We three ladies - my daughter, sister and I - got into town, parked in the nearby parklands and hurried to the Cathedral Hotel. There was no sign of religion in the Cathedral, so we sculled a wine each and hurried across the park through the crowds to the Oval.
What was it like? It was six hours on my feet. Occasional whiffs of dope smoke. Beer spilled over me from all sides and from above. The odd three, four or five angry altercations, quickly stifled before the bouncers could arrive.
Mr Junior has a hell of a quirky appetite, ranging from dirty ultra-hawkwindish rawk to a dirtier electro punch in the head (‘Jetzt’ is killer) some sort of hip-hoppy thing. He’s a former boyband member (!) from Switzerland who plays everything himself.
This is a man who covers a lot of ground in a very short space of time, forcing your feet onto the floor at the same time. If you bought “Max Q”, get “Dr S and Mr P” right the hell now. If you like Ollie Oleson, Culturcide, SPK, Iggy and the Stooges, nasty soundtracks…
(ED: Urban Junior has shared stages with John Spencer Blues Explosion, Bob Log III, John Schooley, Jack Oblivian, Iggy Pop, G. Love & sSpecialSauce, Thee Oh Sees, King Khan, the Pussywarmers and Reverend Beat-Man. That might give you some more clues.)
This is dead dirty rock’n’roll and it’s like being seduced by an oil-stained camel in Doc Martin’s boots (not the star of the TV show Doc Martin, tho, …)
Three-and-a-half bottles. Oh, fuck it, four bottles.
Ex-Saints and Laughing Clowns trailblazer Ed Kuepper's 50th (!) album “Lost Cities” is on its way and available for pre-order.
“Lost Cities'' will be released on December 20 on CD only and we reckon it would be the ideal Xmas gift. You can place your order with Ed's own Prince Melon Records webmaster James Last here.
Copies purchased before the official release date will be personally signed by Ed and cover artist Judi Dransfield Kuepper.
The album features nine new songs recorded in August following the successful Nostalgia for the New Australian mini-tour by Ed. Titles are ''Pavane'', ''Friends with the Leader'', "Free passage to Mars'' ''[It's] Never too Late'', ''The Ruins'', ''Fever Dream'', ''What can I leave you'', ''Some said....'' ''Queen of the Vale [that's V.A.L.E]''.
Legendary garage rock icons The Mummies are almost certainly going to be making just two Australian appearances.
The Mummies play Max Watts (formerly the Hi Fi Bar) in Melbourne on Wednesday, March 9 with the mighty Mesa Cosa and Midnight Wolfe supporting. Tickets are available here. On March 13 they're billed to appear at Adelaide's Kustom Kulture Show.
We're told that organisers will put on a Sydney date only if Melbourne doesn't sell - which seems highly unlikely - and there's no thought to playing anywhere else.
For overseas readers: Cold Chisel created a bubbling, intense hard-rock scene in ythe 1970s and greatly influenced the Australian music industry.
They came before Radio Birdman. And they started in Adelaide.
To be precise, quite often at the Largs Pier Hotel. Which, if you look at a map, you will discover nestling in Largs Bay, to the north-west of Port Adelaide which, back in the early-mid ‘70s, was not quite as foul as Port Melbourne, but none-the-less, decent people didn’t go there. A local joke goes that over there you can hear the largs baying, but … as I said, decent people don’t go there…
Cold Chisel had a rough-as-guts image, and played rock akin to punk before punk, used feedback where it was effective, and were huge all around the country in the '70s and '80s. It would be interesting to see what might have happened had the Hitmen been this successful at Chisel’s expense… but that is to tempt the cobra called Fate.
In typically random style, those Kings of Budget Rock, The Mummies, have announced an Australian gig.
The mysterious Californians, who play their shows swathed in bandages, will visit Australia for the first time in 2016, with only one date announced so far: March 9 at Melbourne’s Max Watts. More news as it comes to hand.
It’s that time of year again, when that fat prick comes scrambling down the chimney armed with a sawn-off and robs you off all your money so’s he can spend it on whores and drugs.
How fair is the world? That’s what I was going to spend it on.
This being the I-94 Barr site, where rock is from Detroit, synths are for Germans and the volume is at 11, you will all have friends who love rock’n’roll. So the bookstores around the world are ready for you this Krimbo, usually armed with tomes the size of one of Mose’s tablets on That Notorious Stone or That Bland Beatle or worse, Someone Who Was Someone Maybe Once (and Just Can’t Get Over It) Volume 3.
Recently I saw Lilith Lane perform as part of the Murder Ballads evening in Melbourne; there were many performers, but Lane was one of a handful who impressed. She’s sharp, smart and has a terrific voice.
"Pilgrim" was Recorded live at Sónica, Madrid, Spain, in October 2012 and released in 2013, It is a rather wonderful live recording, and shows off the great control and power of Lillith's voice; what I like about her is that she’s so natural and approachable with her gift.
The guitarist, (one "Pedro") is damn groovy. It’s a kind of oddly Spanish-flavoured blues '50s rock thing, but you don’t really pay that much attention once Lilith starts singing. You’ll be dancing in a graceful, bopping way.
His old band-mates might be attracting attention on tour as Dictators NYC but ex-Dictator Andy Shernoff isn’t letting the grass grow under his feet. He’s been recording, producing and playing solo with a couple of formidable EPs under his belt recently, which you can buy here. This week bought into the streaming debate with a lengthy online rant – plus a new song.
Says Shernoff: “I’ve been a professional musician and songwriter for over 40 years. I live and breathe music. I also own thousands of albums and CD’s … but they sit in my closet because…I prefer to STREAM MUSIC!!!!