Here’s the exclusive debut of “Cheer Squad”, a non-album digital-only single and taster on Conquest of Noise for Leadfinger’s forthcoming album “Friday Night Heroes”.
“Cheer Squad”is a high-energy bolt from the zeitgeist...it's a song about social media and not fitting in with the crowd, with an attitude that harks back to the ‘70s punk era. “Cheer Squad” is backed up by “The Man I Used to Be”, from the upcoming album. Buy and download the single over the next month and you’ll also get an amazing non-album bonus track called Three Brothers. Three great songs for $A4 and they’re all available here.
Leadfinger will play "Cheer Squad" this Friday night at an I-94 Bar show at Sydney's Marrickville Bowling Club with special guests Simon Chainsaw (with an all-star band of ex-New Christs, Hell Crab City and Filth members) and the garage groove of The Escapes.
I’ve played this CD several times since I received it, and the reason it gets only three bottles is that while it’s really good, it just doesn’t seem to get up and grab me. Maybe that’s me, maybe that’s the production, or the recording on the day. Call me a bastard, feel free, but to me the pace seems just a little too slow, lacking in attack… or something. I can’t quite nail it.
It seems that the imperative a band like this should have has not come out. This happens far too often with recordings (several favourite Adelaide bands who I absolutely loved have released CDs and LPs which seem sheepish rather than roar like a bull buffalo in Kakadu; the worst part is, when a band know the record isn’t up to snuff, they know it and feel bad. The next step should be to determine to do better next time).
Zurich-based Henry Hugo has been in Melbourne for a few weeks, playing with a variety of Melbourne talent so glittering it fairly takes your breath away. I believe there might be a couple more gigs to come, so I suggest you get your hat and coat and wallet and get out the door right now.
Before I go on, I missed opening act the St Morris Sinners. I have heard endless good things about them and I must catch them soon. But it wasn’t to be tonight.
Listen up, punks and noiseniks: The Canadian band’s fifth album in 17 years is inarguably their best. It rocks like fuck; It scratches like a rabid kitten. It’s tuneful and noisily offensive at the same time. All of which should tell you something about The Ex-Boyfriends even if you’ve never heard of them.
The Ex-Boyfriends come from Calgary and I’m willing to bet they’re the best-in-breed in that neck of the woods. If Calgary’s music scene is half as fractured as anywhere else, it takes a lot of balls to be a rock and roll band. Big ones if you play noisy punk rock. Shamefully, I’d forgotten they were around until a notice about this heavy-diuty chunk of vinyl landed in the post box.
Men Of No Shame: Earl Slick, Glen Matlock and Slim Jim Phantom
Sweat is pouring down my neck and back. Rob from the C-Bombs is dangling pictures of his empty pool at me on facebook and I suddenly remember to start dialling.
I’m calling Glen Matlock in London. It will be something like 8.30 in the morning there. He’s organised, sounds quite sober, matter-of-fact and down to earth. Which is pretty good, cos if you’ve never heard the bugger’s name you’ve certainly heard at least one of the bands he’s been in, and helped write the songs for: The Sex Pistols.
Glen is coming to Australia for the ‘Men of No Shame’ tour with Earl Slick and Slim Jim Phantom.
Onetime Richard Hell and the Voidoids guitarist Ivan Julian is battling cancer, his record label has revealed.
“The prognosis looks good for Ivan, but for the next six months or more, flexibility to do his work will be greatly diminished, which means a direct impact on his income,” Plowboy Records said in a statement on its website. Julian was diagnosed almost immediately after writing and recording The Fauntleroys’ new single, “Wait For Me” b/w “All The Way Down (In The City Of Angels).
Plowboy Records and The Fauntleroys are offering the new singles in digital, vinyl and CD formats with all profits going to Ivan Julian. Go here to score the new single or the band's debut EP and help a punk rock icon.
Plowboy is also home to ex-Dead Boy Cheetah Chrome.
With the late Robert Quine, Julian was one-half of one of the most innovative guitar combinations on the New York punk scene and more recently had worked with Matthew Sweet.
Well, this is awkward. David Bowie produces a new album. It's actually pretty good. Easily the best album he's produced since "Low". I know, right? A lot of people hate that one too but an album made by a coke snorting lunatic whilst driving around a car park at seventy five miles an hour is by definition going to sort the likes from the dislikes.
After the Seventies glory years of Glam and guitar solos, things took a turn to the weird. The so called Berlin trilogy featured two good albums "Low" and "Heroes" and the rather jumbled "Lodger". His production of Iggy Pop's "The Idiot" quietly changed the way we'd look at popular music. Joy Division and Public Image Limited were obviously paying attention as well as a veritable army of prissy nerds with their sister's make-up kits and Casio keyboards.
“Johnny Streetlight” is four-and-a-half bottles of joyous, fresh-faced old school rock’n’roll, soaked in piss and substance abuse and if you treat it right you’ll lose part of your hearing (just don’t eat the worm at the bottom). There’s no bad songs on “Johnny Streetlight”, they’re all good for gold. If this band had been around in the mid-‘80s they woulda been huge.
The inner sleeve pic by Leif Alan Creed makes the band look positively criminal (one gentle soul makes up for his lack of pupils by wielding a rather lethal saw).