Take the tip and don't miss Ron S Peno and The Superstitions when they play their first Sydney show since 2017 at Marrickville Bowliing Club on Saturfday, November 12. Tickets for the show, presented by The I-94 Bar, went on sale this mormnig here and are moving very quickly.
Supports are Fabels, Nothing But Dust (featuring Died Pretty bassist Steve Clark) and MD Horne. For health resons, Ron and The Superstitions will play early at 915pm, and the night will be closed by MD Horne.
Ron S. Peno & The Superstitions are fronted by one of Australia’s greatest and most charismatic performers, Ron S. Peno, whose voice is as instantly recognisable as it is arresting.
Ron came to prominence as lead singer and principal co-composer with Died Pretty in the 1980s and 1990s. With Died Pretty, he achieved Top 30 success with multiple albums, received numerous ARIA nominations, made many Big Day Out appearances and enjoyed years of Triple J support, as well as great national and international critical acclaim.
Ron and The Superstitions' first and third albums, "Future Universe" (2011) and "Guiding Light" (2017), were both long-listed for the Australian Music Prize, and they have toured through Spain, Italy and France.
Back when Guns N Roses and L.A. Guns, Cinderella, and Faster Pussycat were all the rage among our mulleted, stonewashed, demon headed silver ringed, metalhead bros from way back, me and my chain-smoking black T-shirted Hanoi Rocks friends would take crazy road trips to see our biker rock heroes CIRCUS OF POWER every chance we could get.
The classic line-up were everybody's faves, but this is a rare example of how ONE DUDE really can hold up the black flag righteously for the followers, as ALEX MITCHELL has consistently located a series of totally qualified new accomapniets to carry on the proud tradition. I don't know if you have a copy of his epic comeback album, "Four", or the follow-up, "Process of Illumination" yet, but I heard some of his new tunes and am just thrilled he continues to get down like an ageless holy barbarian motherfucker.
Not that many bands from the USA! USA! land of the misinformed, cowardly and unfree, can still make real rock ’n‘roll with this much heart and soul. In Big Al's own words:". “Growing up is a process. Drugs, alcohol, arguments….I wish we could go back to those early days, to the songs on that first record. That was the best Circus of Power ever was.”
Beloved fuzzy noise makers The Scientists are finally heading off around Australia to promote their newest album, “Negativity”.
The record released in 2021 as their first full-length studio effort in 34 years, attracted some rave reviews including this pearler from our own Robert Brokenmouth. The five-state tour spans February and March, 2023.
Art Gray Noizz Quintet - Art Gray Noizz Quintet (Bang! Records)
Bliss., Mr Barman. No duff tracks, kids. Classic tuff rock'n'roll.
It's been a while since I last saw Stu Spasm on stage (in Adelaide). I used to see him in bands like The Bad Poets and The Brats - he lifted both s into another game entirely. These days Spasm lives in New York and has carved out a following in the USA. From rock ‘n’ roll outlaw - which he always was - to something like a terrifying troll beneath a bridge, Spasm's later work has come to the attention of most of you, and if it hasn't, it's time it did.
The outfit consists of Skeleton Boy (from Woman) on two-string bass; Andrea Sicco (Twin Guns) on gittar; Bloody Rich Hutchins (Live Skull) on drums, with further depredations by Nikki D'Agostino and Nicholas John Stevens. Recorded and mixed by Martin Bisi, Bloody Rich, the Quintet and Michael Jung.
Enough history, what're they like?
A Beginners Guide to DISGRACEland – DISGRACEland (Vi-Nil Records)
DISGRACELand are the remnants of Sydney Northern Beaches band from the ‘90s, Orange County, MERGATROID and the group fronted by infamous ‘80s wastrel Johnny Teen, and have hooked up with re-animated label Vi-Nil to release a debut album. Sounds just what’s needed in these fraught times where live music is still staggering under the weight of a COVID hangover.
With pandemics being what they are, DISGRACELand hasn’t appeared live much, but the shows they have under their collective belt have attracted attention. One animated affair at the Link and Pin Café in Woy Woy, north of Sydney, impressed part-owner and Vi-Nil honcho Mark Fraser so much that he decided to put out the band's CD.
Cheap Motels After Midnight – Dave Favours and the Roadside Ashes (Stanley Records)
Forget the “alt.country” tag. It might be a comfortable peg on which to hang an urban cowboy’s hat but after 15 years, Sydneysider Dave Favours surely occupies his own musical niche.
Maybe the tag should be “Ditch Country” – the twang is there, but like mid-70s Neil, he’s skirting a course along the gutter because it’s more interesting place to travel.
It’s a Matter of Time – Reverend Beat-Man and The Underground (Voodoo Rhythm)
And it’s a Matter of Taste whether you dig the Reverend. We at the Bar have a lot of time for the venerable High Priest of Trash Rock, whether it’s in his clerical guise or cloaked in his garage trash skronk identity as leader of The Monsters.
This long player (available as a CD or LP) re-visits some old songs and goes in a few new directions, but is unmistakably the work of Switzerland’s most cuckoo garage/trash rock original.
The back story goes a little like this: Beat-Man was coaxed to spend a week in a remote Swiss Alps chalet to record with a hand-picked line-up of people he’d long admired. He chose Milan Slick (keys), drummer Beatrice Graf (of Ester Poly) and local rockabilly guitarist Benjamin Claus. The material was played live. What you hear are complete takes. No overdubs.
Huxton Creepers in their '80s heyday.
Combining elements of powerpop, grunge, and the sort of hard-edged rock ‘n’ roll that only comes out of Melbourne, the Huxton Creepers were one of the of the best bands in Australia in the ‘80s. With three well received LPs and non-stop touring, the Creepers, while only round for five years, certainly made their mark on the scene in Melbourne but also all over the country, playing anywhere and everywhere.
The Creepers are back playing a rare show at the Corner Hotel on Saturday, 27 August, along with other ‘80s legends the Gas Babies and Intoxica.
Huxton Creepers lead singer Rob Craw was happy to reminisce on the bands original run, and also what keeps them coming back for more.
Curse of the Easily Amused – The Mutants (Liberation Hall)
The Art Punk genre is a mixed bag. Throw in a New Wave descriptor and the name can refer to anything, really. So if you’re confused approaching this retrospective collection by a late ‘70s San Francisco band, be not alone.
At last count there were enough bands using the name The Mutants to fill a large tour bus. As well as Art Lyzak's ‘70s Hamtramck, Detroit, outfit with Bootsey X, there was a Pink Fairies-inspired Merseyside, UK, combo and a 2000s supergroup featuring Rat Scabies. There’s even an instrumental Finnish band, so there’s been a whole lotta mutating goin’ on.
These West Coast Mutants sprang from the same diverse scene that had already spawned Flipper, the Nuns and the Avengers but took a more artful approach inspired by the trash films of John Waters and the vibe of Andy Warhol’s Factory crew. Which doesn’t mean they sound anything like the Velvets.