Hard-Ons and Nunchukka Superfly co-founder, Peter Black, (aka Blackie) is launching his third full solo album with an Australian tour that includes a run of dates as special guest support to King Buzzo of The Melvins.
"The Paintings On The Wall Say Gambler! Gambler!" is said to be "a flaming solid ball of creative explosion, whereby storm-trooping guitars and rhythm" that abandons the storm-trooping sounds of Hard-Ons and Nunchukka for "beautiful, introspective and whimsical".
Pssst…Like Rock? I think got something for ya. Like a disappeared postcard that got mailed 35 years ago, this showed up on my porch and promptly blew the doors off. It’s the first Rockets recording since they disbanded in the early ‘80’s.
Monster drummer and songwriter Johnny Bee Badanjek (think Detroit Wheels, Free Ride, Welcome To My Nightmare) has relaunched The Rockets with Jim Edwards - a fantastic singer, and a badass group of Detroit musicians.
Rising from the ashes of trio Hy-Test, BRUCE! (capital letters compulsory) is a band from the once-industrial musical nursery of Wollongong, south of Sydney, that plays skull-crushing guitar rock with occasionally complex arrangements. This EP showcases four of their simpler tunes delivered to mostly damaging effect.
Punk turned peace activist Ivan Suvanjieff - originally known as Mark Norton from the Ramrods - is a former Cream writer and film maker as well. Here's episode one of his series, Detroit Punks, featuring interviews with pre-eminent Motor City music names.
is with John Brannon of Easy Action and Negative Approach.
Ivan Suvanjieff and Dawn Eagle head PeaceJam, a multiple Nobel Prize-nominated organisation working for social justice. More information at Peacejam.
One of the lesser-known musical pleasures in Australian over the last decade has been the quirky garage sound of the Hekawis, a fuzz-and-organ-driven combo prominent on the Brisbane and Melbourne underground music scenes. Churning out release after release, partly via the then prolific Courdroy label (who happened to own the country's sole vinyl pressing machine for a period in the '90s), the Hekawis pushed all the usual '50s and '60s buttons but came up with a sound unlike any other of their ilk.
Flashback to 1994. A momentous and tumultuous time for music.
The world tragically loses Kurt Cobain and tragically gains the Presley-Jacksons (yep, that happened); the Eagles reform and charge $100 a ticket for their shows; Woodstock re-hits New York state; Korn introduces nu-metal to the universe; "Parklife", "Definitely Maybe", "Grace", "Dookie", "Crooked Rain Crooked Rain" and "Stereopathetic Soulmanure" all hit the shelves… and somewhere amongst all of it, Sydney band Smudge releases its debut album, "Manilow".
It’s the third album for one-man bent bluesman Chicken Diamond and it marks another point on his descent into sonic hell. Ten songs of dirt-flecked distortion with a rusty sawtooth edge.
The Chicken’s coop is France where anything that has the odour of being musically underground is driven so far below the surface you’d need a miner’s helmet and a canary in a cage to find it. Thankfully, brave labels like Beast are around to facilitate tours of the aural subterranean catacombs and cast some light.