Bungalow Rock - Ronny Dap (self released)
Listen up I-94 Barflies - there's a new era of music taking hold in the northern suburbs of Melbourne. It combines dirty rock 'n' roll mixed with old school English punk rock, sung and played by an Australian with no regards to what anyone thinks...
Expiain? Well, it's called Bungalow Rock. A brilliant name, if I do say so myself, and this music was recorded - in isolation - in a suburban bungalow-cum-recording studio and in a rented home's backyard.
Our man Ronny Dap from Melbourne has released this, his second album in 12 months, as the follow-up to the glorious "Root Shoot or Electrocute". If the name is ringing bells, Ronny Dap was the brains behind the punk band The Dope Smoking Morons as well as many others over the past 30 years. He plays everything on "Bungalow Rock".
Live at Goose Lake: August 8th 1970 - The Stooges (Third Man)
Are you kidding me? This is conniption material. A high-quality soundboard recording of the original Stooges, plus saxophonist Steve Mackay, at a time when they were at the primal peak of their considerable powers? It’s proof-positive - not that it’s needed - that the Stooges of 1970 were indeed America’s Most Dangerous Band.
The Stooges were a few months fresh from recording the epochal “Fun House” album and in a mind to confront Middle America on the sort of scale that could only be achieved off the back of substantial record sales.
Seance - Professor and The Madman (Fullertone Records)
Old punks don’t die. They just learn how to play their instruments and make concept albums. Stop right there. Don’t run screaming from the room. Professor and The Madman’s “Seance” is an album completely bereft of excess fat and self indulgence.
This trans-Atlantic band is American singer-guitarists Alfie Agnew (Adolescents, DI) and Sean Elliott (DI, Mind Over Four) joined by Brits Paul Gray (bass) and Rat Scabies, who respectively are current and former members of The Damned. While that's a punk pedigree worth bottline, “Seance” is one diverse pop trip.
Blues-punk legends Kim Salmon & The Surrealists are announcing their new album “Rantings From The Book Of Swamp’”, set for release on September 4. “Rantings From The Book Of Swamp” will be the band's eighth studio album but the modus operandi remains the same - deconstruction and salvage.
It’s being preceeded by a single, “Burn Down The Plantation”, the proceeds of which will go to Stop Black Deaths In Custody.
Two of American’s finest and most fun high-energy punk combos, New Bomb Turks and Baby Shakes, have separately decided to make available rarities to benefit Black Lives Matter organisations.
Columbus, Ohio’s New Bomb Turks, who appeared in the early ‘90s and made a huge impact internationally with the high-speed wise-ass update on classic ‘70s styled punk, are releasing "Nightmare Scenario – Diamond Edition", a vrsion of their 2000 album, "Nightmare Scenario".
The previously unheard original mixes (and bonus track) by original producer Jim Diamond was recorded after their first Australian tour in 1999, and featured new drummer Sam Brown.
Punk/proto-punk guitar heroes, James Williamson (Iggy & The Stooges) and Deniz Tek (Radio Birdman), have joined forces for a studio album. "Two To One" is released in September 18 by US label Cleopatra Records and "Stable" is the lead-off video track..
Williamson and Tek met at a memorial show for founding Stooges guitarist Ron Asheton in 2011 and reconnected when Williamson finally made it to Sydney with Iggy & The Stooges in 2013. They’ve since become neighbours in Hawaii. Although generationally separated, they share roots in the fertile Ann Arbor/Detroit high energy rock scene of the late '60s and early ‘70s.
Dreaming - New York Junk (Tarbeach Records)
"The poet's gut reaction is to search his very soul..." -Dee Dee Ramone
"The Gutter Angels up in Heaven/ looking down upon us all/Bless the homeless/Bless the dope fiends/Bless the sidewalks where they fall”. -Puma Perl
Covid Sunday, diggin' through old boxes and pulling out stacks of magazines and letters and relics from a long gone and probably mercifully half forgotten, stinky basement, punk past.
Nobody loves a band more than a diehard follower of the Stooges. Through thick and thin, they cling to whatever recording detritus or tidbit of lore is handed down, like a drowning man clutches a life preserver in an ocean liner sinking.
They chase every bootleg with the fervour of a pre-urban renewal Cass Corridor junkie hustling a hit. They celebrate the band’s posthumous legend status and annoy non-believers with trivia, simultaneously living vicariously through the stories of the Stooges' addled (pre-reunion) stumbles and falls.
All this and more is why the news that broke in June this year about a high-quality desk tape concert recording of the original line-up materialising, a full five decades after the event, hit the faithful like a phalanx of neighbourhood leaf blowers at 7am on a hungover, suburban Saturday morning.
The Misery Hang - The Searchin’ Destroyers (Gimme Some Skin Records)
There’s a tiny clue to its sound in the band name but you’d be a fool to collar these Destroyers as just another bunch of would-be world’s forgotten boys (plus a girl.) There are many more varied and subtle reference points on this Athens, Georgia, band’s debut album than there are scars on His Igness’s leathery hide.
Essentially a mid-life outlet for hazmat technician-turned-keyboardist Drew Finn, The Searchin’ Destroyers aspired to play “psychedelic garage pop punk Tejano spaghetti western surf soul rock music” when they formed three yeasr ago. If that mission statement takes a minute getting your head around, you’re not Tom Hanks on a desert island with only a mute volleyball for company.