mannered chap behind this is Joke Lanz and he will be 50 next year.
Sounds like he’s 22 and rising furious.
Wolfli’s Nightmare is brutish, powered by the sort of simplistic emotional reasoning which makes your guts churn prior to crying. Pushy, nasty robot rhythms don’t so much take you away as take you out the back and give you a kicking.
Well, the 500 double LPs are gone already, I see from the Beast Records website.
Which isn’t surprising, because if there’s a band who should stay on vinyl, it’s Movie Star Junkies.
This release has all of their singles “From Dolls Come In” to “Everything is Holy” - including the B-sides and split singles - in the one spot. You can always tell a boring band when their singles don’t do much for you. The single, for those who might have forgotten, is always intended to be a slice of music and song which rips at you, doesn’t give you any let-up.
There’s a benefit show for Gary Quackenbush of The SRC on September 6 at Club 54 in Sterling Heights in Detroit. The guitarist has been diagnosed with pulmonary fibrosis.
The SRC were formed by Scott Richardson after singing with the Chosen Few, an Ann Arbor band that also had Ron Asheton and James Williamson (later of the Stooges) as members at various times. The SRC ranks included Glenn Quackenbush, Gary Quackenbush and E.G. Clawson. Jeep Holland, manager of The Rationals, became their manager and suggested Richardson as lead singer. Bass player Robin Dale was added later.
The SRC was one of Michigan’s finest psych bands of the ‘60s and contemporaries of the Stooges, the MC5 and The Up.
Capacity at the benefit gig is limited to 400 and doors open 6pm. The bill includes The Reefermen, Frijid Pink and an after-jam with Ray Goodman (SRC) and the Essentials featuring Tosha Owens. Scott Morgan will be the guest MC and will also be performing.
Who knows if there was a pitch to the label? If there was, it probably went something like this: Find a gap in powerpop troubadour Paul Collins’ crazy schedule, put him in the studio with garage production king Jim Diamond and the house band for Detroit’s Ghetto Recorders, give them a cases of beer and let the music flow.
Collins (The Beat, the Nerves, The Breakaways) writes perfect rocking’ guitar pop like hipsters steal oxygen. It’s in his DNA; he has equals but there’s nobody better. A good proportion of these songs would be mainstream hits in a more enlightened and less disposable time.
It’s pretty bleeding obvious where Brisbane’s Dr Bombay is aiming. It’s that elusive but enviable sweet spot - right where melodic pop intersects with loud and fast rock and roll. Bullseyes are a rare thing but, more often than not, the Bombays land close to their target.
Sydney might be shrivelling up and Melbourne has so much going on that at times it appears to be eating itself, but Brisbane’s rock and roll scene remains viably focused, “owning” a few venues in and around the inner-city. It stays strong because it has a centre. Like many contemporaries, Dr Bombay is four (mostly old) guys getting together for a weekend blast without ambitions to conquer the world, but they sure have this pop-rock thing nailed.