They can't crack it for a place in the Rock and Roll Hall of Fame but the MC5 will be honoured with a 50-year retrospective exhibit and concert in their Detroit-area hometown of Lincoln Park, Michigan, at the Lincoln Park Historical Museum.
An open reception will be held on July 11 with a concert on July 12. The exhibit will run through Labor Day, September 7, with regular museum hours (Wednesdays and Saturdays from 1-6pm.) Admission to all events is free though donations to the Lincoln Park Historical Society are encouraged.
The exhibit highlights iconic photos by Detroit photographer Leni Sinclair and Lincoln Park-raised Emil Bacilla, original psychedelic posters by Carl Lundgren, and Gary Grimshaw (also raised in Lincoln Park) and band memorabilia (including personal artifacts from the Derminer/Tyner family.)
The concert will be held in the Park Band Shell in Memorial Park - one of the earliest sites where the MC5 played – with music from Timmy’s Organism, Rocket 455 and Chatoyant.
Surviving MC5 members Wayne Kramer and Dennis “Machine Gun” Thompson and the families of Rob Tyner, Fred “Sonic” Smith and Michael Davis have been invited. While Kramer is unable to attend, Thompson will be in attendance at both the Saturday and Sunday events.
While the band was the target of establishment harassment during its existence, the afternoon concert will be marked by Lincoln Park Mayor Tom Karnes presenting the keys to the city. Ain't irony grand?
A limited edition of Carl’s Lundgren’s artwork created for the anniversary celebration poster will be available for purchase at the opening night and on the day of the concert. The Lincoln Park Historical Museum website is here.
A brand new powerpop-rock combo with an impeccable pedigree, The On and Ons, are launching their Citadel Records CD album, "It's The On and Ons Calling", at the Factory Floor in Sydney on July 18.
The back story is this: Ex-Screaming Tribesman and Kings of the Sun member Glenn Morris (lead vocals and guitar) and his brother Brian (drums), of The Zeros (the Australian band) toured Australia and the US in 2012 as members of The Paul Collins Beat.
That successful stint encouraged them to record their own album of Glenn's original songs. The resultain record "It's The On and Ons Calling" was produced and engineered by legendary Australian guitarist Dennis Wilson, of Khavas Jute fame.
Real Kids, Classic Ruins, Primitive Souls and Varmints guitarist Billy Borgioli (pictured right, with The Real Kids) has passed away, apparently after suffering a brain aneurysm.
The Real Kids were one of the most influential bands of the Boston scene of the late ‘70s, with their roots in '50s classic rock and roll, loads of melody and hooks and all the energy of punk. Borgioli is best remembered for being on board for their classic 1977 debut album, “The Real Kids” whose stand-out track “All Kindsa Girls” is a stone classic.
I missed the first band, but I’ve heard good things. I did catch The Pro Tools.
Led by the extraordinary Pete Howlett, ThePpro Tools hammer at you - they’re a lot of noisy, in-your-face fun; coupled with Howlett’s almost Dolls-esque behaviour.
“No-one flicks his hair with such elegant contempt as Johnny Thunders,” remarked fellow audience member Nazz Nassari tonight, in response to my observation that Howlett’s perfectly timed angry slash at his hair toward the end of their set expressed an eloquent contempt). I never saw Thunders, but Howlett has a sort of compressed loathing of his instrument, despite his dexterity and talent, as if somehow the instrument simply cannot do what Howlett wants it to. Therein lies part of the public persona/reality of the man.
If 1977 was the year Iggy Pop presented his professional face to the American public, it was really by a matter of degrees. Think about what constituted Mainstream USA back then and ask if it was ready for Iggy, even in the guise of a clean-living and professional working stiff? The question’s rhetorical so don’t bother answering.
The Iggy that Americans saw (those who took notice) is captured on “Shot Myself Up”, a made-for-radio recording captured live in a studio on Pop’s ’77 tour of his homeland.
Following in the tradition of acclaimed compilations like “Boogie” and “(When The Sun Sets Over) Carlton”, Festival Records and WMA are releasing a new collection of music from Australia’s sharpie subculture of the ‘70s.
“When Sharpies Ruled – A Vicious Collection” is a power-packed 23-track CD packaged with a slipcase, 28-page jewel case booklet with liner notes and a separate 60 page booklet of Sharpie snaps. It’s billed as “the ultimate aural and visual statement on the infamous Australian youth movement and gangs of the ‘70s” and who are we to disagree?
Sharpies were a uniquely Australian, working class phenomenon from the late ‘60s to the late ‘70s. Notorious for causing trouble, they’re remembered for their startling style sense - tight Italian cardigans and razor cut hair were favoured – and outrageous dancing.
Perth psych-boogie rockers Datura4 (whose ranks include Dom Mariani and Greg Hitchcock) have their album "Demon Blues" out on CD and vinyl on Alive Naturalsounds July 10. Our review is here and this is the official video for the lead-off song.
There’s something reassuring about a new Cosmic Psychos record. It’s about ageing disgracefully and all that. The fuzz bass, careering guitar lines and shout-spoken – no, drawled – vocals about beer, drinking and other everyday pursuits wrap themselves around you like a favourite blue singlet on a sweltering December day.
No Psychos record is radically different from another and therein lies the comfort factor. If you’ve been paying attention, by now you know exactly what you’re going to get. There’s more verbal abuse here than Caitlin Jenner taking a post-operative vacation at an ISIS-controlled holiday resort.