The South by Southwest showcase for Saustex media took place on Thursday March 19th at the Saxon Pub in Austin, TX. The headliner for the evening was Javier Escovedo with support from B.P. Fallon and Churchwood.
I always attend South by Southwest and I was happy to learn that Javier Escovedo was participating this year. I've been a fan of his for years. I purchased The Zeros "Don't Push Me Around" single back in 1977. Then, in the 1980s, I had the good fortune to see him play with The True Believers several times in Oklahoma City. He always sang the cool covers that they played. These included "20th Century Boy", "Walking with a Mountain", "Drivin' Sister", and "Alone in a Crowd".
The Saxon Pub is located on South Lamar. I've driven by it many times but have never been there before. It is a nice room to hear music.
What would there be not to like? Double-jangle melodic pop with a hooky melody on one A side and a soaring piece of extended majesty with a searing guitar solo on the second.
It’s what used to be called a Super Band. Which is to say the members have graced a lot of “name” acts from Sydney’s underground past. That might be important to anyone with a modicum of history but Joeys Coop also stand on their own feet. The song-writing is strong and the playing equally so.
“Take Me Away” is the pop song and it’s a beauty. The feel from Andy Newman and drummer Lloyd Gyi is rock-solid but it’s the simple interlocking of Brett Myers (Died Pretty) and Matt Galvin (Loose Pills, Eva Trout, Perry Keyes, Happy Hate Me Nots, Barbarellas) on guitars that builds the song,. Ex-Decline of the Reptiles singer Mark Roxburgh’s warm vocal elevates this to top-shelf pop.
Ex-Screaming Tribesmen Mick Medew has been awarded the Grant McLennan Lifetime Achievement Award by Queensland's peak music organisation, QMusic.
Mick received his honour at last night's Queensland Music Awards in Brisbane.
Previous recipients include the late GoBetweens member Grant McLennan, indigenous artist Kev Carmody, producer Mike Chapman, the Bee Gees, Railway Gin vocalist Carol Lloyd and Ed Kuepper of the Saints and solo fame.
You may have heard of Gang of Four, maybe even, if you’re very lucky, have seen them.
In 1979, the Gang of Four’s first 7”s had a huge impact on me, particularly their first, "Love Like Anthrax", using feedback as an integral part of the song, drowning us as we heard Jon King’s vocals speaking simply - a little like The Velvet Underground’s "The Gift", but so different that the comparison didn’t occur to me until years later.
Their first LP, "Entertainment!", bristling with slappin bass lines, brittle, spiky guitar runs had me dancing like a demon, and …
Radio Birdman will warm up for its European tour with two intimate Sydney shows at the Factory Floor in Marrickville on June 5 and 6.
In a Facebook post the band says: "With no other Australian appearances scheduled for 2015 these shows will provide a unique opportunity to catch the band in a small room - hot, loud and sweaty. This 'up close and intimate' experience, echoing the band's early days at the Oxford Funhouse, will not be repeated any time soon!"\
Support on both nights will be local rockers Black Heart Breakers and tickets are on sale here. European tour dates are in our Living Eye section.
This is a kind of split album thing; one side Lydia works with Cypress, and the second is Spiritual Front’s.
What Cypress Grove is doing with Lydia Lunch is what I think of as “real”, modern blues. I mean, there’s progressive and “progressive”, you know? I mean, you’ll doubtless be annoyed with me when I say I recall Robert Cray’s first LP, and thinking it was very well done, but horrible.
Maybe it’s just me but I dislike cleverness without substance, and Cray just struck me as lopsided. Oh, sure, I suppose I’m doing him a disservice, for I’ve never listened to a Cray track since (to my knowledge), but can you say you’ve never treated a notable performer any differently..? Take Van Morrison.
Please, I mean take the bugger out behind the bike sheds and blow his head off.
Along with half of once-underground Sydney, I know Bob Short. Unlike the rest of Sydney, it seems, I’ve only seen the scrote play once and, because he was rather brilliant, he rates a decent listen and a proper review of his first 7”.
This isn’t an essential purchase, not in this world of freebie downloads and rubbish music. Surely?
Well, actually I rather love this little record, and it looks super in my collection. And, as I understand from Bob’s accompanying pitiful blurb that there’s an LP in the works, all this is as far as I am concerned, most certainly essential. Why?
So settle back on Granfer’s knee and I’ll tell ye a story young feller …